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A shortened, retweaked version of Megatonk's 1992 prog banger 'Belgium'! Megatonk was an alias of prolific UK dance music producer, Charles Webster. 

Tree Tree Tree OK

Megatonk - Belgium (Good Block Edit)

8 year anniversary collection.  thanks to :

April - Someone To Hold (Fundido Edit)

Silver Jubilee

Eye Catching Window Display

E2-E4 (A reference to E2-E4 by Manuel Gottsching)

Leng’s San Francisco connection has long been strong, with the 40 Thieves collective – and their friend Cole Odin – providing some of the label’s most memorable releases of the last decade.

That Bay Area connection comes to the fore once more on the imprint’s latest release, which sees Odin join forces with fellow San Francisco resident Marshall Watson, a long-serving producer, engineer and live performer known globally for his Balearic-minded productions.

‘Voyager’, the pair’s second collaborative single, is a genuine meeting of minds. It combines Odin’s love of low-slung dub disco, dancefloor psychedelia and low-tempo cosmic house with Watson’s picturesque Balearic synths, sparkling piano riffs and immersive sound design. It’s this blend that dominates on the EP-opening Original Mix, an infectious workout that gets progressively more blissed-out and saucer-eyed as it progresses. Listen carefully and you’ll hear some suitably psychedelic guitar solos nestling amongst the heady washes of sound, sun-bright piano riffs and weighty bass.

Those languid, stretched-out guitar parts naturally take a more prominent role on the Extended Guitar Mix. On this alternative take, the pair deliver a lightly tweaked take on the original groove, stretching it out while overlaying eyes-closed guitar solos, pots-and-pans percussion and a more DJ-friendly outro. It’s effectively an extended club mix – the club in question being a Bay Area basement at 5am.

To round off the EP, Odin and Watson dust off their dancing shoes and pay tribute to San Francisco great Patrick Cowley. On the appropriately titled Cosmic Rave Mix, the pair swap their bass guitar for a pulsating sequenced bassline, trance-inducing synth sounds, and locked-in electronic loops designed to take you to a higher state of consciousness. By the time the track’s familiar piano refrain drops midway through, you’ll be reaching for the lasers in no time at all.

LENG SHOP

Marshall Watson & Cole Odin - Voyager (Cosmic Rave Mix)

The journey into the depths of sound continues as Alphawaves, unleashes the second release, A0506EP, on Lowpass Records.

Following the success of debut A0120304EP on Lowpass, Alphawaves takes another bold step into uncharted territory, with A0506EP pushing further into the ultra-deep field of sound design. The EP exemplifies Alphawaves' mastery of atmospheric textures and immersive rhythms, blending organic and synthetic elements to craft a sonic landscape that is both futuristic and grounded in analog warmth.

For press inquiries and further information, please contact: alpha@lowpassrecordings.com

Alphawaves - A0506EP

Tracklist:

A. Alphawaves - Alpha 05
B. Alphawaves - Alpha 06

Format: 12 maxi
Distribution: @triplevisionnl
Mastering: @archaic_intellect

All rights reserved.
2025 Lowpass recordings

Alphawaves - A0506EP

A0506EP (snippets)

edit on dreamy and powerful track from Manchester's dance scene legend Liz Winstanley, soon in HQ on bandcamp

Liz Winstanley - Set Me Free (Korets edit)

ARIC - I Love Your Love (preview)

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Kalico Jak - The Wayfarer [Tibetania Records]

Buy on Beatport
https://www.beatport.com/release/from-the-wilds/5086169

𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄: Kalico Jak - The Wayfarer [Tibetania Records]

Teenage Fever

DALLAS JACKIN

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

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In Flagranti

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In Flagranti

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