This track was created for the Naviar Haiku group.
415 week haiku
https://www.naviarrecords.com/2021/12/15/naviarhaiku415-a-cool-breeze-blowing/

2021-12-16

A Cool Breeze Blowing  ( Naviarhaiku 415 )

New single!! Out soon on most major platforms!

Scop-Hotch

Piece composed in 2002 for the trailer of the documentary 'My Three Peaks' ('Le mie Tre Cime') by Andreas Pichler. Direction: Andreas Pichler | Animation: Nunzio Cicero, Gigi Tarantola, Tatiana and Riccardo Arena. 
Part of the piece was later used in the final cut of the documentary. This track marks my very first experience with a sampler! I used Halion software (maybe version 2) and some sample CDs for Akai lent to me by a friend.
I put it here as it was, just cleaned up a couple of clicks, also because although I kept the score I no longer have either the sounds samples or the software to open the original project...

Tre Cime (Trailer Soundtrack - 2002)

From the Bandcamp release "Black birds ate the sky": 
https://martinhoogeboom.bandcamp.com/album/black-birds-ate-the-sky

Martin Hoogeboom: electronics/objects
Rupert Clervaux: mastering

Black birds ate the sky

Black birds ate the sky (I)

Mixage au casque et arrangement/ Muriel Roiné

Mars ou la vie d'avant

Temps suspendu des âmes accrochées et qui cherchent à s'envoler. 
Hommage aux peuples palestinien et libanais. 

Le sacrifice des feuilles mortes

Bog Bog, The Electronic Ladyland Mixtape

Tracklisting & interview - http://www.infine-music.com/news/374/podcast-024-arandel

Check Arandel´s interview @ The Drone : http://www.the-drone.com/magazine/arandel-bog-bog-the-electronic-ladyland-mixtape/ 

Follow Arandel on Soundcloud : https://soundcloud.com/arandel

BOG BOG, the Electronic Ladyland

Infos

PODCAST 024 - ARANDEL : Bog Bog - the Electronic Ladyland mixtape

Carmen

The crisis in Europe is not over, it's getting worse. In this dramatic narrative of Europe’s economic rise and spectacular fall, Yanis Varoufakis, former finance minister of Greece, ‘the emerging rock star of Europe’s anti-austerity uprising’ (Telegraph), shows that the origins of the collapse go far deeper than our leaders are prepared to admit – and that we have done nothing so far to fix them.

In 2008, the universe of Western finance outgrew planet Earth. When Wall Street imploded, a death embrace between insolvent banks and bankrupt states consumed Europe. Half a dozen national economies imploded and several more came close. But the storm is far from over…

From the aftermath of the Second World War to the present, Varoufakis recounts how the eurozone emerged not as route to shared prosperity but as a pyramid scheme of debt with countries such as Greece, Ireland, Portugal and Spain at its bottom. Its woeful design ensured that collapse would be inevitable and catastrophic. But since the hurricane landed Europe’s leaders have chosen a cocktail of more debt and harsh austerity rather than reform, ensuring that the weakest citizens of the weakest nations pay the price for the bankers’ mistakes, while doing nothing to prevent the next collapse. Instead, the principle of the greatest austerity for those suffering the greatest recessions has led to a resurgence of racist extremism. Once more, Europe is a potent threat to global stability.

Drawing on the personal experience of his own negotiations with the eurozone’s financiers and offering concrete policies and alternatives, Varoufakis shows how we concocted this mess and how we can get out of it. And The Weak Suffer What They Must? reminds us of our history in order to save European capitalism from itself.


And The Weak Suffer What They Must? by Yanis Varoufakis and Leighton Pugh

Composed and performed by Matteo Mariano (2020) http://macrogramma.com
Original cover art by Riccardo Arena (2020) http://www.riccardoarena.org

A winter tune... snow falls gently at first. It begins to stratify together with winter memories, in a dramatic crescendo until it freezes, creating a permafrost of long gone pasts.

Le sacrifice des feuilles mortes

Muriel Roiné

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