2020 waskudt hey ho let's go 2021

Charlie - Spacer Woman (Original Mix)

Charlotte Adigéry & Bolis Pupul 'Cliché' (Soulwax Remix) [DEEWEE056] is out now. 
Download ► https://charlotteandbolis.lnk.to/clicheremix

Order ’Topical Dancer’ LP on vinyl or download
► http://charlotteandbolis.lnk.to/topicaldancer
 Buy tickets for tour
► http://charlotteandbolis.com/tour

Charlotte Adigéry & Bolis Pupul have unveiled a Soulwax remix of ‘Cliché’. A standout track from their critically acclaimed debut album Topical Dancer and the first ever Soulwax remix released on DEEWEE, originally premiered in June during the 2manydjs live show at Primavera.
 
DEEWEE label heads Soulwax turn in a gloriously euphoric flip of ‘Cliché’ ratcheting up the energy to their trademark tempo in a monstrous synth-heavy four to the floor rework. The original track (full title: ‘Ceci n’est pas un cliché’) is an accumulation of all the cliché lyrics Charlotte and Bolis have heard over the years and a wink to one off the most copied sentences in art originally by Belgian surrealist artist René Magritte.
 
A 12" vinyl edition of the Soulwax Remix, will be announced soon.

Listen to 'Topical Dancer' here: https://soundcloud.com/charlotteandbolis/sets/topical-dancer

Follow Charlotte Adigéry & Bolis Pupul 
► http://charlotteandbolis.com
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Cliché

Cliché (Soulwax Remix)

Sharevari

Daniele Aloisi - Break My Heart

 – Urban Underground Grooves Vol 1

Label/Cat#: Urban Underground Grooves – UUG 001
Country: UK
Year: 1996
Genre: Electronic
Style: House
Format: Vinyl, 12", 33 â…“ RPM

Tracklist
A1 – Street Players
A2 – Out Of Sight
B1 – It's Da Funk
B2 – Hooked Up

More information: https://www.discogs.com/release/443734-Unknown-Artist-Urban-Underground-Grooves-Vol-1

Unknown Artist - Street Players (1996)

Body Talk

Foals: Holy Fire Remixes

Late Night (Solomun Remix)

patrickcowley.bandcamp.com/album/afternooners

Dark Entries and Honey Soundsystem Records have teamed up once more to release the final volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. One of the most revolutionary and influential figures in the canon of disco, Cowley created his own brand of Hi-NRG dance music, “The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study at the City College of San Francisco. He founded the Electronic Music Lab at the school, where he would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

By the mid-70’s, Patrick’s synthesis techniques landed him a job composing and producing songs for disco superstar Sylvester, including hits like “You Make Me Feel (Mighty Real)”, “Dance Disco Heat” and “Stars.” This helped Patrick obtain more work as a remixer and producer. His 18-minute long remix of Donna Summer’s “I Feel Love” and his production work with edgy New Wave band Indoor Life were both of particular note. By 1981, Patrick had released a string of dance 12″ singles, like “Menergy” and “Megatron Man”. He also had founded Megatone Records, the label upon which he released his debut album, “Menergy”. Around this time Patrick was hospitalized and diagnosed with an unknown illness: that which would later be called AIDS. Throughout 1982, he recorded two more Hi-NRG hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album “Mind Warp”. On November 12, 1982, he passed away.

In 1979 Patrick was contacted by John Coletti, owner of famed gay porn company Fox Studio in Los Angeles. Patrick jumped on this offer and sent reels of his college compositions from the 70s to John in LA. Coletti then used a variable speed oscillator to adjust the pitch and speed of Patrick’s songs in-sync with the film scenes. The result was the VHS collections “Muscle Up” and “School Daze” released in 1979 and 1980. “Afternooners” is the third collection of Cowley’s instrumental songs, recorded in between 1979 and 1982. Some of these recordings are demos from the album "Mind Warp".  All songs were originally untitled, so we’ve used the titles from Fox Studio’s 8mm film loops. This compilation also includes three bonus tracks found in the archives of fellow Megatone Records recording artist Paul Parker and the attic of teenage friend Lily Bartels. Influenced by Tomita, Wendy Carlos, and Giorgio Moroder, Patrick crafted a singular sound from his collection of synthesizers, percussion, modified guitars, and hand-built equipment. The listener enters a world of forbidden vices, evocative of Patrick’s time spent in the bathhouses of San Francisco. The songs on “Afternooners” reflect the advances of the equipment available at the onset of the 1980s. Cowley's unadulterated electronic forms are stripped down and dubbed up. Lush electronic percussion, soaring synthesizer riffs and low slung funk grooves comingle on these magnificent soundscapes.

Featuring 70 minutes of music never before released on vinyl. All songs have been remastered by George Horn at Fantasy Studios in Berkeley, CA. The vinyl is housed in a gatefold jacket designed by Berlin-based artist Gwenael Rattke, featuring black and white photos of Patrick in his studio that opens to a full color array of x-rated scenes from the Fox Studio vaults. Included is a fold-out poster featuring a handmade collage using photography and xeroxed graphics of classic gay porn imagery and an essay from Drew Daniel of Matmos. For Patrick’s 67th birthday, Dark Entries and Honey Soundsystem Records present a glimpse into the futuristic world of a young genius. These recordings shed a new light on the experimental side of a disco legend who was taken too soon.

Afternooners

Patrick Cowley - Surfside Sex

Enough to Believe

Enough to Believe (Jamie Jones Remix)

Brash & Vulgar

The Hasbeens - Make The World Go Away

Ramones

Blitzkrieg Bop (2016 Remaster)

It's a special privat lockdown remix by myself. Hope you will like it.
Feedbacks are welcome 😉

Buy original here: SOLOMUN - Kreatur der Nacht (feat. Isolation Berlin)
https://www.beatport.com/release/kreatur-der-nacht-feat-isolation-berlin/3192005
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Free Download

SOLOMUN - Kreatur der Nacht (feat. Isolation Berlin) (Dee Needle lockdown remix)

Desire

Desire (Charlotte de Witte Remix)

Thank You for Letting Me Be Myself

Thank U 4 Letting Me Be Myself

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Brash & Vulgar

In Flagranti

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