Black Strobe - I'm A Man

La Iguana En La Ventana

korkudan geçerken

from The Point Of No Return, released 09 June 2014 - Bellring
hugokant.com : http://hugokant.com/thepointofnoreturn/
bandcamp : https://hugokant.bandcamp.com/album/the-point-of-no-return

(Hugo Kant / Kathrin deBoer)
All instruments and programming : Hugo Kant
Vocals : https://soundcloud.com/kathrin-deboer

The Point Of No Return

Bandcamp

The Event Log (feat. Kathrin de Boer)

from The Point Of No Return, released 09 June 2014 - Bellring

hugokant.com : http://hugokant.com/thepointofnoreturn/
bandcamp : https://hugokant.bandcamp.com/album/the-point-of-no-return

Secret Society

from The Point Of No Return, released 09 June 2014 - Bellring

hugokant.com : hugokant.com/thepointofnoreturn/
bandcamp : hugokant.bandcamp.com/album/the-point-of-no-return

Dr Van Helsing

I don't want to be an emperor

No Jazz

ORPHANED LAND - Norra El Norra

Thanks for the memories guys! I don't remember singing about 1/3 of these songs, apparently blackout has it's advantages. You all sound beautiful to my ears!! 

Two tracks are unidentified, I'd love to know the names - email me at drewcardillo@gmail.com if it was you! 

Livin' La Vida Loca (Ricky Martin)

from 'Plenitude' [CD|LP|DIGITAL]
Denovali Records · den239
available on all formats at [http://denovali.com/oneirogen]

In anticipation of an upcoming full length album, ONEIROGEN releases the "Plenitude" EP. Over 5 songs spanning 22 minutes, "Plenitude" is a concise blast of intensity, featuring vivid contrasts between industrial noise and expansive ambient music, and a deeply personal dimension unheard on past releases.

As ONEIROGEN (o-NI-ro-jen), Mario Diaz de Leon creates his own style of hallucinatory music. The project was initiated in 2012 with the release of "Hypnos", which garnered widespread acclaim among fans of experimental and heavy music for its varied and cinematic style, merging ethereal synths, brutal distortion, dark ambient and noise. This was followed in 2013 with "Kiasma", an intensification of the doom/black metal elements present on the debut. With its precise song structures and haunting integration of melody and texture, the album's drum-less distortion went far beyond the categories of "drone" and "ambient", into a style unique to the album.

In the 2 years since the release of "Kiasma", Diaz de Leon has developed his sound through regular live appearances in the underground metal and experimental scenes of NYC. Lyrically, the songs draw from Diaz de Leon's personal experiences and spiritual work, confronting the inner crisis of a "dark night of the soul", the "shining blast" of a kundalini awakening, and an ode to the creative and destructive powers of an archetypal mother goddess. While previous releases used vocals and percussion sparingly, the tracks "Collapsing" and "Vessel" bring these elements closer to the forefront, alongside lacerating bursts of feedback and hypnotic synth riffs. The glacially expansive title track and polyrhythmic pulses of "Emergence" conclude the EP with a balance of mesmerizing stillness and pummeling aggression.

Plenitude

Oneirogen - Vessel

 unmasterd Demo-File

ca 177 bpm

with glitchy sounds and little story inside


Mercan Dede Dem

Manga - Beni Benimle Bırak

11 El Malo De La Pelicula

Vamos a necesitar un Mapa,  por: Indigo
Tras la trayectoria de los últimos 2 años, el grupo de rock puertorriqueño Indigo lanza su segundo trabajo discográfico, esta vez en forma de un EP que consiste de 4 nuevos temas, este incluyendo el sencillo,” tiempo inmortal” lanzado en febrero de 2013. Aunque apartado del sonido de su último disco, ”Para nadie en particular”, las composiciones, música y sentimiento de estos nuevos temas mantienen la esencia única que proyecta Indigo en su música. Los temas incluidos en el disco se titulan: Oda a los Animales, Vamos a Necesitar un Mapa, Dueños del Destino y Tiempo Inmortal.  Los temas recorren varios estilos musicales incorporados en el sonido psicodélico de Indigo.

korkudan geçerken

inframad

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