remembrance

ten of swords

the fool

before

five of cups

child and mage

shelter

beyond

I I am mostly interested in (free) improvisation (if there is something like free). The music I've uploaded here consists of a series of improvisations I played on alto and baritone saxophone while processing their sounds using my notebook in a way enabling me to sort of 'interact with myself' in real time. Everything is entirely recorded live - with no overdubs or such - except for the 'saxophone duet' I played at the end. All pieces are based on sets of rules, so they are not totally free improvisations - nevertheless their outcome is very (totally?) different each time. It is a bit like football: everyone knows the rules, but there's no way to know how the match will evolve or who will win ... or who will break the rules.

BTW: If there are musicians around Koblenz who are interested in improvised music - I realy like to hear from you!

saxophone\notebook 01

I am mostly interested in (free) improvisation (if there is something like free). The music I've uploaded here consists of a series of improvisations I played on alto and baritone saxophone while processing their sounds using my notebook in a way enabling me to sort of 'interact with myself' in real time. Everything is entirely recorded live - with no overdubs or such - except for the 'saxophone duet' I played at the end. All pieces are based on sets of rules, so they are not totally free improvisations - nevertheless their outcome is very (totally?) different each time. It is a bit like football: everyone knows the rules, but there's no way to know how the match will evolve or who will win ... or who will break the rules.

BTW: If there are musicians around Koblenz who are interested in improvised music - I realy like to hear from you!

saxophone\notebook 08

saxophone\saxophone

I am mostly interested in (free) improvisation (if there is something like free). The music I've uploaded here consists of a series of improvisations I played on alto and baritone saxophone while processing their sounds using my notebook in a way enabling me to sort of 'interact with myself' in real time. Everything is entirely recorded live - with no overdubs or such - except for the 'saxophone duet' I played at the end. All pieces are based on sets of rules, so they are not totally free improvisations - nevertheless their outcome is very (totally?) different each time. It is a bit like football: everyone knows the rules, but there's no way to know how the match will evolve or who will win ... or who will break the rules.

Ingo Weiss

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