CRSL 0017  Bloom Ep by DJ GÄP 
An end of the summer melt down for the club, with a glimpse into
what is being coined Fujara club, Club experiments with the Slovak
 folk instrument “Fujara” as its starting point.

“The BLOOM EP continues the conversation of club experimentation creating new bridges through sound where folklore and futurism collide. A record that celebrates collapse and rebirth, chaos and beauty just like the club itself.“


1.bloom
2.everything you need
3.bright like a diamond
4.bloom (Nick León remix)         
5.bloom(NET GALA bicepxual mix)           
6.bloom (Yetsuby remix)                             
7.everything you need (Keiska remix)   
credits
released OCT 21st, 2025

Mastering: Alexis Chen @Soda Plains
Artwork: DJ GÄP and Mária Pinčíková
AnR: Nevin Hendrickson, Samuel Swanson,

Special thanks to: CRRDR, Juraj Hoppan and Dorota Matejová

Via:
CRSL 2025 (Carousel Seoul)

BLOOM EP

DJ GÄP - bloom

tripes' debut EP "sega tron"

Out now : https://links.paradoxeclub.fr/tripes-sega-tron

Written and produced by @thecolonelshikishima
Mastering le__dom.mix
Artwork head_honcho_of_nothing

drums please

New EP 'E-G-G' out September 26th on @10-60-hz

Produced, mixed and mastered by @rare0000
Artwork by Dodleyz

Pre-order: https://10-60-hz.bandcamp.com/album/e-g-g-ep

Pre-order 'E-G-G'

Kicking A Rock Around

sami baha — mistarget (estoc's scope parallax mix)

Dream//Orbit (Vocal Transmission Edit)

SWINE PREMIERE: Debut album by duo @idylltwice for @saldefete / Check out the single "Candlelights"

Peter: It’s like a lullaby. And it continues to repeat over itself and then stays in your head, instead of ‘let the words do the talking’, which is a clear chorus song. In the previous question, I said the word genre, a word that can be very disliked within certain music scenes. In this album, you navigate through drum and bass, shoegaze, DIY, trip hop, folk, spoken word, and so many genres. It is all done in a seemingly effortless manner, but did this come naturally?

Dorian: I think the fact that we're both doing editing helped a lot. I'm doing video editing, and Ryo’s doing sound editing of films for a living. So it's something we are comfortable working with. You have different layers: lyrics, melody, rhythm, textures, and the way they’re combined can create different stories. It’s like a long walk where you’ve got interactions that bring you to another one, and to another one, etc…

Ryo: It’s funny because we both grew up learning how to play and write music within a band, where we mimicked stereotyped genres, but for this project, it was a completely different process. You have to lay all of your materials inside a timeline and figure out how they can coexist and evolve together. I think that’s why we never actually talked about genre.

Read the interview here: https://swinedaily.com/idyll-twice-interview/

Written, produced, mixed, and mastered by idyll twice.
Artwork by Flore Balas and Guilhem Prat 
Follow idyll twice on Instagram >> www.instagram.com/idyll_twice/

[Swine Premiere] idyll twice - Candlelights (Sal de Fête)

ONE WINGED ANGEL ft WEEPINGWILLOWTREE, YVES MISA GHOST, THEGN, MATT TECSON

sick by wench // emotional deconstructed bubbly lovely cute and hard hitting baile funk ? not official remix

SiCK (bubbly baile funk remix)

MIRA新伝統  - Mythoplaxy  
Label: Infinite Machine 
CAT#: IM123 
Format: Digital 
Release Date: January 16th, 2026

Official Video for 'The Fall of Metatron' - https://www.youtube.com/watch?v=W_mddM14TWU

With Mythoplaxy, MIRA新伝統 present a departure from both the tropes of dystopian club acceleration and the conventions of gallery-coded performance. Across stage and studio, the duo have cultivated a performative language that fuses Shinto-derived ritual with the communal, itinerant traditions of popular theatre and mythic storytelling—echoing forms from ancient satyr plays to medieval cycles—set against the spectral terrains of post–techno-capital collapse.

The album comprises eleven sonic tales—ranging from electronic ballads to mythogenic fragments—conceived as the rudiments of a symbolic architecture. Each piece invites listeners to imagine the myths and ruins we might forge and choose to carry from this world into the next, echoing the propositions of Italian philosopher Federico Campagna.

Accompanying the release, the video for The Fall of Metatron introduces Lambdochian, a script devised by the duo from lambda-calculus diagrams and Lojban phonetics. Conceived as a poetic instrument, Lambdochian operates in the tradition of Egyptian hieroglyphs as opposed to demotic: not a vehicle for everyday writing, but a sacred medium for myth, ritual, and transmission.

PREORDER

MIRA新伝統 - The Fall of Metatron (IM123)

@eternalbrink
www.instagram.com/eternal_brink

blurer is a peripheral study exploring ways to perceive our surroundings beyond any focal point. The poetic text where the winds are coming from, invites contributing artists and musicians to collectively explore a world that has become unfamiliar yet again. Inspired by the moment Alice tumbles into Wonderland, it asks what it means to unlearn, relearn, and navigate within a world anew. Like Alice, this conceptual mixtape delves into places, things, and feelings that have been overlooked, ignored or seen as a backdrop. The text, tracks, and sounds of this compilation take us on an explorative journey—not to arrive somewhere, but to sense that what lies within the blur has always already been in the here:now.
(Lisa Walder, 2025)

Most music is used as a form of abstract translation. To unblur the personal, we abstract it and transform and transport it through familiar sounds. Through abstraction, the motives are essentialized to their core. In this, minimalism becomes a prioritisation. A blur can be more flexible. The reduction of elements could be optimistic or protective.
What this release does is observe the peripheral, to look for emotionality or personality within it, but also to create atmospheres that appear peripheral, yet are again included in the general blur.
When hearing the sounds of blurer, the focus of the compositions fluctuates and directs the listener’s perception to certain points within, not only to hear what seems essential but also to draw closer attention to the peripheral. Throughout the whole release, the procedures are very different. Some moments are vivid, almost narrative. There are deconstructed references to find, in both energetic and quiet forms. Occasionally, we pass by rearing, foggy drone walls or prancing, twirling, or scurrying melodies carried around, on synths or guitar strings. Blurer seems to harbor atmospheres of comfort in the cold, loops of spiraling memories or expressions of disorientation, that scamper around on the acoustic foundation created by the 19 artists.
(Elia Brülhart, 2025) 

Assembled by Periphery Serpentine
Commissioned Text by Lisa Walder
Mastered & Cut by Isabel Schröer
Artwork & Design by Dimitri Erhard

supported by GGG Kulturkick Basel-Stadt
ryser005 © 2025

blurer

Trace gets lost

Eternal Brink - Trace gets lost

Sam ( from La Fleur de mai 2014)

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com