You know what people are doing when you are 50 and start to be a composer? 
They don't even laugh. They just shook their heads. When you are 16 and write your first symphony, everybody will call you the next Wolfgang. But if you are 50, people will say "What a crap. Don't quit your daytime-job. Get serious" 

Serious? This is just plain fun for me. I don't do music to pease people. I do music just for my basement. 

01-Rhîngolg

01-Tannhäuser Gate

02-die Suche nach dem Rheingold zu organisieren

02-South of Houston NYC

03-Verrat an den Verträgen

03-Your Wife Cindy

04-ENORMOUS ROOM

04-Who Needs Musicians

It has been a road long travelled 
- literally - 
I am a computer specialist, worked in all four corners of the windrose for some 25 years++. I do have my own company doing IT-business. The classic IT entrepreneur. But this is another live. This is about composing music, about analog and digital, serious classic music and experimental electronic. Grenzganger. 

One of my favorite writer is Jack Kerouac, but not his well-known book "On The Road" but rather "Big Sur", a brilliant poem on the hallucinated sounds of the Pacific Ocean at Big Sur (where I lived nearby for some years) On the road it was like Jack described and I had more bonus miles to spend than I liked and countless nights on trains, airplanes, cars and trainstations . Endless series of business, people, shakehands and deadlines. 

"Les Temps de Gares"

Now it is time to be the " artist formerly known as entrepreneur". Composer on the boundaries of Analog and Digital, of writing notes with a MontBlanc Füllfederhalter on rare old note paper (that entrepreneur money can buy) and write instant symphonies, programmed into computers, generated, re-written and re-created 

industrialist

Popular tracks