2019 indie nubreeds

BANDCAMP: https://craigieknowes.bandcamp.com/album/back-on-track

A1 - Back on Track
A2 - Breaksit
B1 - Ridge Racer
B2 - Digital Dilemma

Kosh joins Craigie Knowes for his label debut record ‘Back on Track’ delivering 4 tracks packed to the brim with Detroit heritage merged with his own original style and signature Casablanca take on the origins of house, techno and the spaces inbetween. Title track ‘Back on Track’ is an ever-building acid-journey guaranteed to rock in the clubs. ‘Breaksit’ gives us a chance to breathe as we embark on a trip that melds the signature Kosh and Craigie Knowes sounds into a pure and emotive composition. ‘Ridge Racer’ returns us to our feet with bounce, rhythm and octave changes to elevate your next DJ-set. ‘Digital Dilemma’ takes us from North Africa across the Atlantic to the Motor City and reminds us of everything we love about club-focussed, Detroit inspired, techno. It’s pure Kosh and it’s pure Craigie Knowes, enjoy!

Releases September 21, 2025

Written & produced by Youssef Benjelloun
Design by Guillaume de Ubéda
Mastered by Marco @ Analogcut, BErlin
Distributed by One Eye Witness
Promoted by RISEN PR
Released by Craigie Knowes


CKNOWEP70 | Kosh - Back on Track (EP)

ÈBONY - Shades of Meridian [Turbo 251]
Stream & Buy - https://turborec.lnk.to/ShadesofMeridian

In the wake of their widely-acclaimed album Union, JUNO-nominated duo Èbony rematerialize on the dancefloor with the otherworldly Shades of Meridian EP, projecting a waking futurist dream haunted by echoes of Detroit techno, Chicago house, South African melodies, and the rich mythology of Ancient Toronto. 

Opener “Break My Skin explores a hidden pocket of after-hours techno space-time with an ethereal vocal by James Baley, leading into the tense, disembodied jack of “Forever.” Next, “Dull Side First” rides a spectral break through a sepulchral warehouse trip, “RIFT” invokes peak-time witchcraft, and closer “My Daylight” entrances even the most self-possessed sound-and-lighting guys to spam the smoke machine until reality itself is occluded. 

And to those who say that working with JUNO-nominated artists proves that Turbo is just a cog in the CanCon cabal, we would like to familiarize you with the facts: Canadian Tire refused to carry our 2023 Bryan Adams remix LP and we have rejected five separate demos from Justin Trudeau’s tech-house alias “Arabian Nights.” It’s called integrity — try looking it up sometime.

Subscribe to Turbo World News: bit.ly/turboworldnews

Connect:
www.turborecordings.com/​
www.facebook.com/turborecordings​
@turborecordings
www.instagram.com/turborecordings​
www.twitter.com/turborecordings​

Stream & Buy

Dull Side First

Sonidos Subterraneos is pleased to premiere a new track, this time we have the great Hastings based label: Osàre! Editions with the track of: Fetter - D.I.E. (Do I Exist).
"OE 025 - Fetter - Body Of Noise" is the release name.
The album contains 9 electronic music original tracks. ENJOY
Next we leave you the description of the release_

Fetter’s Body of Noise erupts at the threshold between ravey hypnosis and avant-pop experiment, slithering through the hinterlands of unconscious desire. Nine shape-shifting tracks conjure haunted landscapes where beauty refuses clarity and dancefloor logic warps underfoot. Vocals swoon, drift, and demand—stacking into fragments that multiply and weave through saturated pulses and shimmering, snarling synths.

Opening track "Like a Rose" traces a dreamer’s transition into the unstable physics of a perplexing but familiar dream world, where they gradually become lucid. “Beast” follows up humming with shadowed urgency, threading a path through self-sabotage and metamorphosis. “Spathiphyllums” drifts a while in a lush lostness, aching for something new before fracturing into wild, cathartic collapse. Side B’s “Do I Exist? (D.I.E)” and “The Longing” spiral into existential wonder, searching for a human origin story—both personal and collective—against a backdrop of uncertainty, while “Headache” thrusts forward as an absurd and insistent manifesto to stay the course and harness one’s own power within the madness.

Body of Noise is crafted not only for sweating bodies in motion, but for distorting time and opening psychic portals, where surrender becomes strategy and uncertainty transforms into ecstatic navigation. Rooted in all-hardware improvised production and shaped by Fetter’s years of boundary-blurring visual and performance art, their debut LP feels alive and in flux. Reminiscent of a spectral pop chorus trapped in a loop of broken machinery, or a lost broadcast from a dancefloor in a parallel realm, Body of Noise is a journey into chaos, transformation, and a bold refusal to be contained.

Artist_ Fetter 
Title_ OE 025 - Fetter - Body Of Noise
Label_ Osàre! Editions
Country_ UK
Genres_ Experimental, Avant Grade, Synth
Format_ Digital & Vinyl
Catalogue_ OE025
Release Date_ October 3, 2025
Buy_ https://osare-editions.bandcamp.com/album/oe-025-fetter-body-of-noise


Follow Osàre! Editions_ 

SoundCloud_ https://soundcloud.com/osare-editions
Facebook_ https://www.facebook.com/osare.editions
Instagram_ https://www.instagram.com/osare.editions

Follow Fetter_

SoundCloud_ https://soundcloud.com/fetter
Instagram_ https://www.instagram.com/__fetter__

Follow Us

linktr.ee/ssubterraneos

Fetter

| PREMIERE | Fetter - D.I.E. (Do I Exist) | [Osàre! Editions]

CRIMES II

Anna Funk Damage - Tarantola
BUY LINK: https://rawculture.bandcamp.com/album/tarantola
Label: Raw Culture (https://soundcloud.com/raw-culture-recordings)
https://www.instagram.com/raw.culture.records/
> Anna Funk Damage (https://soundcloud.com/afunkdamage)
https://www.instagram.com/andreanatale.afd/

Hailing from Raw Culture, Anna Funk Damage returns with his third release on the Roman label, delivering a record as fierce as it is intimate. Tarantola was born out of a winter suspended between contrasting emotions – melancholy, anger, love, confusion – distilled into a sound that transforms personal fragility into collective energy. There’s no pursuit of perfection here, but rather an urgency running through the veins, taking shape across supersonic punk, wave, ambient and industrial.

Each track is an emotional fragment, a bite that leaves its mark: from the electric tension of Vivere Distaccati to the feverish rush of Trasmissione, from the rawness of Decadente to the hypnotic title track Tarantola, which embodies the beating heart of the album. Side B unfolds into more nocturnal and intimate landscapes, from Chiang Mai to the disenchanted sincerity of Lavoro Troppo, closing with a party that carries the bittersweet taste of reality.
Tarantola is a journey into the chaos of human emotions, an album that doesn’t just narrate but pulls you deep into its sonic labyrinth, giving noise back its vulnerable yet powerful soul.
crédits


BUY LINK

PREMIERE : Anna Funk Damage - Non Passerò a Trovarti

Artist: Obergman
Title: Time Crystal EP
Label: Orson Records
Cat No: ORSON028
Format: 12” Vinyl

Tracklist: 

A1. Time Crystal
A2. Closed Timelike Curve
B1. Boltzmann Constant
B2. Kaluza-Klein Miracle


Emerging from Stockholm, Obergman has carved out a respected space within the world of electronic music over the past two decades. He has become synonymous with a signature blend of electro, acid, and proto-techno, which he has meticulously crafted through releases on some of the most respected labels in the genre. Starting his journey in the late 90s, the debut came in 2001 with a release on the iconic Skam Records, home of pioneering acts like Gescom. 

His early work laid the foundation for what would become a string of impactful releases on labels such as Stilleben Records, Abstract Forms, Brokntoys, Börft Records, and Furthur Electronix. The evolution of his music reflects a clear shift toward a more refined approach, underscored by a preference for fine-tuned melodics, intricate drum programming and a distinctive use of iconic synthesizers. 

Throughout the years, Obergman has continued to release standout EPs that showcase his versatility. On his releases for Furthur Electronix, he delves deep into acid territory, crafting tracks that range from melodic rollers to high-energy peak-time cuts, all infused with his trademark blend of TB-303 squiggles and eerie atmospheres. His cherished collaborations with the Stilleben, Brokntoys, Craigie Knowes and Pariter labels, see him further refining his electro-techno fusion, delivering tracks that are as muscular and propulsive as they are deeply atmospheric.

Obergman - Time Crystal EP (ORSON028)

Mike Nasty - Sketches In Deep
Label: Nasty Tracks (https://soundcloud.com/nastytracksnyc)
https://www.instagram.com/nastytracksnyc
BUY LINK : https://album.link/gpdxnbjdrcknr
> Mike Nasty (https://djmikenasty.com)
https://www.instagram.com/djmikenasty

Set within a kaleidoscope of uplifting pianos, soaring harmonies, and infectious rhythms, label head Mike Nasty returns to Nasty Tracks with ‘Sketches in Deep’, a musical experience that beams with joy and delivers endless listening pleasure…

Mike Nasty’s sound is as quintessential as it is effortlessly dynamic, and it draws from sources of vitality that cross multiple threads of expression. His passion draws from multiple facets, with his DJing style and music-making outputs matching each other in terms of depth and diversity. Anchored firmly within the genre of House, he aims to explore many of the genre’s core fundamentals, with a particular focus on injecting Jazz motifs in all the right places. To say that his musical universe is unlimited is perhaps an understatement - it is perhaps easier to say that his music feels boundless, coated in an ethereal quality that makes each track simmer with feel and meaning as he criss-crosses between genres with joyous ease. At the core of each of his records reside a series of memories, experiences, and stories, with Mike’s flair for instrumentation providing plenty for which to delve within and be immersed within the music’s engrossing atmospheres.


PREMIERE : Mike Nasty - Copper Tones

SOD-90 - From The Pit EP
Label : Co-Accused Records (https://soundcloud.com/coaccused)
BUY LINK: https://co-accused.bandcamp.com/album/from-the-pit-ep
https://www.instagram.com/coaccused_/
> SOD-90 (https://soundcloud.com/sod-90)
https://www.instagram.com/sodninety/

Co-Accused Records return this autumn with From The Pit, a four-track EP from Paris-born, Berlin-based producer SOD-90 that seeks out connections between electro, industrial, breakbeat and EBM. Locking into the raw, gritty range of distortion that defines his sound, the release also features a remix from Hamburg’s L.F.T. and follows SOD-90’s label debut with 'Saving Up For Botox’ last year.

A classically trained flautist, professional musician and teacher, SOD-90’s electronic production has become an increasingly vital part of his daily life. Working almost exclusively with hardware, his tracks emerge from spontaneous sessions as a channel for emotional release, fuelled by bursts of adrenaline and a need to counterbalance the refinement of classical music. Distortion, for him, is a way to dig deeper into timbre and sonic depth, pulling distinctive textures out of his machines.

Opener ‘Fugitive Passagére’ sets the tone with driving kick drums, distorted vocal fragments and full-throttle energy aimed straight at the club. L.F.T. 's remix twists it into a dark electro moment, layering a jagged bassline over razor sharp beats. On the B side, ‘Muzzle’ goes all-in on blown-out distortion and breakbeat force, before closer ‘Rust Fountain’ moves into complex, off-kilter territory with ricocheting synths and layered percussion.


PREMIERE : SOD-90 - Fugitive Passagére

DOWNLOAD NOW: https://systemerrorworldwide.bandcamp.com/album/variant01-koloah-orbital-pacific-ep-variant

System Error welcomes Koloah with the Orbital Pacific EP - a fierce, unflinchingly direct statement in electro form.

Sounds forged between the industrial shadows of his Ukrainian hometown and Berlin’s underground. From the brooding drive of the A2 to the epic peak-time weapon ‘Origin,’ just the right mix of feeling and force. Pow.

Tracklist:

A1. Koloah - Cosmin
A2. Koloah – Orbital Pacific
B1. Koloah - Origin
B2. Koloah – Sex Modifiers

Release Date: 13 November 2025

Credits:
All tracks written and produced by Dmytro Avksentiev.
Mastered by Analogcut in Berlin.
Art by S/E-Studio.
System Error MM GmbH, Berlin, Germany, Earth © 2025

VARIANT01 Koloah - Orbital Pacific EP [VARIANT]

2Q002] In FACES, Aggelos Baltas aka Anatolian Weapons delivers another spellbinding chapter in his ongoing exploration of tradition through electronics. Known for his singular ability to bridge ancient ritual and modern dancefloor hypnosis, the Athens-based producer turns his gaze once more to the roots of Greek music—this time fully reworking two timeless classics into contemporary weapons.

Released via Duas Quadras, the EP offers DJs and listeners alike two powerful tools—both deeply rooted and infinitely transportive.  

BUY on BANDCAMP

PREMIERE : Anatolian Weapons - A New Face

A-side to their new single on Trouble In Mind Records - out December 4th, 2015. (www.troubleinmindrecs.com)

Klaus Johann Grobe "Baby Lass Uns Sein"

Turn a leaf a brand new day
Things are getting brighter
Maybe after all I'll stay 
I don't wanna doubt ya

I can't listen to you lie
It only brings me fear that everything's my fault
And I know what you like
Yeah I know what you want
Yeah I know what you want even if you don't

Don't take it out on me
I've been patiently waiting
Honey bunny in the sheets
This is a match made in heaven cause

I can't stand to watch you cry 
It only brings me fear
Now everything's my fault
I'm back and forth again
I'm standing on the fence
But if I bring you joy then maybe it's 
Then maybe it's

Cause I can't to watch you cry 
It only brings me fear that everything's my fault
I'm back and forth again
I'm standing on the fence
But if I bring you joy then maybe it's 
Then maybe it's

2031

Mellow

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BIRP! December 2018

Deep Sea Peach Tree - Mellow Richard

in flagranti - anglo-saxon pragmatism

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

in flagranti - anglo-saxon pragmatism

In Flagranti

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