Innerϟpeaker - Until the Light Takes Us

Innerϟpeaker - Good Times

Innerϟpeaker - Before the Sun Goes Down

More music releases:
https://innerspeaker.bandcamp.com/

This one track of Flight Wave, Album (Out on DreamCatalogue 3rd of March)



More info:
twitter.com/dream_catalogue
dreamcatalogue.wordpress.com

Flight Wave (2014)

Innerϟpeaker - Paradise

DREAM_31 (Dream Catalogue Compilation)
http://dreamcatalogue.bandcamp.com/album/dream-31


Innerϟpeaker - Night Time Lover

First track on Innerϟpeaker - Flight Wave [DREAM_6] / 2014

@dreamcatalogue
DREAM CATALOGUE: 
Record label releasing vaporwave, future beats and dream music est 2814.

Pacific Ocean [DREAM_6 - Flight Wave / 2014]

Download Link (Limited : 200) :

https://innerspeaker.bandcamp.com/album/saint-pepsi-carpark-inner-peaker-remix

SAINT PEPSI - Carpark (Innerϟpeaker Remix)

Download : https://innerspeaker.bandcamp.com/album/hybridphonic 
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Vaporwave by slowing down the tracks and intentionally producing errors
in the sound, which are very similar to the ones that occurred with cassette
tapes, interrelates to glitch music. Referring again to the beginnings of
electronic music, the emergence of scratch brought the aesthetics the misuse of
the source (the phonograph), which is the predecessor of glitch music to which
vaporwave relates to. Accordingly, many of the pieces of this genre depict an
atomic use of sound that is mediated through audio editing software and the
digital computers.

In glitch music, the sound loses clarity and fidelity, which also plays a
new role in the unveiling of the sound as the result of a technological process.
Cascone (2000) describes glitch as a “form of […] failure of digital technology
[…] glitches, bugs, application errors, system crashes, clipping, aliasing,
distortion, quantization noise, and even the noise floor of the computer sound
cards” (2000, p. 13). Consequently, as Vanhanen (2001, November 26)
proposes, glitch music belongs to an “aesthetic of interruption and misuse”
(2001, November 26). These two characteristics also describe the fashion in
which the sound waves are manipulated.

In the same way that vaporwave can be analyzed as a branch within
electronic music, the aesthetic experience that this artistic movement offers is
closely linked to its visual part. In Minor’s (2016, March 6) words “vaporwave
isn’t just something you listen to either, it’s something you experience, and
experiences include visuals” (2016, March 6). This is a unique characteristic
considering that there is not any vaporwave production published without a
cover; the music is indivisible from it. Therefore the visual and audio
components, as equal parts, create the conceptual theme of a vaporwave
album. Vaporwave visual art was originated in Tumblr as a successor of
seapunk, as it is referred as “a e s t h e t i c s”. For Chandler “vaporwave
depends heavily on visuals in order to maintain its individuality as a musical
form.” (2016, September 6).

- Karla Zavala
(Dystopian Shopping Malls: Vaporwave and The Ghosts of The Future)

Innerϟpeaker

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