Name: Unguarded 2 - Entangled
Artist: Various Artists
Format: Digital, Compilation Album
Release Date: 08.10.2021
Cat.Nr: UGD-003
Cover Art: Jan Durina
Get it via: unguarded.eu/piercingtouch.html

***All proceeds earned from the compilation will be donated to Sea-Watch e.V., a non-profit organization that conducts civil search and rescue operations in the Central Med.
The civil eye in the mediterranean

(sea-watch.org)

Miss Jay - DTGDTGDTG

☠ GRINDHOUSE ☠

The new hit record from MM & NKC

☠ Art by Cormac McGoldrick
☠ Mastered by Lurka

https://massivemusic.bandcamp.com/album/grindhouse

Grindhouse

MM & NKC - Airprox

We are very excited to welcome Klahrk to the fold on ACEN059. The London-based artist & founder of Ware Collective follows up releases with the likes of Activia Benz, Genot Centre and SFX. On the Z2 EP, he delivers four atmospheric slow-fast club cuts, exploring the lowest depths of the frequency spectrum.

Klahrk - Z2 [ACEN059]

https://lilatirandoavioleta.bandcamp.com/album/accelarated   

"All Day I Hear The Noise of Waters" a signature high tempo hot-blooded, percussion-heavy but slick touch, switching between rhythms and upping the energy on each switch.

@verraco - @sinmaldita - @lilatirandoavioleta

Hyperdub Records 2024

ACCELARATED

All Day I Hear The Noise Of Waters - Lila & SIn Maldita (Verraco Remix)

Taken from SBKT066: Prettybwoy - Tokyo Ice Age
Release date: 5th February 2025

Our first release for 2025 is ‘Tokyo Ice Age’, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Downstate and mastered by Raphael Valensi.

‘An ice age is a cycle of roughly 100,000 years that Earth has been undergoing for at least the past million years. I’ve been reflecting on these cycles and the way life resets or disappears over time. When my grandmother passed away, I found old photographs and handwritten documents—faded pieces of history that offered me a brief glimpse into my family’s past. Ways of living, even since my own birth, are changing rapidly, and many things are being lost or disappearing forever.

The term "Ice Age" also refers to Japan’s Employment Ice Age, a period between the mid-90s and early 2000s, following the collapse of the country's 'Bubble Economy.' During this time, many young graduates and displaced workers struggled to find stable employment. The generation impacted by this era, known as the "Lost Decades," is often referred to as the ‘Lost Generation’ or ‘Ice Age Generation.’ I belong to this generation.’

Artwork by Downstate
Mastered by Raphael Valensi

Prettybwoy - Puff (Proc Fiskal Vapelung Remix)

dru-1 - preshuh
Label: Infinite Machine
CAT#: IM118
Format: Digital
Release Date: April 25th, 2025

dru-1's "preshuh" was composed in the artist's home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP's bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. "preshuh" builds upon the

vision realized in the artist's debut project, a 4-track EP released on Why Be's Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—"maco queen," "palance," and "a4s."

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett's EP is infused with a spirit of optimism and revelry. The EP opens with echoes of "toma!" and other indistinct cries, as timbale taps gradually build alongside jerky basslines in "diastema." The subsequent track "corbeaux," takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. "Libido" calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, "We come together," repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the

steady rhythm beneath. In "maco queen," the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. "Hey!" and "Ha!" shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, "palance" unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with "a4s," a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett's EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies

a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived?

PREORDER

dru-1 - maco queen (IM118)

The Moldovia-based club avant-garde stalwart WULFFLUW XCIV goes back to long length format with Index_0 where his signature blend of primitive rhythms and sharp sound design melt into chaotic and hypermodern soundscapes.

Read more on CxC 🔗 https://couvrexchefs.com/en/wulffluw-xciv-index-0-dale/

Article

CxC PREMIERE: WULFFLUW XCIV - Dale

Born out of three years of displacement after the outbreak of war, Index_0 emerges as a sonic artifact — a fractured reflection of modern existence. It is a diary of dissolution, an intimate yet raw exploration of identity in a world where horror and beauty intertwine.

Carving through deconstructed club, noise, and spectral electronics, the album captures a personal eidos — a state of being filled with tension, love, regret, psychosis, warmth, and fleeting moments of joy. The sound textures, layered and evolving, serve as a means of reflecting on the present, shaping a deeper understanding of oneself and the surrounding world.

Forged on X-ray records, Index_0 is more than just an album; it is a relic of the future. Each copy is an unrepeatable anomaly, a ghostly imprint of lost vinyl cutting techniques, where frozen human shadows are reanimated into pulsing waves of energy. It is a bridge between the material and digital, past and unknown, a physical ritual inscribed onto fractured bones.

This is album as a time capsule, an echo from a collapsing reality, awaiting activation.

Produced, composed and mastered by WULFFLUW XCIV.
All art-works and visuals by Sophie Nakonechnaia.

x-ray vinyl LP 

Xingamento

This has been long overdue, Some heavy shit that im pretty proud of. This is a song that reignited my love for making Dubstep. 

The Reawakening of DeadGrimez…

 Its also Free Download

If you read all the way down here you should consider liking and maybe commenting, I’d love to hear from ya 🖤

THE REAWAKENING (FREE DL)

Cover art made by @dauksz

on spotify and everywhere

[FREEDOWNLOAD]

FourD - The Dark Corner [9K FREEDOWNLOAD]

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com

dru-1 - maco queen (IM118)

Infinite Machine

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