2014 New Classical Releases Index

"Silver Fanfare" was composed in celebration of the 25th anniversary of the Pacific Symphony, in Orange County, California, in 2004. It was originally composed as the first movement of a six-movement work for soloists, children's chorus, mixed chorus, and orchestra, entitled "On Music's Wings." Carl St.Clair conducted the premiere at the Pacific Amphitheater.

Written also to serve as a stand-alone orchestral concert opener, "Silver Fanfare" has been performed by such orchestras as the Boston Pops and the Nashville Symphony. It was chosen as the season opening work of the iconic Hollywood Bowl in both 2015 and 2016, performed by the Hollywood Bowl Orchestra.

This recording, by the London Philharmonic Orchestra conducted by the composer at historic Abbey Road Studio 1 in 2013, is the opening track of Boyer's new recording in the Naxos American Classics Series, which was released worldwide in February 2014. The recording also includes Boyer's Symphony No. 1, and three other orchestral works. It has been broadcast on over 150 radio stations around the U.S. and abroad.

"Boyer, who claims more than 300 performances by more than 100 orchestras, writes in a fluent, powerful style that fuses conservative American currents with Hollywood-ish size and populist sentiment... eloquent, spaciously recorded performances…"
-- Gramophone

"Like all of the music on this disc, the symphony is tuneful, expertly crafted, colorfully scored… Boyer knows what he wants, and how to do it. This very well engineered disc is lots of fun, and a really good listen."
-- ClassicsToday.com

"The performances here are simply superb, showing off [Boyer's] engaging and easily accessible cinematic style. This is certainly a recording that should have broad appeal, and one which you will likely find yourself returning to time and again. The music is brilliantly orchestrated with engaging thematic ideas and a fine sense of dramatic shape."
-- Cinemusical

"Classical music listeners apprehensive about 'new music' have nothing to fear, and everything to love, about Peter Boyer. The American composer writes music in a neo-romantic style with an unabashedly direct and popular appeal… His Symphony No. 1, a tribute to his muse Leonard Bernstein, is a stirring work, filled with soaring, 'American sounding' themes and propulsive rhythms… a recording that’s sure to win him many new fans."
-- WRTI (Philadelphia), New Releases

To purchase on iTunes: https://itunes.apple.com/us/album/boyer-symphony-no.-1/id804059505

Music © 2004 Propulsive Music. Recording © 2014 Naxos Rights US, Inc. Used with permission.

Buy on Amazon

Silver Fanfare - London Philharmonic Orchestra/Peter Boyer, conductor

This is Ted Hearne's explosive piece for string orchestra, "Law of Mosaics", written for and performed here by A Far Cry, a Boston-based chamber orchestra. This recording stems from the album of the same name, in which he shared with composer Andrew Norman.
Ted writes in the program notes:
"'Thomas Jefferson went through the New Testament and removed all the miracles, leaving only the teachings.' 'Meaning is a matter of adjacent data.' 'The law of mosaics: how to deal with parts in the absence of wholes.' These passages, along with many others, are appropriated from a variety of sources and arranged by David Shields into his 2010 book, Reality Hunger: A Manifesto. It is a patchwork treatise on art and digital culture, and is an inspiration for Law of Mosaics - a new 30-minute piece for A Far Cry. 
The musical material from the first movement, Excerpts from the middle of something, is lush and climactic - but it is also a fish out of water, removed from surrounding music that might help it be better contextualized. It could follow a tense build-up, or precede a climax and resolution, but instead we hear it repeated and revised. As the material circles in on itself, it begins to make sense on its own, but never really 'goes' anywhere.

COMPOSER: Ted Hearne
ENSEMBLE: A Far Cry

Please be aware that this music belongs to its respective owners, and I do not claim any right over it. I upload this solely for archiving purposes, and for the sharing and enjoyment of great music. If you are the rightful owner of this copyrighted material and would like the video removed from SoundCloud, leave a comment below with your statement and I will take the upload down effective immediately.

Ted Hearne — Law of Mosaics: I. Excerpts from the middle of something

Recorded live at Milton Court Concert Hall.

Piano - Bethany Reeves

Bird Songs At Eventide - Eric Coates

Death With Dignity

Death with Dignity (Demo)

Carrie & Lowell

Fourth of July (Version 4)

Gravado ao vivo no Espaço QC,  Porto, no dia 20 de março de 2025.
Áudio de Helena Margarida; 
Compositor Rúben Borges; 
Intérprete Coletivo Phoebus (Luís Miguel Leite, José Teixeira e Leonor Marinho); 
Art de Rúben Borges.

Ruins On My Chest - Rúben Borges [version 2]

There's not much to say about D>C, it's a piece for guitar and electronics with a reduced discourse in which the guitar completes the digital support using percussive sounds and such... 

Home rec (2025).

Magistri Mei: BACH, II. ECHO by Jaime Reis. For guitar and electronics. Recorded live at Lisboa Incomum (Lisbon) in 2025.
Photo art: Pinterest

ECHO - Jaime Reis (live)

Something that arises from a simple thought...
Home rec (2025) 
Photo art: Pinterest

Christmas Magic is a festive song written by composer Lucy Armstrong and writer Helen Arney for Glyndebourne and Create Music as part of One Voice Festival of Singing.

The song is all about sharing the magic of Christmas with the people around you. It’s full of energy and excitement as everyone comes together to celebrate the season with singing and dancing. Looking up into the sky in search of Christmas magic, we suddenly find ourselves in a distant land full of snow-covered Christmas trees, shooting stars and flying reindeer!

This live recording is from 11th December's evening performance. It is performed by children from local primary schools, members of Glyndebourne Sinfonia and The Glyndebourne Chorus and is conducted by Ashley Beauchamp.

Words:
I can share the secret,
If you hold it tight:
You’ll find Christmas magic
If you just look up tonight
Beating a drum
This Christmas will come as a rhythm
Raising a cry
This Christmas will come as a song
Stamping our feet
This Christmas will come as we’re dancing
Holding your hand
It’s Christmas wherever we are
Listen to the music
Hear the carols ring
You’ll find Christmas magic
If you just look up and sing
Beating a drum
This Christmas will come as a rhythm
Raising a cry
This Christmas will come as a song
Stamping our feet
This Christmas will come as we’re dancing
Holding your hand
It’s Christmas wherever we are
Fir and pine and evergreen
The whitest snow I’ve ever seen
Treetops sway
A world away
Lift your eyes
And you’ll see flying reindeer fill the skies
Look above the chimneys
Find a shooting star
You’ll find Christmas magic
With the beat of a drum
And a stamp of your feet
And a song in your heart
You’ll find Christmas magic
If you just look up tonight!

Christmas Magic is also available for choir and piano, and choir and chamber orchestra and choir and symphony orchestra. Please visit www.lucyarmstrong.com for more information. 



Christmas Magic

On the day’s
threshold she wakes
to take up
hammer and chisel

‘The Stone Flower’ is a reflection on the process of making and the joy it can bring. A stone carver becomes lost in the flow of the creative process, sculpting a flower from a block of green malachite. As she works, she reflects on the embodied artistic process. 

Composer: Lucy Armstrong 
Words: Rebecca Hurst 
Mezzo Soprano: Jade Moffat
Pianist: Alice Turner 

An original work from Glyndebourne’s Balancing the Score composer Lucy Armstrong

Balancing the Score is supported by donations to Glyndebourne’s New Generation Programme. 

The Stone Flower was commissioned as part of Glyndebourne’s Jerwood Pit Perfect scheme funded by the Jerwood Foundation and other generous supporters.

Recording engineer: Maxim Gamble



Bird Songs At Eventide - Eric Coates

Maria Inês Reis

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