A     161

The great philosophical question: Why is not nothing? Can the answer be found in this track? Perhaps... you have to listen carefully! ...otherwise you can also dance well on it. Howsoever: enjoy it !!!

Created and conducted by Kapellmeister Krause

Why Is Not Nothing?

Anywhere but Here - EP
//Tracklist:
1. Jeans
2. I Don't Mind
3. Dreaming
4. Stars
5. Where We Belong

Dreaming

Rupert really Was one of a Kind🐕. Guess he thought he Was a Lion🦁Top Lhasa✨

More depth in this recording, both in Guitar and Vocals. A cleaner sound than the original. Hope you enjoy it 🎧💕

Eternal friend version 2

The elegance of the track lies in its ability to disguise complexity with apparent simplicity, leading the listener on a journey through layers of sound that reveal themselves gradually, much like a well-kept secret.

Disguised

Mystery

Good Times for a Change

Good Impression

Rise from the ashes and dance your way to freedom with "Phoenix," our latest high-energy EDM track!  This electrifying tune is all about reclaiming your power and emerging stronger from a broken relationship. Let the pulsating beats and uplifting melodies guide you through a journey of self-discovery and resilience. 
 Feel the surge of adrenaline as the track builds, breaks, and soars, mirroring the highs and lows of finding your wings again. "Phoenix" is your anthem of rebirth, reminding you that even from the toughest times, you can rise and shine brighter than ever before.  (Thanks ChatGPT !!)

As Vincent Van Gogh once said :-
Thank you for lending me your ear and if you like the sunflowers don't forget to repost, like and follow.

Phoenix

Tartaria (The Lost Empire)

Originally composed by Koji Kondo (1991)
Arranged and Performed by Brian Butts
Image generated by http://hotpot.ai

Overworld (Kondo 1991)

"Starting Over" (demo v2)

Made and played by me on August 16 and September 12, 2024, using sounds e.g. from Yamaha Montage 8 (TX816 Electric Piano), Keyscape (Roland MKS-20 EP sound), Arturia Jup-8 V and UVI SonicPass (Emulator II, Marcato Strings sound).

Edited a little on September 12, 2024 (changed melody a bit & added and modified some chords, added some chorus etc.). Mastered with Ozone 11 on September 12, 2024.

I'm also working on an instrumentalized version. Also, this song could maybe use some lyrics, and it is still something I have to look into. All comments would be more than welcome, especially regarding the melody (it seems that good melodies are pretty challenging to develop).

As two sources of inspiration here I could name Luis Miguel's versions of the songs "Toda una vida" (by the great Osvaldo Farrés) and "Ese momento" (by the great Armando Manzanero).

Starting Over (v2)

The language of dreams goes deep....
Drift into a liminal space with this downtempo soundtrack 🤍

Available for download here 💿
https://scratchkelly.bandcamp.com/track/speaking-in-dreams

Speaking In Dreams

💿

reflecting the mental landscape.

https://youtu.be/c1u7QfdETZw

reflect

Our first and likely only cover is by 9 Inch Nails.

Hand That Feeds ( 9 Inch Nails )Cover- ROUGHMIXX WIP 082724 12

Inside Me / an open invitation for a collab 
from Ian Greaves aka (IPG1)
Vocal and Lyrics Ian Greaves aka (IPG1)
https://soundcloud.com/ipg1/inside-me-vocals-96-bpm
Paploviante: Bass, Music, mix and mastering

Inside Me - IPG1 & Paploviante

War Pigs

Jack by Jeamland & joerxworx

Sideshift (2020) Anthology CD3 Track 04

Cast of Characters:

Llanpsych-- @llanpsych -- Tez – foundational acoustic and electric guitars, distorted electric guitar, and the seed idea
Mistermark – @user-432503709 – Mark – vocals, lyrics, high organ, toy piano, percussion, sound effects, production, editing, mix
TexMex Shaman– @texmex-shaman –Stephen– 5-string banjo solo, electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- low organ, piano, synth flute, sound effects
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – 4-string fretless bass
Composition – The Eclectic Collective

This song began its life as a hauntingly exquisite guitar chord progression that Tez came up with and shared with the rest of us. He also stacked a couple of other guitar tracks in there for good measure. Ken was first up, adding his drums, then later his pots and pans percussion. As he was doing that, Josh was coming up with his bass line, and they did their little dance of back and forth until the rhythm section was set. Mark came in around the same time, though, and added his unique, Waitsian vocals with the lyrics that he wrote for it, too. He also added some really amazing organ parts, a toy piano which you can hear right after the banjo solo, and percussion that add a solid foundation for his voice and add magic throughout the song. Stephen followed shortly after with the big stroke guitar chords, and also came up with the amazing banjo solo you hear in there, too. Last, but not least, JJ came in with his organ and electric piano to seal the deal with the melodies and ambience. Then he and Mark added the cool sound effects you hear throughout, too.
  Every great song needs a great producer, and Mark filled the duty on this one. He has proved himself to be a masterful editor, producer, and mixer, and we are lucky to have him as part of the team.
  This one is an homage to Tom Waits in a deliberate way. We're all big fans, and tried to do something in his unique style. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original lyrics by Mistermark:
I got something hidden in my closet 
that I don’t want you to see 
A little like a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hangin’ it there since I don’t know when
And I just can’t leave it alone

Me and Bill rolling bones in a gambling hall 
I threw snake eyes but Bill counted three
I took his accusation just a little too far 
Then everybody went quiet as they stared at me

Now the finger bone’s connected to the trigger
And the hand bone’s connected to me
And every day my secret’s gettin’ bigger
Soon enough I’ll be swinging from a tree

Coz I got something hidden in my closet 
that I don’t want you to see 
I done made a shady deposit
And it’s bound to incriminate me

Well now some might call it a skeleton 
Like a raincoat filled with bones
See I been hiding it there since I don’t know when
And I just can’t leave it alone
(repeat)

Bones (The Eclectic Collective)

Transcending Soul.   Ft. Lioness Pinky.

Credits:

Bill Brooks (Remnant60) ….. synths, sub-bass, mixing and production 

https://on.soundcloud.com/Jx14UW2SwQbZdHVGA

Artur (Surfers like Us) ….. guitar, bassline and composition 


Bill and I invite you to listen to the final result of our collaboration which lasted a week and was a great pleasure for both of us! 😎😊
Bill as a very creative musician and competent producer added his magical synth sounds to my guitar part and bass line! He then took care of the production and mixing of the song. He did the time-consuming work to achieve this unique and interesting sound of the song. That's how this song came to be - once again, we crossed the Atlantic distance. 🌞
This is our third song together after "Good Days" and "Clouds" with Nathaniel Ehrnman. In the former Bill was the producer, in the latter he was the producer and musician. Enjoy listening to it !!! 😎🎸
——————————————————
I dedicate this song to my wife, Monika ! 🍀

A 161

Ingo Bremenkamp