"Feel Nothing" (Release Date: July 6, 2021) 

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Amen Dunes (with Sleaford Mods) - Feel Nothing

From the new album: Beyond Everything

Available for pre-order now at www.intheredrecords.com!

Dion Lunadon - Living And Dying With You

Dion Lunadon - It's The Truth

Chatham Rise - "Meadowsweet" from Split LP with Thelightshines "We Are The Sun", Mixed by Mark Gardener at OX4 Studios  LP available at https://pictureinmyearrecords.bandcamp.com/album/we-are-the-sun

We Are The Sun

Meadowsweet

Phase Zero

Mssr. Monster

first single from forthcoming self-titled School Damage album, due on vinyl and digital in June 2017.
grab the single here: www.chaptermusic.com/store/school-damage/tall-poppies
www.chaptermusic.bandcamp.com/track/tall-poppies
https://www.facebook.com/SchoolDamageRockers

School Damage - Tall Poppies

Rev Rev Rev - Clutching The Blade

Public Practice is reanimating the spirit of late ‘70s New York with their intoxicating  brand of no wave-tinged dark disco. The band came in hot with their punchy balance of punk, funk, and pop on the critically acclaimed Distance is a Mirror EP in 2018, paving the way for their highly anticipated freshman record. Now, after a year of intimate and experimental songwriting in their home studio, they have fleshed out the energetic, playfully oblique sound captured on their debut full-length Gentle Grip. 

Together, the foursome creates bold, slinky rhythms and groove-filled hooks that get under your skin and into your dancing shoes. The musicians’ unique chemistry and approach to songwriting is part of what makes their world so intriguing. Magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland, who were creative music partners for years prior to Public Practice’s formation, come to the table with an anarchic perspective that aims to eradicate creative barriers by challenging the very idea of what a song can be. Paradoxically, Drew Citron, on bass/vocals/synth, and drummer/producer Scott Rosenthal are uncannily adept at working within the framework of classic pop structures. But instead of clashing, these contrasting styles challenge and complement one another, resulting in an album full of spiraling tensions and unexpected turns.

Inspired by influential New York bands like Liquid Liquid and ESG, the foursome has a natural inclination toward music that sounds rough-hewn. “We were thinking about classic New York dance albums, and the thing that stuck out is that many sounded like they were recorded in less-than-ideal situations,” McClelland says. “There was always something about them that felt somewhat home-cooked.” McClelland has spent the past few years constructing a home studio with carefully chosen and occasionally hand-made equipment in an effort to recreate that “cobbled together” sound. As three quarters of Public Practice are engineers as well as instrumentalists, their collection of gear, combined with the recording rig McClelland built, allowed the band to record Gentle Grip largely at their own hybrid practice space/studio in Brooklyn. “Having a space and setup that is unique, you're always going to have more of a signature sound,” McClelland explains. They spent the better part of 2019 playing with sounds, riffing on McClelland’s demos, and recording a number of songs live to tape. Although a handful of sessions occurred in traditional recording studios, the band’s autonomy and ability to record themselves imbues their music with a sense of freedom and gives it a distinct character — a home-cooked sound that is purely Public Practice.

Mssr. Monster

Morgan Delt

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