tunes 1 - Part 1

Written by B. Dougans, C. Cockbain 1991

Not for sale or download

Completely sample free remade cover version produced by Rich Lane to play at The Evil Acid Barons Weekender in Devon, late May Bank Holiday 2024.

Mental Cube - Q [Rich Lane Acid Barons Cotton Dub]

'Returning to the Bordello, and the seven-inch, is Real Velour. This secretive figure reappears with two tracks of indie dance that bend and re-shape elements of italo disco, minimal pop and synth wave to create an utterly unique experience. Sleazy basslines and tropical percussion give way to heavily vocodered words in “Lover”, machine amor breaking to spoken human voice as melodies twirl. The romance described is one of passion, of friendship and of fidelity; but, with a hint of control. Clever and addictive, the composition cherry-picks bittersweet sounds to depict this relationship. The flip, “Look What You’ve Done”, maintains the candystore keys of the A-Side; the tone shifting as lyrics adopt a brazen and fortified vigour. It appears maybe that the promises of “Lover” have been shattered. While the love story turns to hurt feelings and regret, Real Velour keep the energy high to revel in the final break-up.'

Vinyl: https://bordelloaparigi.com/shop/vinyl/real-velour-lover-look-what-youve-done-7/

Digital: https://bordelloaparigi.bandcamp.com/album/lover-look-what-youve-done

Real Velour - Look What You've Done

Kid Simius - Gente De La Noche

Taken from their first album Love In A Black Dimension 1994 , "SAY IY AGAIN"  was one of the first great successes of this  Italian group

FREE DOWNLOAD

Jestofunk - Say It Again -1994 - (Remastered Mix) FREE DOWNLOAD

Energy Fields is Gus Paterson’s vinyl debut. One of the brains behind Bokhari Records, this four tracker melts disco, italo and house into a creamy funk fondue. Staggered bleeps and crisp percussion introduce the title piece, samples echo as a squelching thick bassline drops. Countering the fudgey strings are sparkling synthlines, bold brassy analogue bursts tethering the track to the floor. Although tempos drop for “Emotive Feel,” the energy remains high. Robust keys are further fortified by blasts from vintage machines, a free flowing groove lifted into astral jazz. Sharp beats open the flip for “Cyborg Dateline.” Soon, Paterson’s melodic skill takes over. Layers of inspiration are held together by ambling notes. Echoes of cosmic and disco are adopted, a contemporary twist delivered through the complex intertwining of elements. Paterson takes us into the stratosphere for the finale. “Jetpack Joyride” maintains the rhythm of its predecessor, pouring on the funk through daring piano lines and rich strings of double bass. A trip into the beyond from this debutant.

Digital: https://bordelloaparigi.bandcamp.com/album/energy-fields
Vinyl: https://bordelloaparigi.com/shop/vinyl/gus-paterson-energy-fields-ep/

Gus Paterson - Emotive Feels

Italo Santana is the electrifying result of a unique collaboration between Marcello Giordani, the mind behind Italo Deviance Music, and Ilya Santana, a true icon of the Cosmic Disco sound hailing from the Canary Islands.
This release brings together two carefully crafted tracks that blend the timeless energy of Cosmic and Space Disco with a modern electronic edge. Channeling the legacy of the Italian underground and the interstellar vibes of Balearic nights, Italo Santana delivers a sonic journey rich in atmosphere, groove, and high-end production.
Expect pure quality and cosmic vibes. A timeless dancefloor experience made by two masters of this style.

1.Italo Deviance_Gliding (Original)

Balearic sounds and Mediterraneanwarmth are the inspirations for Bruno Belissimo’s Bordello A Parigi debut. Drawing on disco, house and funk, Ottimo! is a four tracker of electronic exuberance with Belissimo’s musical ability and range immediately spilling from the speakers. Guitar strings curve around synthlines in the title piece, percussive textures giving way to the mantra-like refrain of “Ottimo!” Thick bass echoes into beaming keys for “Meduse.” Bright notes cascade, grooves  melting with vocoder lyrics as classic disco tones are reimagined in this modern mirrorball medley. Organic rhythms introduce the flip. “Mirage” opens to ripples of bongos and toms as a loose structure takes hold. Hedonistic chants rise to a shimmering chord, kicks and snares funnelling the building energy as bold blasts and samples shriek with delight. “Las Piramides de Ibiza” brings the quartet to a close. Clean drum patterns support joyous notes, a machine dipped voice calling time.

Vinyl: https://bordelloaparigi.com/shop/vinyl/319913/

Bruno Belissimo - Ottimo!

BUY LINK: https://fauverecords.bandcamp.com/track/ah-si-si
Label : Fauve Records (https://soundcloud.com/fauverecords)
https://www.instagram.com/fauverecords/
> Camiliani (https://soundcloud.com/swaanparadise)

"Ah si si" is a blend of EBM and italo disco, where taut grooves flirt with a bittersweet melancholy tinged with 80s hues. At once an invitation to dance and an introspective dive, the track plays with contrasts — between rhythmic tension and nostalgia.

The voice, sensual and slightly enigmatic, acts as a guiding thread: it ties the influences together, blurs the lines, and gives the whole piece a cohesion that makes it effortlessly ready for the dancefloor.
The italo disco elements are a deliberate nod to Camilliani’s Italian roots and his deep attachment to that musical culture.


Camilliani is no newcomer. In 2007, he made his debut with Pervert Teen, an electro EP released under the name Chairs on Backs, a duo with Yan Wagner on the Missive label. Two years later, he went solo with Fucking Day, a more radical techno EP under the alias Swaan, on Estrella Rec.

After a long hiatus, he returns under a new identity, Camilliani, and unveils Ah si si, his third project.

BUY LINK

PREMIERE : Camiliani - Ah Si Si

https://thomassjackson.bandcamp.com/album/bandcamp-tracks-chapter-1

This is the first chapter of tracks i will be uploading exclusively to Bandcamp. Some tracks are just meant to release directly to people without a label and straight into your usbs or hard drives!
Enjoy and thanks for the support!

Thomass Jackson - Motorhouse 1

01. Kudsnack - Raise It U

WPP stands for Witness Protection Program — a labour of love and a lab for incubating lovely music. Since 2021, it has operated as a space for artists who wish to remain anonymous and release music they might not be able to share otherwise. A Workshop for Phantom Producers, where the focus stays on sound, not identity.

BUY on BANDCAMP

PREMIERE : Troels Yuri - Unlearn

Feel Like Movin' (Remixes)

Feel Like Movin' (Instrumental)

Valley of the Shadows

Valley Of The Shadows

Get It Right

Knowledge

Incredible (feat. General Levy)

Skematic Tracks Vol 2

Magojiro

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Magojiro

In Flagranti

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