Halina Rice - Elision

Missing Island is the sequel to the highly acclaimed Volutes (2020), and again sees multi-instrumentalists Christine Ott and Mathieu Gabry joined by violist Anne-Irène Kempf on most tracks. This new chapter in the natural history of Snowdrops is lent an earthier texture by the hand-pumped organ, performed by Christine Ott.

The opening of the album ‘Retour à la terre’ could, explain Snowdrops, borrow these few verses from Rainer Maria Rilke:

"Everything is gestation and bringing forth. To let each impression and each germ of feeling come to completion wholly in itself, in the dark, in the inexpressible, the unconscious, beyond the reach of one's own intelligence, and await with deep humility and patience the birth-hour of a new clarity"

First single ‘Firebirds’ unfolds like a fiery dance for piano, strings and ondes Martenot, on which Ott lets her inimitable technique speak in a series of lyrical glissandos from the lowest to the highest register. This evocation of the four elements continues with ‘Land of Waves’, music for the great outdoors, on which Mathieu Gabry simultaneously plays piano and analog synthesizer.

The album's second half offers a deeper and metaphysical turn. ‘Nostalgia de la luz’ is clearly inspired by the documentary of the same name, directed by Patricio Guzmán; in the movie, astronomers from all over the world gather in the Atacama Desert to observe the stars. It is also a place where the dryness of the soil keeps human remains intact: those of mummies, explorers, but also the bones of political prisoners of the past dictatorship. While astronomers scan the galaxies in search of probable extraterrestrial life, at the foot of the observatories, women move the stones in search of their missing relatives.

In their own way the last three pieces each reduce this verticality, this connection between the infinitely small and the infinitely large, the past and the present, the human and the environment. Missing Island is also a story of Paradise and Paradise lost, a recurring theme in Christine Ott’s discography (TABU, Time to Die…). At the end, the trio produces a rainbow of feelings that could equally evoke Hania Rani, Warren Ellis and Esmerine, but in a personal breathe that is unique to Snowdrops. 
credits
releases November 25, 2022

All music composed by Snowdrops.

Christine Ott - Harmonium d'inde (1,6) Ondes Martenot (2,3,4) & Piano (7)
Mathieu Gabry - Piano (1-6) & Synths (3,5,6,7)
Anne-Irène Kempf - Viola (1-4,6,7)

Recorded at l'Auditorium de la Fondation Wurth, Erstein, on July 30th, 2020 | Edited by Mathieu Gabry between September and December 2020 | Mixed by Benoit Burger between January and April 2021 | Mastered by Sean McCann at Recital, April 2021 | Artwork by Lali Torma | Design by Pelin Morris
license

Snowdrops - Missing Island

"Beautiful new music from Sinemis...soothing healing techno sufi sounds..."
Nemone, BBC 6Music

"A mesmerizing, sophisticated combination of Sufi music and ambient electronics create an inviting sonic landscape. Sine has tapped into something timeless."
Foxy Digitalis

Cover artwork by Özge Cöne.
All tracks by Sinemis. Elegy contain sample by Rani Dar. 
Binaural and Atmos mixes by Tom Bailey (Air), mastering by Matt Colton (Metropolis).
Stereo mixes by Mark Dobson, mastering by Joshua Eustis.

Sinemis - Dua

Logue

KMRU - OT

Injazero guest mix by Sinemis on James Heather's Moving Sounds radio show on @sohoradio, featuring some amazing artists from Turkey, stunning music on the Injazero catalogue and more...

Tracklist:

1	KMRU - OT
2	İpek Görgün - Seneca
3	Siavash Amini & Saåad - Dragging the Harrow
4      Park Jiha - Pause
5	Sinemis - On the Line
6	Maxwell Sterling - Exuding Latex
7	Matt Emery - Anxiety Mist
8	Apparat - Hosea
9	Clark, Yair Elazar Glotman & Yamila - Shut You Down
10	Alper Maral & Mert Topel - Uranüs’te Bir Satürnlü
11	Ah! Kosmos - Out/Ro/In/Growth
12	Nainita Desai - Allowed to Leave
13	Simon Goff - Vale (Midori Hirano Rework)
14	Anenon - Verso
15	Pullahs - Sandalwood
16     Halls – Ark
17     Snowdrops – Comma (Variation 1)
18     Aaron Martin – Captive Witness (Smoke Inscription)
19	Büşra Kayıkçı - Interlude III
20	Coby Sey - To
21	Başar Ünder - Mazi
22	Hinako Omori - Bank of Inner Criticisms (Dylan Henner Remix)
23	Sky H1 - Blade
24	Heinali	- Anthem
25	Laila Sakini - Procession
26	Klein - Made for Ibadan
27	Penelope Trappes - Northern Light
28	Merve Salgar, Elif Canfeza Gündüz & Zeynep Ayşe Hatipoğlu - Maçka
29	Damla Bozkurt - Enough
30	Mabe Fratti - Aire
31	Resina - Unveiling
32	Robert Ames & Nala Sinephro - Tympanum
33	Berk İçli - Outro (Ps.64)

Moving Sounds

https://stationarytravels.wordpress.com/2022/09/13/premiere-firebirds-by-snowdrops/

Firebirds

Halina Rice - FX1

Halina Rice - Momentum

Halina Rice - Hunter

Halina Rice - EXP3

Halina Rice - Third

Halina Rice - Hey

All tracks by Halina Rice.
Mastered by John Davis at Metropolis.
Cover artwork by Freny Antony.

“World of fragmentary beauty” Clash

“Uses creative sampling to craft evocative and melancholic soundscapes to beat-driven instrumentals” Magnetic

“Takes listeners through a VR inspired electronic journey of looping beats and a mesmerising spectrum of emotions.” Decoded

Halina Rice is a London-based electronic musician and AV artist renowned for her vivid and eclectic style, using multiple effects and sampling to create original and unique sounds. Uniting elements of ambient, experimental and dance music, her sound ranges from evocative and melancholic soundscapes to beat-driven tracks.

Releasing her debut album ‘REDUX’ in 2017 to critical acclaim, her music has been described as “sublime and infectious” by Electronic Sound magazine and as a “world of fragmentary beauty” by Clash, and on the 30th September, she is set to release her sophomore album ‘ELISION’, via Injazero Records, home to such artists as Heinali, KMRU and Hinako Omori.

‘ELISION’ takes its cue from abstract and actual worlds fusing together, a common theme in Rice’s music, with a vision of uniting music, art and technology. Ranging from experimental to IDM, the ten tracks across the album represent a breadth of styles and pace. Tracks fuse natural or analog sounds with unrealistic treatments “The idea is to evoke places that don't exist – like a surreal parallel world,” says Rice. Further tracks such as THIRD and HELIX draw influence from artists such as Rival Consoles and Max Cooper to create more dance-orientated compositions.

On ‘ELISION’, the album title track, Rice used audio tools to morph sounds together to help bring her sonic vision to life. The voice and synth are melded together, resulting in an other-worldy sonic experience, while the carefully crafted sounds of ‘HEY’, ‘HUNTER’ and ‘THIRD’ were initially concieved as part of a commission for the WITCiH digital festival, supporting Rice to explore innovation.

A key component of Rice’s work is the creation of immersive experiences and in 2020 she launched the NEW WORLDS project – where each release comprised both music and the creation of a virtual environment in which Rice performed live as a digital projection. She also works closely with partner L-Acoustics to deliver performances in spatial audio. “In one sense, immersive is a technical description of how I might present sound or projections, but from an emotive stance, it's more about the desire to create an experience for the audience which takes them outside of the day to day. I try to create tracks which evoke an emotion that translates to the listener.”

As a producer of electronic music working with an international team of visuals artists, Rice has consistently strived to create increasingly immersive AV environments in which to envelop her listeners, with her sold out live shows being described as “part rave, part art-happening.” She has performed at venues including Abbey Road Studios, Copeland Gallery, Sonica Arts Festival and Iklectik. Recently, Rice collaborated with Zaha Hadid Architects, creating a virtual reality installation. She is set to perform a series of live shows this autumn – details to be announced.

Elision

Halina Rice - Helix

Injazero is a forward-thinking boutique label straddling Instanbul and London via the impeccable mind of Siné Buyuka. And I’m not just saying that because she also released my album. The diverse and boundary-pushing output of the imprint includes music by Matt Emery, C. Diab, Heinali, KMRU, Hinako Omori, and most recently a collaboration between Tegh & Adel Poursamadi. So I’m always tuned into what Injazero is up to. And this time, I am more than pleased with their latest! Halina Rice is a London-based electronic musician and AV artist, with a debut, titled REDUX released back in 2017. It may have just slipped passed my ears, but it only takes one listen for them to prick up! This is modern electronic music at its finest. Deep rolling bass, sharp synthy stabs, and incredible atmospherics make up this cinematic journey into a mind expressed through ELISION – a fusion of the abstract and real worlds, combining synthetic with organic in music, art, and technology. “The idea is to evoke places that don’t exist – like a surreal parallel world,” says Rice about her sophomore release. “Fracture” is one of my favourite pieces, which is why I selected to premiere it for you here today – it encompasses the fragmentation of reality through jittery and elastic elements, which seem to come in like waves, to unsettle and heal. Further on the album, Rice explores sound through a range of styles, anywhere from experimental IDM to dancefloor hitters, with a nod to artists such as Rival Consoles, Max Cooper, and Jon Hopkins. And if any of these names tickle your fancy, you’ll be in love with Halina Rice.

Fracture

TRACK PREMIERE : Halina Rice - Fracture

Circassian-Turkish Producer Sine Buyuka debuts new solo project Sinemis with lush, graceful album ‘Dua’, gently combining the ancestral Sufi music of her homeland with sophisticated techno-inflected ambient.

Gazel is the first single taken off the album. "Most of the Dua album is created with organic sources of audio and acoustic instruments, lots of creative audio editing and soft synths. However, Gazel is the only track that has a vintage analogue modular analogue synth at its core, a Roland System 100m. I started improvising without a plan and recorded bits and pieces for fun. A couple of months later, after my surgery when I was homebound, I felt like visiting those recordings and decided to use one as a basis of a new track. It was a recording done in a single take, later adorned with ney recordings, vocal chops, and ambient soundscapes. I wanted to see how I could integrate two instruments belonging to two different musical cultures to create something new and perhaps a bit mystical, marrying different musical traditions. The name Gazel, which refers to an age-old improvised singing form that is sometimes accompanied by the ney (or ud or tanbur) in Turkish music is also a nod to the production process – my voice being my synth."

‘Dua’ was also mixed and mastered in Dolby Atmos (available on Apple Music, Tidal and Amazon) to capture the immersive experience of Sufi music.

Please note this is the binaural version of the track. Listen on headphones for the experience.

Binaural and Dolby Atmos mixes by Tom Bailey (Air), mastering by Matt Colton (Metropolis).
Stereo mixes by Mark Dobson (Coda), mastering by Joshua Eustis.
Cover artwork by Özge Cöne.

Gazel

Sinemis - Gazel

Snowdrops - Nostalgia De La Luz

The second single from Sinemis' mini-album Dua...

"A loose soundtrack playing in my heavy head when walking down the streets of Kadıköy and finding myself in the middle of a neighbourhood bazaar...Created with found sounds from Istanbul, samples, ney recordings and soft modular synths."

Sinemis - The Bazaar

Taken from Sinemis's LP Dua on Injazero Records, out November 4.

Pre-order: https://sinemis.bandcamp.com/album/dua
More: www.orbmag.com/music

@injazerorecords
@sinebuyuka

Listen more

Premiere: Sinemis - Elegy

Our first ever mixxx comes from the very talented German producer Sieren https://soundcloud.com/sieren. Check out his interview on Indie UK: http://indieuk.com/2014/11/05/injazero-records-mixxx-1-sieren/ and enjoy!

Tracklist:

1) Kiyoko - Archway [Samurai Horo]
2) Synkro - Falling [Apollo Records]
3) Foals - Spanish Sahara (Sieren Edit)
4) Roof Light - Around Here [Styrax]
5) Ultraista - Gold Dayz (Maribou State Remix) [Free DL]
6) Unknown Track [Dub]
7) Leon Vynehall - Butterflies [Clone]
8) Fybe:One - HeartBeats ft. Deft [Shades Recordings]
9) Me Succeeds - Rongorongo (Arp Aubert Remix) [Ki Records]
10) Kiasmos - Thrown [Erased Tapes]
11) Fybe:One ft. Zelda Marshall - Trace (Sieren Remix) [Shades Recordings]
12) Garden City Movement - Move On [BLDG]


Injazero Mixxx *1* - Sieren

Premiered by Clash: http://clashmusic.com/news/premiere-steve-gibbs-patterns

Adrift is the beautiful debut album from UK composer-pianist Steve Gibbs. Acting loosely as a reissue of Gibbs’ hugely popular Bandcamp release of a similar collection of pieces, this expanded, re-mastered, heavyweight vinyl edition paints a clear picture of a composer mastering his form. It is a record of astonishing warmth, eloquence and sophistication, bedding deep in the ear, whether punctuating subtle moments of silence or rising to sublime heights.

Gibbs ostensibly occupies a similar territory to his peers in the broad and unstructured “modern classical” world. His instrumentation - piano, strings, gentle electronics, occasional guitars - is used with a similar sense of vision as Goldmund, Ólafur Arnalds, Dustin O’Halloran, Stars of the Lid, the piano solos of Arvo Pärt. Yet Adrift retains a singularity, a distinct and forward-facing identity. Its canvas, though rich and vivid like theirs, is left purposefully spacious and open. Passages of soft microsound comparable to Alva Noto & Ryuichi Sakamoto’s duet albums or Mika Vainio merge with lusher cinemascapes akin to Clint Mansell and Max Richter. Album opener ‘Passion’ combines breathtakingly pretty musicbox and piano sounds and lamenting chords to underpin its seaswells of white noise. By ‘Bokeh’ - the final piece - varying themes of elevation, melancholy, catharsis, love and loss have been sparingly, economically dotted about the pindrop elegance. “One of the most important lessons I’ve learnt and follow as a rule is that simplicity is often much more effective,” Gibbs writes. “The space left in between the notes are almost as important as the notes themselves.”

Adrift follows 2013’s In Passing - a collaborative EP written with established US score composer Cyrus Reynolds - recommended on social media by Ólafur Arnalds, Lowercase Noises and Fabrizio Paterlini, and whose opening track was featured by NYC ballet company Muses of Motion.

Adrift was recorded in Gibbs’ home studio setup, without so much as a second pair of hands until mastered by genre stalwart Taylor Deupree (Lubomyr Melnyk, William Basinski, Steve Hauschildt). Having studied piano, guitar, production and music theory through both lessons and self-training, and honing his ear through devouring classical and ambient music, Gibbs deftly interweaves studio and compositional techniques. He employs “synth pads, reversed phrases and reel-to-reel tape recording to add subtle textures as a bed, and manipulating field recordings to create unique ambient textures” alongside piano and string arrangements.

Available in heavyweight vinyl and digital formats. Pre-order here: http://bit.ly/2lSfM2U

Buy here

Steve Gibbs - Patterns

Premiering on Magnetic Mag: http://bit.ly/2r9j2ti

Bristol-based solo electronic producer LTO @lto-oa returns to Injazero Records following his debut, 2015’s No Pasa Nada EP. 

While plaudits for LTO have tended to focus their praise on No Pasa Nada’s tense and eerie programming, its deep sonics and waves of static, Storybook gives us access to the beating heart within the machine. It is an album not purely of mechanics, but also of human warmth, formed with a colour palette of equal digital and organic materials. There is expression and articulation, delicateness of performance, voices both natural and treated, piano and brass, all deftly placed about a canvas of electronic fabrics.

LTO first made waves as part of mysterious electronic collective Old Apparatus. Their music - anonymous, dark, ghostly, subterranean - was reminiscent of garage and grime scenes, but sheened with a nocturnal miasma and a fierce intellect, obfuscated by deliberate myth-making. And while LTO as a solo producer retains elements of this darkness and beguiling sound-design, Storybook sees him let the light in.

A vision is laid out by album opener ‘Change’. It combines gentle, dulcet synthesis with a percussive line made of table-tennis recordings and Spanish-language voices that softly echo in and out of the space, like Katie Gately remixed into Brian Eno’s ambient records or the poise of Max Richter filtered through Chris Clark’s production lens. These themes wander and weave through the record. They comprise willfully corrupted notions of the ‘single’: broken, distorted vocal pieces that never quite move as expected, yet somehow remains approachable and deeply touching. They comprise fluidity and elasticity, a human-ness that enwraps the mechanical parts, in the same sense as Holly Herndon or Nils Frahm. A highly accomplished pianist (indeed, a piano teacher in his civilian life), LTO’s astute musicality is the foundation stone beneath the magic and abstractions of Storybook.

Injazero Records will release Storybook on 180g vinyl and digital formats on June 23rd 2017. The record was mastered by Taylor Deupree (Dustin O’Halloran, William Basinski, Helios) of 12k Mastering.

Storybook

When

Pre-order

LTO - When

Matt Emery - Empire (Ambassadeurs Remix)

"Absolutely fantastic piece of music! Robot Koch is an amazing producer."
Premiered by @kolsch on BBC Radio 1.
Mastered by Mark Dobson at @codamastering.

“I really enjoyed making this remix for Matt Emery” says Koch. “The original piece was already stunning and it was fun to work with the piano and strings stems in a more electronic context. I tried to stay true to the original composition to a degree while still taking the whole thing into my own sound universe.”

Matt Emery - Empire (Robot Koch Remix)

Premiered by @resident-advisor 
https://www.residentadvisor.net/tracks/893826

"I made this track from samples of a piano board I recorded in EMS Stockholm with LAIR while we were working on our project. And some microphone hiss for the beats. I have been making purely percussive tracks recently for my upcoming album, so for this track I wanted to have an emotive melodic element as well. The title refers to the difficulty it seems as a human to live as you truly want, as opposed to how you think you should." - @eomac

Eomac - Don't Fear Your Own Heart

Premiered by the Quietus: http://thequietus.com/articles/23987-c-diab-for-another-body-i-guess-premiere-injazero-compilation

A stunning new cut from Exit Rumination, the sophomore album by C. Diab on Injazero Records. Artwork by Simon DeBree.

C. Diab - Butterflies

Premiering on Stationary Travels: https://bit.ly/2MWfA00

···

"This is utterly sensational!" Stephen McCauley, BBC Radio Ulster 

UK composer Matt Emery follows his extraordinarily beautiful debut album Empire (September 2017) with a brand new single, ‘I Put a Flame in Your Heart’. Released digitally on September 7th 2018 via Injazero Records, the single is a delicate piano composition featuring a wave of 8 pianos meandering through the piece in a wistful and atmospheric mood, delivered with the sombre grace of heavyweights such as Nils Frahm, Ólafur Arnalds and Chilly Gonzales. 

The full band version sees Emery's music swell with frantic drums, throbbing synths and a full choir culminating in an expansive interpretation, more aggressive in comparison to his gentle and intricate modern classical piano and string repertoire. It fuses the post rock intensity and epic feel of bands like Mogwai and Sigur Ros, while the energetic live drums and piano loops bring to mind DJ Shadow. 

Completing the three-track release is the stunning remix by currently one of the UK’s most exciting electronic bands Vessels, who put their gritty and glitchy spin on the original à la Jon Hopkins, Rival Consoles and Kiasmos.

Out on all digital platforms on September 7th, 2018.

Matt Emery - I Put A Flame In Your Heart

Premiering on the Ransom Note: https://bit.ly/2MyJojX

"An enchanting new album." - The Ransom Note 

Heinali is the alias of self-taught composer and sound-designer Oleg Shpudeiko from Ukraine. Now well established under the name he brings along his latest full length ‘Iridescent’ due for release on October 12th on Injazero Records. 

Having garnered rapturous responses to his earlier output and last year’s ‘Anthem’ Oleg continues to push the boundaries and experiment with altering mood and atmospheres of any space - with abstract yet deeply personal transmissions of ambient synthesiser work and subaqueous, minimal techno contortions. 

‘Iridescent’ consists of fragments of studio improvisation sessions recorded in 2016 and 2017, some of them recorded in one unedited take on a modular system and some layered and later morphed into compositions. As the title suggests Heinali crafts shimmering, incandescent portraits, rich in his unique characteristics and compositional liberty. 

Apart from the “musical sculptures,” that represent the bulk of this LP, Oleg was interested in the exploration of polyphonic capabilities of the modular system. ‘Rainbow Folding’, a loose homage to Terry Riley’s 'A Rainbow In Curved Air,' features an interplay of several independent, but distinct voices and their processed shadows — ‘ghost voices’. In 'Shadow Invention’ eerie atmospherics steal the spotlight and dominate the composition, ending in a cacophony of the ‘ghost voices’. 

Oleg says of the album, “it’s a kind of studio dairy. A reflection on the development of my relations with the hardware instruments and exploration of them as channelling vessels for my experiences and ideas.” 

“One can think of Iridescent’ as ‘musical sculpture’ analogy — when the body of music stays the same, but its surface is flickering with various colours over time — sometimes in a subtle manner, sometimes loud and clear. Or it can be understood in the context of various colours of polyphony, or as a liminal condition of the colour as if it’s being ‘stuck’ in the mist of twilight zone between neighbouring colour-states, so it can’t become a particular colour and is in a flickering kaleidoscopic state.” 

‘Iridescent’ bares Oleg’s style of sonic storytelling and austere, otherworldly textural embellishments that bring to mind Ben Frost, Akira Yamaoka, and Oneohtrix Point Never but also plants the seed for much more club ready electro. ‘Starling Reprise I’ is a scorching piece of ambient techno that conjures Four Tet, LTO and Susumu Yokota’s blissful, kaleidoscopic synth work whilst ‘Starling Reprise II’ retains the frosty, steely ambience that has become Heinali’s calling card. 

Cover artwork by Olga Gaidash.
Mastered by Taylor Deupree at 12k Mastering.

Heinali - Rainbow Folding

http://www.fluid-radio.co.uk/2019/05/heinali-rainbow-folding-midori-hirano-remix/

Heinali - Rainbow Folding (Midori Hirano Remix)

Snowdrops - Trapezian Fields

"The combination of strings, Ondes and Mellotron never sounds less than otherworldly. The duo’s name, rightly, paints a picture of wintry splendour and remote, icy expanses." - The Quietus

"On Volutes, like any other spiral form that is defined by the term, so do the duo form tonal spirals of piano and string instruments, including ondes Martenot sometimes embellished by subdued electronics, sometimes left on their own. In either case, the effect is quite mesmerizing and inspiring." - Echoes and Dust

Volutes

Snowdrops - Ultraviolet

Premiered by self-titled: https://www.self-titledmag.com/heinali-new-album-madrigals/

Credits:
Igor Zavgorodnii: baroque viola, violin.
Oleg Shpudeiko: modular synthesizer, mixing.
Recorded by Vadyk Lazariev at LipkyZvukoZapys in Kyiv (December 2019)
Mastered by Taylor Deupree at 12k Mastering.
Cover art by Nastia Lopatiuk.

‘Madrigals’ is the result of a two-year-long exploration into generative counterpoint in modular synthesis. Inspired by Heinali’s love of the polyphonic compositional style of the late Middle Ages and Renaissance, the album employs historical acoustic instruments such as the theorbo lute and the baroque alto viola alongside Heinali’s mastery of notoriously complex generative synth systems.

Heinali - Beatrice

A longingly beautiful mini-album Out of Time by London-based composer Mike Lazarev...Constructed as a soundtrack to an imaginary film, it is his first for the label and a standout work in his own high grade canon.

Opening with swells of strings and plaintive piano chords, lead single “Out of Time” sets a profoundly expressive tone. Each reverberating note is carefully, gently placed on a canvas awash with purity and stillness, finally building into a rushing river of breathtaking prettiness that culminates in a hanging, dead-stop ending. Later on the record, “Time Becomes” progresses like a Harold Budd piece or a Ryuichi Sakamoto soundtrack work, melting away the ice with dulcet chord changes as single string notes float on a rarefied air. “Outerlude” changes the mood again, its subtly Eastern European melodies and natural piano noises - the chatter of keys and shuffle of pedals - transport us to a haunted, deserted ballroom where a lone ghost pianist laments the weight of a tremendous grief.

“The protagonists of this imaginary film are constantly fighting against the fleeting moments on this plane. But it is less about death than it is about living. And most of all, it is all about time,” Lazarev writes. He is right: Out of Time is elegiac - heartbreakingly sad, even - but behind the melancholy themes lies a powerful affirmation of life, warmth, and the human spirit.

Finale

C.Diab - Fracture

C.Diab - Love

An independent avant-ambient and experimental electronic label from London & Istanbul. Home to music from Hinako Omori, KMRU, Pétra, C. Diab, Steve Gibbs, Heinali, Matt Emery, Snowdrops, LTO, Tegh & Adel Poursamadi and Sinemis.

Injazero Records

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