svasti prajābhyaḥ paripālayantaṁ
nyāyena mārgeṇa mahīṁ mahīśāḥ
go-brāhmaṇebhyaḥ śubham astu nityaṁ
lokāḥ samastāḥ sukhino bhavantu

Lokah Samastah Sukhino Bhavantu (Mangala Mantra)

The Isis Protocol began as an exploration into the utilization of music as a tool for awakening. In the end, it became a complete story made up of ten parts, meant to take the listener on journey inward.

This album is also meant to become a vehicle for helping cure blindness in third world countries. Buying this album helps to support The Seva Foundation (www.seva.org) who in the past year alone have served one million people worldwide. 108,000 people received cataract surgery to restore their eyesight. And only $50 cures one person of blindness!

Please consider helping by either buying the album and/or contributing to Seva directly. Every dollar counts and your contribution WILL make a difference.

Arrival In The Hall Of Portals

August 2022, Maha Templo, Sacred Valley, Peru

Ceremonial Talks and Prayers, 2022 - Maha Temple Peru - Jayaji

Jun 17 2023 Corazon Que Es La Unico Que Tengo

|| Guru Vandanam ||

śrutiḥ smṛtiḥ purāṇānām ālayaṁ karuṇālayam |
namāmi bhagavatpādaṁ śaṅkarāṁ loka śaṅkaram || 1 ||

śaṅkarām śaṅkarāchāryaṁ keśavaṁ bādarāyaṇam |
sūtrabhāṣya kṛtau vande bhagavantau punaḥ punaḥ || 2 ||

īśvarogururātmeti mūrttibheda vibhāgine |
vyoma vadyāpta dehāya dakṣiṇāmūrttaye namaḥ || 3 ||

gukārastv-andhakāro vai rūkarastan-nivarttakaḥ
andhakāra-nirodhitvād gururity-abhidhīyate || 4 ||

sadāśiva samarāmbhāṁ śaṅkarāchārya madhyamām
asmadāchārya paryantāṁ vande guruparamparām. || 5 ||

|| Guru Vandanam, a Saudação aos Mestres ||

śrutiḥ smṛtiḥ purāṇānām ālayaṁ karuṇālayam |
namāmi bhagavadpādaṁ śaṅkarāṁ lokaśaṅkaram || 1 ||

Śruti - os Vedas e as Upaniṣads; Smṛti – a Bhagavadgītā e os demais textos tradicionais; Purāṇa - as crônicas antigas sobre deuses, sábios e reis; ālayaṁ - uma casa, um refúgio; karuṇālayam - o repositório da compaixão; namāmi - eu saúdo; bhagavadpādaṁ - aquele que é digno de reverência; Śaṅkarāṁ - Ādi Śaṅkarāchārya; lokaśaṅkaram - aquele que traz felicidade ao mundo.

Eu saúdo Ādi Śaṅkarāchārya, o repositório do Śrutiḥ, 
o Smṛtiḥ e as Purāṇas, aquele que é o lar da compaixão, 
que traz felicidade ao mundo e que é digno de reverência. || 1 ||

śaṅkarāṁ śaṅkarāchāryaṁ keśavaṁ bādarāyaṇam |
sūtrabhāṣya kṛtau vande bhagavantau punaḥ punaḥ || 2 ||

Śaṅkarāṁ – Śiva; Śaṅkarāchāryaṁ – o mestre Ādi Śaṅkarāchārya; Keśava –  Viṣṇu; Bādarāyaṇa – Vyāsadeva, conhecido também como Kṛṣṇa Dvaipayana, compilador do Mahabhārata; sūtrabhāṣya kṛtau – aqueles que compuseram o Brahmasūtra e o Brahmasūtra Bhāśya; vande – eu saúdo; bhagavantau – os veneráveis sabios; punaḥ punaḥ – vezes e mais vezes, repetidamente.

Eu saúdo vezes e mais vezes o grande mestre 
Śaṅkarāchārya, que é Śiva, Bādarāyaṇa e Viṣṇu,
os veneráveis que escreveram os Sūtras e o Bhāṣya. || 2 ||

īśvarogururātmeti mūrttibheda vibhāgine |
vyomavad-vyāpta dehāya dakṣiṇāmūrttaye namaḥ || 3 ||

Īśvara – o Ser, manifestado na forma de todas as expressões da criação; guru – o mestre; Ātma – o Ser, manifestado na forma do indivíduo; iti – desta maneira, assim; mūrttibheda vibhāgine – aquele que aparenta estar dividido; vyomavat – como o espaço; vyāpta dehāya – aquele que está em todos os lugares, que não é limitado pelo espaço; Dakṣiṇāmūrttaye – para Śrīḥ Dakṣiṇāmūrti; namaḥ – saudação.

Eu saúdo Dakṣiṇāmūrti, que é ilimitado como o espaço
e que se revela na forma de Īśvara, o guru e Ātma. ||  3 ||

gukārastv-andhakāro vai rūkarastan-nivarttakaḥ
andhakāra-nirodhitvād gururity-abhidhīyate || 4 ||

gukāraḥ – a sílaba gu; tu – de fato; andhakāraḥ – que denota escuridão [i.e., ignorância]; vai – de fato; rūkaraḥ – a sílaba ru; tad-nivarttakaḥ – o removedor; andhakāra-nirodhitvād – por causa de que ele destrói as trevas; guruḥ – o mestre; iti – desta forma; abhidhīyate – é chamado.

A sílaba gu denota as trevas [da ignorância]. 
A sílaba ru aponta, de fato, para sua remoção.
O guru é assim chamado pois dissipa a escuridão. || 4 ||

sadāśiva samarāmbhāṁ śaṅkarāchārya madhyamām
asmadāchārya paryantāṁ vande guruparamparām. || 5 ||

Sadaśiva – o auspicioso Śiva como o mestre Dakṣiṇāmūrti; samarāmbhāṁ – que começa com; Śaṅkarāchārya – Ādi Śaṅkarāchārya; madhyamām – que está no meio; asmadāchārya – meu professor; paryantāṁ - que se estende até; vande – eu saúdo; guru-paramparā – a linhagem dos mestres.

Eu saúdo o paramparā, a linhagem dos mestres que, 
começando com Sadaśiva [Śrīḥ Dakṣiṇāmūrti], 
tem Śaṅkarāchārya como elo intermediário 
e se estende até meu próprio professor. || 5 ||

Tradução de Pedro Kupfer.


Guru Vandanam

Jaya Ganesha is the opening chant in the Sivananda Yoga Vedanta Organization.  Enjoy! 

Jaya Ganesha

Indus Raag - Music Beyond Borders

Bhopali Todi

Presenting today's #NadaAradhana. A soulful vocal rendition sung in the carnatic style of music. 

Nada in Sanskrit means “sound” and Aradhana signifies “worship” or “devotional offering”. Nada Aradhana is an intuitive synthesis of vocals and instruments performed twice daily in the Dhyanalinga Multi-Religious Shrine at the Isha Yoga Center in Coimbatore.

An enchanting and deeply healing mix of singing bowls and assorted natural musical instruments in conjunction with voices, Nada Aradhana is a live offering that enables listeners to slip effortlessly into a receptive mode, making them available to the divine energies and Grace of the Dhyanalinga, and allowing them to experience deep states of meditation.

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Nada Aradhana - Carnatic Classical Vocal

Ketri by Lumin ( Irina Mikhailova, Mno, Jeff Stott )

Ketri by Lumin ( Irina Mikhailova, MNO, Jef Stott )

Ashwini Bhide Deshpande. Jhula - Jhamak jhuki aayi badariyaa kaari.

Enjoy, share and support fresh, independent Indian Classical Music. 

Raag Pahari Jhinjhoti, 
Vilambit Teentaal, Drut Teentaal.

Pramantha Mohan Tagore : Sarod 
Rohan Bose : Tabla 

Recorded, Mixed and Mastered by Shaurjya Banerjee, at The Music from Mars Studios, Calcutta 

Produced by Shaurjya Banerjee

Raag Pahari Jhinjhoti

The Indus Raag Project is an ace initiative that aims to cultivate, archive and promote the inspirational legacy of music traditions of the Indo-Pak sub-continent. 

The first album of the series, INDUS RAAG (Music Beyond Borders) having earned considerable critical acclaim from noted music critics and connoisseurs, was taken as Pakistan’s first ever entry for the Grammy Awards in 2014.

“INDUS RAAG 2 – Karachi Concerts” is a sequel to above. It comprises of live sessions done over a period of seven years from 2009 to 2015. The box set of 6 Audio CDs and a DVD contains about ten hours of quality music featuring 65 musicians from Pakistan, India, UK, Germany, France and Turkey.

INDUS RAAG 2 is a soundscape specific to Karachi. Home to several and diverse ethnicities this mini Pakistan evolved from a small coastal village, Kolachi, to become a cosmopolitan economic hub of Pakistan. As an album “Indus Raag 2” captures the melodic flavours peculiar to the spirit of the city.
INDUS RAAG Project is an on-going activity - more to come!
INDUS RAAG. - Gold Edition 2017 is the fourth edition of "Indus Raag - Music Beyond Borders". Beautifully packaged in shape of a booklet and a USB (66 MP3 tracks and a PDF Booklet), the album is unique in many ways. A Collectors' Edition indeed.

Bhopali Todi

Indus Raag

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