tunes 1 - Part 1

Versions

Running

A Meaning

Breakup

Taken from their first album Love In A Black Dimension 1994 , "SAY IY AGAIN"  was one of the first great successes of this  Italian group

FREE DOWNLOAD

Jestofunk - Say It Again -1994 - (Remastered Mix) FREE DOWNLOAD

dreamworld / realworld

I have had these old new tracks sitting on a hard drive , ENJOY!

Don't Come Back

Taken from the 'Beating Heart - Malawi' album, available at https://lnk.to/oYQz0So

Each 1500 albums sold will feed a school of 500 children forever. 

When Hugh Tracey (1903-1977) made 35,000 field recordings across Sub-Saharan Africa between the 1920s & 1970s, his intention was to reveal the beauty and complexity of the music to a world that saw little value in it. Building on Tracey’s vision, the income generated will be used to assist people in the areas where the music was originally recorded. 

Follow Beating Heart
www.beating-heart.co.uk
ll Spotify: http://sptfy.com/1kzA
ll Facebook : https://goo.gl/bZORcx
ll Soundcloud : https://goo.gl/r0WHac

Center Of The World

Feel Like Movin' (Remixes)

Feel Like Movin' (Instrumental)

Valley of the Shadows

Valley Of The Shadows

Get It Right

Lukas Nystrand - Never Fail 2005

Fat Of Excellence

Here Today Gone Tomorrow

Knowledge

Incredible (feat. General Levy)

Skematic Tracks Vol 2

Magojiro

Loufoque

for all booking contact:
scrnobrnja@gmail.com


In Flagranti (Sasa Crnobrnja & Alex Gloor)

The duo has always made a great case demonstrating how “inspiration” from the creative works of others can truly be made into something new and totally distinct from the source material.  But whether you know the source material bears major influence on what their interpretation is going to even sound like to you.  In other words, you could be hearing the same song as another listener is, but if you’re familiar with the source material, you’re going to also be hearing that, while someone who isn’t familiar with it won’t.  Most of their listeners have no idea this is even going on, or could even be allowed.
I figure I follow In Flagranti quite closely, but I only make a connection here, or a connection there.  Sometimes this happens immediately, other times it’s taken years to notice.  Most connections I will never even be aware of, and I don’t listen for them, they just stand out to me or they don’t.  Sometimes I only discover the source material long after I’ve been familar with In Flagranti’s take on it, which you’d think would detract from the latter, but for me, it only adds to it.  In Flagranti’s musical interpretations show a certain ethic and a philosophy that parallels their approach to visual content.  It’s so “meta” that I’m at a loss to describe it, except to say what I often do:  Warhol would be In Flagranti’s biggest fan if he was around to witness them. – truckerdisco.wordpress.com

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is nonexistent. And don’t bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”

Jim Jarmusch’s Golden Rule #5

Magojiro

In Flagranti

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