Heerlijke muziek, denk met weemoed aan de koopavonden van de elektronicawinkel waar ik toen werkte in de jaren 80, altijd Ferry op de radio !!

Lemon Meringue Pie

KRAAK & SMAAK presents 'KEEP ON SEARCHING' for SUBLIME FM 

Late 2013 their most recent album 'Chrome Waves' dropped, and now they have finally found some time to start up their first weekly radioshow for Dutch FM radio station SUBLIME FM. Don't expect their regular dj sets, which are more clubby, but more a dynamic mix of smooth, raw, rare discotheque and warehouse finds in f.e. funk, soul, jazz and disco, combined with the more contemporary dancefloor sounds of nu disco, deephouse and electronica of today. 
Enjoy!


1.Revolution Francaise – Discocorico (Dwilt Sharpp remix)
2. Pomo – Work it out
3. DJ Rocca – A Magical Day (Dicky Trisco remix)
4. Vaughan Mason & crew – Bounce Rock Skate Roll
5. Shit Robot – Do that dance (feat. Nancy Whang)
6. Kraak & Smaak feat. Janne Schra – Love Inflation (NSFW remix)
7. Illum Sphere - Near the end
8. Boscoe - Money won’t save you
9. Cobblestone Jazz - Slap the back
10. B-Jam – Choices
11. Kraak & Smaak – Where you been? (Hamertje Tik remix)
12. Scandal – I wanna do it (Mia Dora remix)
13. Nuyorican Soul – The Nervous Track


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Kraak & Smaak Presents Keep on Searching, Sublime FM - show #26 - 01/03/14

KRAAK & SMAAK presents 'KEEP ON SEARCHING' for SUBLIME FM

Late 2013 their most recent album 'Chrome Waves' dropped, and now they have finally found some time to start up their first weekly radioshow for Dutch FM radio station SUBLIME FM. Don't expect their regular dj sets, which are more clubby, but more a dynamic mix of smooth, raw, rare discotheque and warehouse finds in f.e. funk, soul, jazz and disco, combined with the more contemporary dancefloor sounds of nu disco, deephouse and electronica of today. 
Enjoy!

1. HNNY – Tears
2. Master Boogie Song and Dance – When the shit hits the fan
3. Edmondson – Don’t Stop
4. José James - Blackmagic (Joy Orbison recreation)
5. Satin Jackets - Night Keys
6. Kraak & Smaak – No Sun in the Sky
7. Joubert Singers – Stand on the word (Larry Levan mix)
8. Chasing Kurt – From the Inside (Henrik Schwarz remix)
9. Kraak & Smaak – Drive, Janne, Drive
10. Andy Hart & Max Graef – Super Strain
11. Darius – Espoir
12. Illvester – Feel Real (Kon edit)


Kraak & Smaak Presents Keep on Searching, Sublime FM - show #28 - 15/03/14

TEE ESS MUNK ~ KON KON VIE REMIX SNIPPET ( MIXED BY CASERTA )

Kraak & Smaak - Keep On Searching on Sublime FM: 
- Every Saturday 22 -23PM, CET
- Frequency: 89 / 90 FM (Netherlands)
- Online (live) player: player.sublimefm.nl/

Late 2013 their most recent album 'Chrome Waves' dropped, and now they have finally found some time to start up their first weekly radioshow for Dutch FM radio station SUBLIME FM. Don't expect their regular dj sets, which are more clubby, but more a dynamic mix of smooth, raw, rare discotheque and warehouse finds in f.e. funk, soul, jazz and disco, combined with the dancefloor sounds of nu disco, deephouse and electronica of today. 
Enjoy!

1. King Most - First Night (King Most’s 4 x 4 redirection)
2. Pete Herbert - Kick the habit (fea. Eva Jeanne)
3. Hackman – Forgotten notes
4. Skyy – High (Halve Soul & Olivier Boogie edit)
5. Roachford - Work it out (Henrik Schwarz garage remix)
6. Kraak & Smaak – Money in the bag (K&S remix)
7. Thatmanmonkz – Be with me (feat. Dnae)
8. Till von Sein - Blindin feat. Meggy (original mix)
9. Idris Muhammad – Could heaven ever be like this (Leftside Wobble edit)
10. Kalbata & Mixmonster - Prisoner in love (CRB version)
11. Sorceress - Brother Dragonfly
12. Kraak & Smaak – How we gonna stop the time feat. Stee Downes
13. Cool Peepl feat. Amp Fiddler / Billy Love / Sundiatta OM – Free (Andres remix)


Kraak & Smaak Presents Keep on Searching, Sublime FM - show #41 - 14/06/14

KA - Vs - Ten City= Right Back 2 U

Harold Melvin And The Blue Notes - Today's Your Lucky Day(TerryC.REMIX)

CATCH UP CJ CARLOS LUTHER VANDROSS TRIBUTE FEB 6TH LIVE FROM MIAMI

A Collection Of BW songs inc solo outings, productions, hits, album tracks, & rare mixes. Nothing says "I love you, fancy a shag?" more than a Barry White mix tape. Share it with someone special tonight.  

Barry White's Unlimited Love MixTape

Glen Goldsmith - London Skies ( Dj Amine Edit) .Part02
https://koolfunk.bandcamp.com/track/london-skies-part02

Glen Goldsmith - London Skies ( Dj Amine Edit)

SOULFUL HOUSE MUSIC BY TONY PERRY 2015

LOVE CALLS (SCFNJ REMIX) - KEM

Rest In Heaven Prince Rogers Nelson


01 – Walkin’ In Rhythm – The Blackbirds
02 – Imagination – The Whispers
03 – I Came Here To Party – The Brothers Johnson
04 – Meant For You – Debra Laws
05 – Kiss and Tell – Isley, Jasper & Isley
06 – Invisible – DJ Rodgers
07 – East River – The Brecker Brothers
08 – Too Tight – Con Funk Shun (live in San Fransico)
09 – Say Yeah – The Limit
10 – Any Love – Rufus and Chaka Khan
11 – Adventures In The Land Of Music – Dynasty
12 – Feelin’ Single – R. Kelly
13 – Funk It Over – The Pockets
14 – Take a Chance – Evelyn Champagne King
15 – Theme From S.W.A.T. – Rhythm Heritage

Soulshow #82 for SubLime FM (The Netherlands) 2012-11-08

01 – Feel Like Making love – Bob James 
02 – The Closer I Get To You – Roberta Flack & Donny Hathaway 
03 – Special Lady – Ray, Goodman & Brown 
04 – Kisses In The Moonlight – George Benson 
05 – Come Share My Love – Miki Howard 
06 – Just Once – James Ingram & Quincy Jones (live in Japan) 
07 – The Highways Of My Life – The Isley Brothers
08 – Love Won’t Let Me Wait – Major Harris 
09 – Wishing On a Star – Rose Royce 
10– Got You Home – Luther Vandross 
11 – Feel So Right – Loose Ends
12 – Rock Me Tonight (For Old Times Sake) – Freddie Jackson 
13 - Warm Weather – Pieces Of A Dream 
14 – Someone In The Dark – Michael Jackson 
15 – Feel Like Making Love – Bob James

Soulshow #89 (Soft Soulshow) for SubLime FM (The Netherlands) 2012-12-27

Promo Snipptes M+M v3 (these are heavily edited versions)

“The original process of 're-mixing records' was intended to provide an alternative listening experience which had been optimized for people who went out to dance at Discos. John was one of the early pioneers who loved music, understood his craft and HAD RESPECT FOR THE CREATIVE WORK from which his mixes were derived” 

Patrick Adams – Super Producer. Writer of more than 30 Gold and Platinum records and back to back winner of ASCAP Songwriter of the year award 1996/1997

 This compilation is John Morales’ third for BBE. Few can match his contributions to the world of Dance Music be it soul, funk, disco, to today’s house music.

John Morales is considered one of the true legends of the mix. And his work some thirty years later continues to be cutting edge and inspiring. His epic mix of Universal Robot Bands boogie anthem “Barely Breakin Even”  is the source from which BBE Records got its name.

No attempt has ever been made to summarise the pinnacle of Johns work. This third release on BBE continues that history lesson that John has forged in dance music. He formed The M+M Mix with his late partner Sergio Munzibai, in 1982 till 1990 whose output of over 650 mixes will be unmatched today. John continues The M+M legacy.

From the Rolling Stones to Gloria Estefan, The Temptations, Barry White, Marvin Gaye, James Brown, Hall & Oates, Teena Marie, Aretha Franklin to BBE – we have all been molded by Johns everlasting mix influence, love for his work and his Music..  This superb triple CD presents some of John's finest works, and takes the M+M Mix legacy to yet a higher level. CD1 & 2 feature some of the greatest tracks of all time from the Start of CD 1 and Barry White’s “Never, Never Gonna Give You Up” , to the classic rework of Marvin Gaye’s “I Want You”  which closes out CD2, there are no sleepers here. CD3 also features some of the best from the vaults of the Salsoul and West End labels, anthems like Loleatta Holloway’s – “Hit & Run” to legendary Paradise Garage favorite Loose Joints “Is It All Over My Face?”. 

 This is the legacy of the M+M mixes.


      

John Morales
If you grew up in the ‘80s and had even the smallest of passing interest in music, particularly club music, chances are you were very familiar, albeit unwittingly, with the work of John Morales. On the radio, in the record racks and most importantly on the dance floor John’s work (predominantly with studio partner Sergio Munzibai) helped define an era and influence future generations of DJs, producers and artists. 

Born into a hard working Puerto Rican household in the Bronx, New York, at the start of the rock ‘n’ roll era, Morales, like many children of the period was fascinated by this new art-form that was saturating the airwaves and upsetting parents everywhere. So in love with the music he heard, as a 12-year old he persuaded his local record store to give him a part-time job with payment not in dollars, but in 45s. By the time he was old enough to get a full-time job his burgeoning record collection had helped land him one of his first DJ gigs at the influential Stardust Ballroom in the Bronx (his father had earlier owned a bar in Jersey City where John had first got the DJ bug). As his reputation grew Morales was invited downtown to Manhattan to play guest spots at the likes of Pippins, Bentleys, 1018, Limelight and the infamous Studio 54. 

Like many DJs of the ‘70s John ventured into the studio more through need than necessity: “I started to make medleys and remixes because the records in those days were too short, most in the 3 minute range, and being a DJ I needed to get more out of the records I was spinning. I first started to do my edits using the pause button on a Teac Cassette Deck. After many hours of self education I graduated and I purchased a Sony _” reel-to-reel and learned to edit. It was hard work and long hours editing and putting all the little pieces of tape together and making something creative happen. Reflecting now, I realize how important it was to what I would later do. It taught me a lot about what I wanted to do and how to do it, so that by the time I got in a real studio I was virtually a whiz at editing tape much to the amazement of some of the engineers I worked with.” 

His now infamous ‘Deadly Medleys’ and ‘Sunshine Acetate Medleys’ brought him to the attention of New York disco producers Greg Carmichael and Patrick Adams who were impressed by the hunger and desire of the self-taught engineer. “My first credited mix was Inner Life’s ‘Caught Up (In A One Night Love Affair)’, even though I had worked on a few other records before that, but I hadn’t been credited, for acts like the Universal Robot Band and Musique’s ‘In The Bush’.

A meeting at New York’s influential WBLS radio station, where Cuban-born Sergio Munzibai worked as musical director alongside Frankie Crocker  would signal the next chapter in Morales’ career, and resulted in unquestionably the most  prolific remix partnership of the 1980s and 90’s with over 650 mixes  to their name. “We partnered in 1982, when we met at a New York studio called Blank Tapes where I had worked for many years with Bob Blank. Sergio and John’s first record together was Mikki’s ‘Itching For Love’. After that we united and did all our mixes together and the M&M moniker was born.”

Discovering an instant rapport and musical appreciation it translated well into the recording studio where the M&M stamp became synonymous with almost every major dance release of the era. In fact it wasn’t uncommon for the duo to remix upwards of 10 records in any given month. Alongside cult and groundbreaking records for the Fantastic Aleems (‘Get Down Friday Night’), Class Action (‘Weekend’), and of course Jocelyn Brown (‘Somebody Else’s Guy’) they refashioned certified pop smashes for DeBarge (‘Rhythm Of The Night’), Harold Faltermeyer (‘Alex F’), Shakatak (‘Down On The Street’), Miami Sound Machine (‘Dr Beat’), the Temptations (‘Treat Her Like A Lady’) and hundreds more in an eight year period that saw them almost an ever present on the Billboard Dance, R&B or Hot 100 pop charts. Tina Turner, the Rolling Stones, Spandau Ballet, Aretha Franklin, Shalamar, Hall & Oates, Dan Hartman, Candi Staton, Melba Moore, Rose Royce, Billy Ocean, Debbie Gibson, Odyssey, the Commodores and even Peter Schilling and Rod Stewart, in fact just about every major artist of the day was in some way retouched by the hands of Morales & Munzibai. 

“We worked together till around 1988,” John recalls. His solo production projects in the ‘90s included such acts as Debbie Gibson, Brenda K Starr, Denise Lopez, The Thompson Twins, Blow Monkeys, Five Star and Art Of Noise. “Sergio unfortunately passed away in 1991. He was a wonderful person full of life that loved music and was a great people person. Anyone who knew him loved him, and I’m sure wherever he is he’s listening to music.”


Soulshow #82 for SubLime FM (The Netherlands) 2012-11-08

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