READ > https://inverted-audio.com/premiere-gressive-sever-ties/ 

@Infinite-Machine take a certain pride in lifting out the stranger music from the depths of the internet, and their new release from duo Gressive, composed of vocalist lloydfears and producer @SHALT, shows that this pride is rightfully held.

Gressive

Sever Ties

Gressive - Sever Ties [Infinite Machine]

UP to TALPAH (@talpah) for this brutal takeover.

The new guest of the Italian mind-blowing Clam Pressure melted the 
psychedelic harsh bouncy which is a trademark of the label with trap 
rhythms. “How did I survive?”, TALPAH's latest release, is dominated by loud frizzy and stretchy materials, while the producer tends to violently disintegrate dance music and hip-hop, carving them both carefully. Although emerging and underground, CLAM provide a refuge for the inquisitive listener who wants to dive into new worlds.

Ergo Proxy soundtrack - 5 - Wrong Way Home [II]
0comeups - With Light You Lead Me 
S280f - 02 6M (28) (JOHN OBJECT) (FITNESSS) Jenn - unreleased 
Talpah - unreleased 
Tony Perez - unreleased 
Deepho - samo 
WULFFLUW XCIV - Evil Gang (feat Elvin Brandhi) 
Talpah - hole w/ Deepho & Deriansky 
Jenn - unreleased 
Serial Experiments Lain - episode 10 
TIBSLC - Soft Afternoon Pressure
Talpah - unreleased 
Talpah - unreleased 
Tropical interface - real MFG 
EXTRABLOOD - EUTANASIA 
Fausto Mercier - Bite Nails II Assert Dominance 
Voronhil & Kuthi Jin & Tropical Interface - PrssSS 
CROATIAN AMOR X PHAROAH SANDERS X PINK-187 - GREETINGS TO 
ANGEL (PINKED OUT ETERNAL EDIT)
obsequies - Vacuité
Elysia Crampton Chuquimia - Homeless (Q’ara)

Ma3azef Radio - 11 [12-06-21] | TALPAH Takeover

@cubanchamberofcommerce011
The 15th release of katharsis is the EP “Otra Vida” by Serbian artist Cuban Chamber of Commerce. Spanning four tracks, the EP portrays the gloomiest corners of your subconscious emotional landscape by blending ghostly pads and eerie sound effects with a deep reverberating bass. But even though the atmosphere is filled with tension and has a high chance of provoking goosebumps, the EP has a mysteriously hopeful and embracing quality to it.

“Otra Vida” is quite a deviation from the artist’s former releases, as his earlier works are more bass-driven and dancefloor-oriented. With two successful releases under his belt, respectively on Molten Moods and his own label kepasaparadoks, the artist now seeks to explore new sonic territories by putting emphasis on textures, atmosphere and field recordings instead of complex high-tempo drum patterns. As hinted in the title, “Otra Vida” carries a message of the different and unknown, which is well carried through to the listener by the ghostly mood of the EP.

mastering by @jjjacob
artwork by @jjjacob

Otra Vida

Cuban Chamber of Commerce - Brisa

Fall is a customary time for all your ghosts and metamorphs to come alive in a nightly dance of boundless echoing contradictions. Swayed by their flows, you find yourself staggering in strange mist, between worlds. Soon after, you open your eyes in some backwater dead-end, wondering what took you there. It does get pretty loud in there at night.

Mix by the one and only @diletamtl !

Inner Clamour mix

Dileta - Inner Clamour Mix

UK garage with deep bass, skippy beats and cut up vocal samples.

Last Of Us

Let's Go Get High (128 Edit)

Noir Vogue (Phantom Runway)

Duswunder - Loccc

CLMxGUN is happy to present Chain of Whispers, a two-fold EP exploring further collaborative production processes. Like a murmur in the wind, a secret being delivered from ear to ear, it is born from a playful approach to sound manipulation and its transformation when passed from one hand to another. An embodiment of how music can be altered by each and every contribution.

Through a defined set of constraints based on the Telephone game, the concept is simple : each successive track is a remix of the previous one, and the contributors could not hear what was done before them. So on and so forth. A continuous cycle of appropriation and re-interpretation.

From this experiment resulted two 7-track EPs, two chains which gathered 11 artists, each with their own identity and their own input. With each new link in the chain, the sound mutates, speeds up or slows down - some of its elements are exacerbated, while others are concealed or juxtaposed to new ones. 

The first chain welcomes Désiré, HeedLess, indigoblue, Lithe, migu, and SNKLS. It starts from soothing bells and angelic voices to end up with rhythmic patterns and sharp impacts. A journey through a collective world with its own soundscapes and wonders.

++ TRACKLIST ++

01. migu - Leha
02. HeedLess - Leha-01
03. indigoblue - Reminiscent Stitch
04. Désiré - Trève
05. SNKLS - Ripple
06. Lithe - Gabba Charm
07. migu - Lost Item

++ CREDITS ++

Visuals by k095c
https://www.instagram.com/k095c

Mastering by Lorenzo Targhetta

Tracks produced by Désiré, HeedLess, indigoblue, Lithe, migu, SNKLS
https://soundcloud.com/desirbonaventure https://soundcloud.com/heedlessmusic https://soundcloud.com/indigoblue97 https://soundcloud.com/lithetrax https://soundcloud.com/miguzo https://soundcloud.com/snakeleserpent

DOWNLOAD

SNKLS - Ripple

Piercing leads accompany stuttering drum breaks and a deep arpeggiated bassline on @mxyi's 'Are my close (for Joe')'. Forthcoming on @all-centre-504822953.

More: https://ins-rt.net/audio/maya-q-are-my-close-for-joe

I just wanna

Article

Premiere: Maya Q - Are my close (for Joe)

Artist: @laughingears
Catalogue Number: IM086
Album: Blood
Release Date: February 26th, 2021
Format: Digital

Laughing Ears is poised to release her second LP this January via club music vanguards, Infinite Machine. Her lengthiest offering to date, Blood consists of 10 tracks that highlight Laughing Ears’s knack for building otherworldly atmospherics within club-ready, dance music structures. Taking the tale of Fenrir as it’s starting point, (a giant wolf in Norse mythology who spent much of his life bound and chained to a rock in captivity), the album conceptually deals with family ties and the melancholic beauty that can be found in the darkness of loss.

Blood opens with the airy, gliding synths and heavy drumwork of Flickering Shadows. The track has a unique sense of space due its wide stereo-imaging as well as Laughing Ears’ haunting melodies and driving rhythms. A 100bpm creeper fit for exploring uncharted virtual lands. On the following track, Loki, things are stripped back to their functional essentials. Tabla hits, bass pluses and strange whistles brush up against each other in a head-spinning assemblage before surging towards a climactic resolution.

The serene Untouched Places showcases Laughing Ears’ unique approach to melody and harmony. With a background in singing herself, her synths lines here seem to tonally intertwine, like vocal DNA, veering from harmonious and dissonant phases. Compared to the tranquility of Untouched Places, LP title-track, Blood, moves the record in a more intense direction. A brick wall of compressed percussion and humanoid-sung samples seem to battle it out for the listener’s attention in an enthralling sonic confrontation.

On Blood’s mid-point, Night Whisps, the producer’s love for the thrilling soundtracks of Satoshi Kon’s anime movies definitely comes through clearly. Bass drones claustrophobically reverberate around the mix - acting as a musical backbone that a wide array of staccato samples are stitched onto. Next up, Murderous Means, as its blood-thirsty title suggests, is a brutal and hard-hitting club track that’ll keep listeners guessing as the composition twists and turns. The song’s furious, ever-evolving drum patterns create mesmerizing rhythms you can’t help but bob your head to.

The polyrhythms continue on the following piece, Buona Fortuna. Like footwork, a genre she looks to for inspiration, on Buona Fortuna, the main groove is built out of a disparate family of drum samples which work in tandem - much like how individual dots of an Impressionist painting cooperate to form a single, concrete image. Laughing Ears then slows things down slightly with Glimmer, which sees the producer mix the low end stylings of UK Funky with strung out horns and gong hits.

On Potcheen, the longest of the record, Laughing Ears ambitiously constructs a track that starts from curious, ambient beginnings before morphing into a ferocious footwork-infused banger. Rounding off the release, Warm as A Lizard is a groove-laided drum freakout, crammed full of dense textures which build into a tonal fever pitch.

Artwork by Nic Symbios
Mastered by Fausto Mercier

Blood

Laughing Ears - Warm as a Lizard

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com

Laughing Ears - Warm as a Lizard

Infinite Machine

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