This is W3C

OUT NOW ON BANDCAMP & STREAMING (SPOTIFY ETC.)

1. Dubbing Myself
2. Cruisin
3. Cruisin (Tatradang Remix)

The "Dubbing Myself EP" heralds W3C's return to sonic experimentation, diving deep into the roots and future of soundsystem culture. Paying homage to the rich lineage of UK electronic music, the EP also serves as a meditation on W3C's creative evolution.

The title track draws from the spirit of Foul Play's legendary 1992 classic "Dubbing You," yet stands firmly on its own ground. Gritty percussion and a brooding bassline drive the track, channeling the soul of 90s Jungle and Hardcore into a contemporary techno journey brimming with tension.

"Cruisin" takes a different path, melding earthy textures, tribal rhythms, and hints of Latin flair into a hypnotic exploration of dub techno. A deep sub-bass anchors the track, as it shifts between the driving precision of a 4/4 techno rhythm and the frenetic energy of breakbeats.

Closing the release, Tatradang (formerly minciisha ieraksti) reimagines "Cruisin" with a Brazilian funk-inspired rework. Centered around powerful kick drums and dynamic percussion, the remix weaves in enigmatic flutes and string instruments, amplifying the original’s Latin pulse while confidently emphasizing its own identity.

Dubbing Myself EP

W3C - Dubbing Myself

W3C - Cruisin

OUT ON APRIL 11TH, 2025 ON BANDCAMP & STREAMING @dj-w3c
BUY/STREAM: https://hypeddit.com/da35yx

We're back with a recently decrypted transmission from the far reaches of outer space. These three W3C tracks have been floating undiscovered for nearly a decade, only now resurfacing — fully remastered for your listening pleasure.

First up is "WarTek", a collaboration with the legendary Latvian beatmaker & producer Oriole. The track is a bold re-imagining of '90s Hardcore — a relentless belter driven by pounding kicks, a nasty bassline, and snares so sharp they will leave you reeling. It goes hard, and it knows it!

Next, you've got to watch out— a devious cyborg serpent is on the prowl, and you're its ideal prey. "Mecharattler" insidiously lures you in with hypnotic, rattling percussion and atmospheric hissing before ambushing you with earth-shattering kicks and ice-cold bass stabs. This twisted creation is a collaboration with Tatradang, so you better watch out for that guy!

Finally, what was once a beautiful ballad by W3C and Body Double seems to have been corrupted by an artificial bacteria of their own making. The intricate melodies have vanished, replaced by mechanical chittering and surgically sharp yet twisted bass detonations. The result is "Contamination" — a more industrial spin on the cold, abrasive grime instrumentals of years past.

Buy/Stream

W3C x Oriole - WarTek

OUT NOW ON BANDCAMP & STREAMING: https://hypeddit.com/685itn

"Mariposa EP" is a fresh reimagining of dubstep — one that breaks away from familiar genre tropes while doubling as a tribute to some of the most personally influential video games to W3C.

It kicks off with "Rise and Shine," a celebration of the 20-year anniversary of Half-Life 2 (2004). Much like in the game, you're woken up and thrown straight into action, with industrial ambiance and a downright menacing bassline setting the tone.

The title track, "Mariposa," reworks the Brian Eno-esque ambient soundtrack of Fallout 1 (1997) into a more dramatic but equally enigmatic trip through bottomless subbass.

"Resonance Cascade" channels the claustrophobic energy of Half-Life 1 (1998) into what seems like a classic dubstep shape — until it suddenly accelerates into a corrosive techno roller in its second act.

Rounding things out, "The Land of Opportunity" is a leftfield dubstep spin on the already ice-cold theme of GTA4 (2008), driven by a fittingly off-kilter kick pattern.

Music by @dj-w3c

W3C - Mariposa

W3C - Resonance Cascade

@galtier returns to Plasma Sources with Mainframe Incantation, a five-track release marking the 7th position on the label’s roster. First appearing on the Multi Source compilation earlier this year, Galtier now moves beyond the mechanical, sci-fi focus toward a sound that fuses technology with the divine, inhabiting the liminal space between worlds. 

Rooted in the earliest traditions of percussive music as a vehicle for altered states, Mainframe Incantation channels ritual energy through synthesised and digitised means, closing a cultural loop from origin to present. The result is a tension between the spiritual and the mechanical — feverish, dissonant, and hypnotic. 

The journey begins with "Ausmisis States", a restrained, technical opener of squelchy basslines and coarse pads, setting the stage for contact. "Tincture Pump" bursts through next—erratic, bouncy, and high-velocity, with a swelling distortion lead that injects chaotic energy straight to the bloodstream. 

In "Tink Cycle", the pace slows into a groove-laden trance, its caustic bassline dragged forward by steady kicks and splintering snares. At the centre lies "Hex Crawler", a gurgling, otherworldly entity speaking in alien tones before breaking into a vast, unearthly climax. 

Closer "Phantom Tremors" hurls us back toward reality with hasty techno-inflected percussion, metallic strikes, and roaring sub-frequencies. Pulsing hardware bleeps push the final surge, sealing the ritual in a haze of digital energy. 

Tincture Pump

Rituales

Fuera de Serie

Rizio - Hyperobject [ACEN072]

Taken from SBKT073: ABADIR - Kitbashing
Release date: 15th October 2025

--
Conceived as part of an A/V show with visual artist Nicolò Cervello, ‘Kitbashing’ marks ABADIR’s third album for SVBKVLT.

A growing number of people spend an extensive amount of time watching, scrolling, liking, commenting on and sharing content, whilst at the same time feeding a constant stream of personal data to social media platforms. Social media can be fun and informative, or draining and dark. Either way, their algorithms are purposefully designed to lock users in a continuous state of scrolling. The more time spent online, the more desires, interests and emotions are fed into the algorithm for consumerist ends and reality is reduced to a timeline of curated aesthetics.

Using audio snippets from reels, suggested posts, and sponsored ads, sound objects are cut, micro-edited and meshed together into a collage. Tension is built gradually before falling into a release. Rhythms keep expanding and contracting, simulating the pace of random scrolling on mobile devices. ‘Kitbashing’ is an attempt to break the algorithm: subverting the dynamics by feeding on the algorithm instead of only feeding it.

--

Concept by Nicolò Cervello and Rami Abadir
Artwork by Nicolò Cervello
Mastered by Raphael Valensi

ABADIR - Swipe, Skip, Repeat

Listen to "Aftersun (DJ Würm Remix)" by cratje & Justin taken from "Zilvermeer" out on October 24th via 10.60 Hz

Pre-order: https://10-60-hz.bandcamp.com/album/zilvermeer

Zilvermeer brings together cratje (half of the brussels label MONTAGE) and Justin (artist based in Berlin) around a sunny diptych in which two tracks shape a retro-futuristic fiction driven by jubilant rhythms and a resolutely danceable energy.
On the one hand, Aftersun reveals a kaleidoscopic jungle with acid-tinged reflections, while Vakantiepark rushes towards a goa trance sound crossed with psychedelic nods. As a bonus, Dj Würm turns Aftersun into an incisive club version with EDM accents.

Links:
10.60 Hz
@10-60-hz
https://10-60-hz.bandcamp.com
https://www.instagram.com/10.60hz
cratje
@cratje
www.instagram.com/crat_j
Justin
@jusnjjshh
https://jusnjjshh.bandcamp.com
www.instagram.com/jusnjjshh
Dj Würm
@djwurm
https://djwurmised.bandcamp.com
www.instagram.com/dj_wurm

pre-order / bandcamp

cratje & Justin - Aftersun (DJ Würm Remix) (10.60 Hz)

⇯ 𝐒𝐖𝐈𝐍𝐄 𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄 ⇯ @osheyack and @nahashisalive teamed up for an incredible track called "Le Temps Fou" for the new 42-track compilation by Spanish label and event series @flux-aeterna-968106596

➜ Osheyack about this track: "The track it’s something Raph and I (Eli, Osheyack) made quickly, sending stems and samples back and forth for a few days. The main sample is from the album Le Temps Fou by Marion Brown (1969)." The duo has flipped the saxophonist Marion Brown's music into a totally mad club-hybrid storm in their signature style.

¶ Curated by Yugen Kala, the initiative "Flux" started as a series of monthly events that have consistently acted as a meeting point where diverse musical and cultural paradigms intersect. Flux connects Galicia’s local scene with varied international voices, creating a dialogue that transforms difference into resonance. In this sense, the project can be understood as a living exchange - shaped by an ongoing flux of experiences, sounds, and knowledge - where seemingly disconnected communities are brought together organically.

¶ Over more than 50 editions and 100 performances, this ethos has materialized in an expansive constellation of talent, such as: seminal label founders Kode9 (Hyperdub), μ-Ziq (Planet Mu), Rabit (Halcyon Veil), Mumdance (Different Circles), Fausto Bahía & Mexican Jihad (NAAFI), Kamixlo (Bala Club), and Endgame (Precious Metals); cutting-edge voices from Shanghai’s SVBKVLT, including 33EMYBW and Osheyack; artists associated with Nyege Nyege, such as Ecko Bazz, Phelimuncasi, De Schuurman, and Sisso & Maiko; and Lisbon’s Príncipe Discos, featuring Nídia, DJ Marfox, DJ Firmeza, and DJ Narciso.

¶ To commemorate this trajectory, Flux presents a compilation featuring 42 exclusive contributions from past guests on their new label, Flux Æterna. This compilation stands as both an archival gesture and a statement of intent, celebrating a legacy of reinvention while opening new paths forward. 

[Swine Premiere] Osheyack, Nahash - Le Temps Fou (Flux Æterna)

Candied Apples

Halloween Tool

@2rana3crana - Crash Era (taken from 'The Mountain Holds a Dagger', out on the 28th of November via @infinite-machine)

Mexican label Infinite Machine presents 'Crash Era', a standout from 2rana 3crana’s forthcoming EP titled 'The Mountain Holds A Dagger'. The project of Gum Takes Tooth’s Jussi Brightmore, it fuses industrial grit with the energy of Afro-Portuguese rhythms, grime and UK garage. Conceived after Brightmore’s move from London to the outskirts of Lisbon, the track reflects their immersion in Portugal’s underground scene after which batida’s raw experimentation left a lasting mark resulting in 'Crash Era' - a track pulsing with viscous basslines, metallic textures and digital howls, embodying both turbulence and release. It’s a celebration of movement and resilience, translating personal upheaval into a strange, ecstatic language of rhythm and renewal.

[PREMIERE] 2rana 3crana - Crash Era (Infinite Machine)

DESENTRAÑADXS es un compilado que reúne el trabajo musical de varios productorxs que se dedicaron a remixear el track “Desde mis entrañas” producido por Negraconda, pieza que relata las vivencias y el dolor que experimenta una mujer trans al luchar con la vida misma en un mundo lleno de adversidades y falta de empatía, el resultado del trabajo de todxs es un recorrido que cuenta una historia de transmutación y una catarsis musical. Con este compilado también buscamos recauda fondos económicos para nuestro sello Naca Worldwide. Esto significa que todas las ganancias se destinarán al fondo común del colectivo.

DISPONIBLE EN BANDCAMP Noviembre 2025
nacaww.bandcamp.com/ ♡𓈒⟡₊⋆∘

TODO TUYO AQUI

Entrañas - Desde Mis Entrañas Remix

➜ SWINE PREMIERE ➜ @bedoublensound new album on @preciousmetalsx

✚ Chaos and Order is the new project from B E N N, a Taipei-based producer/ DJ and founder of label @overmybodytw, operating at the intersection of sound, philosophy and abstraction. Chaos and Order is an auditory study of rupture and resonance, an experimental soundscape shaped by modern sonic fragmentation. 

✚ Drawing inspiration from Taoist cosmology, B E N N weaves fractured rhythms, collapsing structures, and granular forms of digital decay to embody the shifting interplay of Yin and Yang, entropy and order in constant flux. Across the EP rhythms become rituals, and forms become states of perpetual disintegration and reassembly, where glitch is not error but in essence an aesthetic of imperfection and transformation. His work resists resolution, favoring inward collapse and constant transformation: Intimate yet conceptual, narrative driven yet defiantly non-linear. His work is continuously shifting between post-club terrains and more abstract sonic inquiry

[Swine Premiere] B E N N - 六爻崩裂 Collapse Hexagram (Precious Metals)

Event Horizon

W3C - Event Horizon

Record Label based in Mexico City.
Founded in Montréal, Est. 2011 by @xwolfcultx.

for sync & licensing - gavin@syncsmith.com

Bookings: allen@awesome-agency.com
Temporary Contact: iinfinitemachinee@gmail.com

W3C - Event Horizon

Infinite Machine

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