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Taken from SBKT042: Paraadiso - Unison

Release date: 30th July 2021
Artwork: Szonja Szendi & Luke Griffiths
Mastering: Raphael Valensi

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UNISON is the debut album from PARAADISO, a duo composed of musician TSVI and audio-visual artist Seven Orbits.

Inspired by Italian folk music, noise, ancient choral acoustic compositions, rituals and their functions, the album focuses on conveying a sense similar to those felt in ancient gatherings and ceremonies where the collective physical experience meant heightened stimulation at both the individual level and collective level.

Contrary to individual experience, collective experience is necessarily rooted in (shared) patterns of action and behavior; it has been studied that the sense of a joint consciousness emerges from such patterns of action and a sense of ''relatedness' is developed between members of the group; relatedness is a form of shared identity, which in turn can transform intragroup social relations and future re-Action. Experiences of synchrony and collective emotion induce in individuals a shift between two parallel cognitive “modes”, from the individual to the communal, generating feelings of openness, inclusion, and prosociality and sometimes even dissolution of the self-other distinction.

All human life and all human interaction are profoundly social: our everyday lives do not take place in isolation but constantly require our engagement with other people. The artists unknowingly sought these qualities emerging during the creation of the work as isolation and disconnection raised dramatically over the past two years and have created a piece in response to that which aims to be performed and experienced in a live context as an audio - visual experience.

Unison

Paraadiso - Paradiso Terrestre

Taken from acadjmia (@acadjmia) new EP Security Ritual, out August 27, 2021, via New Work City Records (@newworkcityrecords)

Read: https://bit.ly/3AVGRVQ
Pre-order: https://bit.ly/3iZmLUC

sounds & samples crafted with Palestine on my mind, featuring a debut track from falling into • 50% of all proceeds will go to the Palestinian Youth Movement (palestinianyouthmovement.com)

Cover art by rayane 
www.instagram.com/rayanehadd/

Mastered by Dominic Clare at Declared Sound
https://www.instagram.com/d.glare/

Released by New Work City Records

Premiere: acadjmia - Six Molds [New Work City Records]

"Temple of Urania" is an audiovisual project by three Polish artists (Justyna Banaszczyk, Darek Pietraszewski, Tomek Popakul), based on an art residency that took place just before the outbreak of the pandemic on the Channel Island of Jersey. The final form of the installation was informed by the experience of pandemic isolation in 2020 and an attempt to find an alternative way of presentation – one that would exclude the collective nature of concerts or clubs, while still offering a space for the actual reception of an audiovisual work, ‘live’ and offline.

The project, inspired by the extraordinary life and work of the artist couple Claude Cahun (b. Lucy Schwob) and Marcel Moore (b. Suzanne Malherbe), who lived on Jersey during the Nazi occupation, will be presented in two versions: as a travelling multi-channel audiovisual installation (premiere: 13-15/08/2021, Sanatorium of Sound Festival, Sokołowsko) and a 28-minute film released by Pointless Geometry on a limited, collector’s VHS tape (premiere: 21/10/2021).

The rich oeuvre of the two forgotten artists, which inspired the Polish trio to create Temple of Urania, includes Les Jeux uraniens (‘Uranian Games’) – Claude Cahun’s controversial, unfinished and unpublished manuscript, surrealist photographs, poetry, collages, and above all the absolutely pioneering philosophy, which accompanied the artists in life and art. Preceding the emergence of terms such as ‘gender’ or ‘non-binary’ by more than 40 years, Cahun sought in her works a space free from divisions, experimenting with her body, appearance and sexuality. ‘Masculine? Feminine?’, she wrote in Aveux non avenus (‘Disavowals’). ‘It depends on the situation. Neuter is the only gender that always suits me’.

Temple of Urania is an homage of sorts to Cahun and Moore, an attempt to draw attention to their unique art and the need to introduce them to the avant-garde canon. Another of its objectives is to create a temple, a portal to a non-binary world, a space for meditation and communal experience – a shared existence. The temple of Urania is also a temple of love governed by Aphrodite Urania, who in Greek mythology symbolised mystical, spiritual and astral love – love beyond borders. Temple of Urania is the fruit of 18 months of work, a collective process prolonged through the pandemic that engulfed the world right after the artists returned from Jersey to Poland. As a result, the work has a deeply personal dimension – it is the result of many hours of discussions, a sense of frustration caused by the impossibility to meet outside the online sphere, and a portal for the artists themselves, a space of pleasure, peace, fulfilment and comfort. A projection of a world imagined by Claude and Marcel, which even today – 100 years later – remains in the sphere of surreal dreams.

The temple created by Banaszczyk, Pietraszewski and Popakul is free from divisions, transporting the viewer to the world imagined and advocated by Claude Cahun and Marcel Moore.

making of: https://youtu.be/KaA8Y2ZLLC0  
AV installation documentation: https://youtu.be/bv6ZH_0YCFg

Temple of Urania -  Banaszczyk/Popakul/Pietraszewski (POINT#42) - VHS soundtrack excerpt

tympan's first release, the ‘Indicateur’ EP, features music from Sara Lehad, Charles Wesley and Schloss Mirabell. 

"001" from Sara Lehad is an enveloping, dark resonant space. Its whining momentum rises above a growling, patient soundscape. 

All digital files are now available on our Bandcamp page. Vinyls (25 copies, to buy from bc too) will arrive early 2022.

Photography by Joséphine Michel. 
Graphic design by Léa Auvray.

Indicateur

Sara Lehad - 001

A SIGN OF THE IMPENDING APOCALYPSE

𝔄 𝔖ℑ𝔊𝔑 𝔒𝔉 𝔗ℌ𝔈 ℑ𝔐𝔓𝔈𝔑𝔇ℑ𝔑𝔊 𝔄𝔓𝔒ℭ𝔄𝔏𝔜𝔓𝔖𝔈

nylon typhoon

Original from
玉仔的心 ·  鄭宜農 / 給天王星 專輯

玉仔的心(WAY Bootleg)

Jugodefatuo @claudio-fedele-940172761
invited by Spacerdoppler @user-104022468

Live recorded at Fondo.luogo, Milano

Originally streamed on www.fritto.fm

Fritto FM

Jugodefatuo invited by Spacerdoppler 21.07.22

Authentically Plastic - RAW SPACE

"RAW SPACE" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed "demon of the Nile" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album.

As both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.

On opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles.

Writing "RAW SPACE", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected

Chaosmos

When I Cry

Written by SITOI.
Produced by Exploited Body.

@sitoi
@exploitedbody

Kuori I

SITOI - Arka

im a bitch and also a cunt 
inivatkins@gmail.com

𝔄 𝔖ℑ𝔊𝔑 𝔒𝔉 𝔗ℌ𝔈 ℑ𝔐𝔓𝔈𝔑𝔇ℑ𝔑𝔊 𝔄𝔓𝔒ℭ𝔄𝔏𝔜𝔓𝔖𝔈

iniv atkins

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