All audio clips listed here were in the use for shorts and indie films, and are for listening purposes only.
Contact us if you look for sound that works for your picture.
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Ken Hor
Composer, Orchestrator & Arranger
ASCAP Affiliated
innervoicesprod@me.com
Official Site - http://Kenhor.com
© 2013 - Hor Fook Ken. All rights reserved.

Sad - [Violin, Pno] Chinese film, Painful memories

When the wonderful Sarah Golding mentioned to me that she would like to work with me again, I jumped at the chance. She has been a joy to work with and I am so proud of what we have created here.
You can hear more of Sarah at https://soundcloud.com/voiceofgolding

Her lyrics are shown below:

Hey shadow in the morning mist
Eyes of grey
Hey stranger, could you be the one?
Or the one that walked away?

Never mind destiny
What good is chance you never take?

Hey profile in the fog of night
Fade to black
Hey mystery, how would it end
If I turned back?

Never mind certainty
You can’t know
What serendipity you may forgo on another tack

Hey stranger (hey stranger)
Beautiful stranger

Hey moment, child of entropy
Pass me by
Each fleeting, tied to another day
In another life

Turn strange kaleidoscope
Vignettes in time
Hey stranger through the mist
Eyes wide



Play on Spotify

Through The Mist (feat.Sarah Golding)

Here's a song i composed while listening to my heart again, entitled  Like an open book. A kind of light introspection.

If it evokes images and memories for you, then it's perfect.

For this rescore, my colleague Sébastien Castan, sound engineer at Sun Lab Records, once again took care of the mastering.

I hope you enjoy it.

Thank you for listening and for any comments you may have.

All the best,
Franck

Seb-Records Slr: https://web.facebook.com/profile.php?id=100016925328649
Sun Lab Records: https://web.facebook.com/SunLab.Records

Like an open book

This is an urgent song 
I wrote it after watching some documents from the association 'Expedition 7eme continent' 

C'est une chanson urgente 
Je l'ai écrite en regardant des documents de l'association 'Expédition 7eme continent' 

(http://www.septiemecontinent.com) 
(traduit plus bas)

-----

Deep inside it lies
Yet, it's out of sight
But you'd never guess its size
'Cause, it's out of sight

Under the waves now

Oceans weep, their yarns untold
Our future is sold
A tiny plastic weaves a tale
Our ship is in hell

Yet, it's out of sight

Underwater sense
All these particles in a toxic trance
Despair or Esperance
Nature that calls for a second chance
Will we still finance
The show, undersea, of a deadly dance

Under the waves now

Oceans weep, their yarns untold
Our future is sold
A tiny plastic weaves a tale
Our ship is in hell
A nano plastic ruined the game
Our life won't be the same

We'll cry this plastic age
And we find it strange, how huge is this change
The water cycle, then
Will send back again, this plague to the men
Deep down inside our throats
All those tiny boats, will convey the notes
For a dark new score
Then we'll say "no more !", and we'll pray

Oceans weep for their disease
But I, but I can't breathe
A tiny plastic weaves a tale
Our ship is in hell
This nano plastic will ruin the game
And Life won't be the same


-----
Au fond profondemment, cela git
Pourtant c'est à l'abri des regards
Mais vous ne devineriez jamais sa taille
Car c'est à l'abri des regards

Sous les vagues maintenant

Les océans pleurent, leurs histoires ne sont pas racontées
Notre avenir est vendu
Un minuscule plastique tisse une histoire
Notre navire est en enfer

Pourtant c'est à l'abri des regards

Sensation sous-marines
Toutes ces particules en transe toxique
Désespoir ou espérance
La nature demande une seconde chance
Financerons-nous encore
Le spectacle sous les mers d'une danse mortelle

Sous les vagues maintenant

Les océans pleurent, leurs histoires ne sont pas racontées
Notre avenir est vendu
Un minuscule plastique tisse une histoire
Notre navire est en enfer
Un nano plastique a ruiné le jeu
Notre vie ne sera plus la même

Nous pleurerons cet âge de plastique
Et nous trouverons étrange l'ampleur de ce changement
Le cycle de l'eau, alors
Renverra de nouveau ce fléau aux hommes
Au fond de nos gorges
Tous ces petits bateaux, transmettront les notes
D'une sombre nouvelle partition 
Alors nous dirons "plus jamais ça !", et nous prierons

Les océans pleurent leur maladie
Mais moi, mais je ne peux plus respirer
Un plastique minuscule tisse une histoire
Notre navire est en enfer
Ce nano plastique va ruiner le jeu
Et la vie ne sera plus la même

Plastic Age

One More Sign (Long Version)

So it Begins

Once Again (다시 너를) (feat. Kim Na Young)
Mad Clown

Voice: Julia Crystal 
Produced by Alex Voorhees

The song "Once Again" is one of the most well-known tracks from Korean drama soundtracks. It is known for evoking deep emotions and complementing the romantic and emotional scenes in dramas. The lyrics and melody often reflect themes of love, hope, and overcoming challenges, which are common in Korean dramas. "Once Again" can be a beautiful expression of the culture and emotions depicted in the audiovisual work, providing a powerful emotional connection with the audience.

Once Again (다시 너를) (feat. Kim Na Young) Mad Clown - (Cover by Julia Crystal)

One of the true pleasures of living in a northern country is the occasional feeling of the warmth of the winter sun on your face. There's a word for this --apricity. A brief burst of apricity warms both the body and the spirit.

Apricity

Piano/instrumental composition, and piano: Debra Buesking @debra_buesking
Melody composition for the voice, photo and voice: Oddrun Eikli
Studiowork: Arne Hiorth
Poem: Robert Frost (1874-1963)

Stopping by Woods on a Snowy Evening

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Robert Lee Frost (født 26. mars 1874 i San Francisco i California, død 29. januar 1963 i Boston i Massachusetts) var en amerikansk poet. Han ble tildelt Pulitzerprisen fire ganger, henholdsvis i 1924, 1931, 1937 og 1943.

Stopping by Woods on a Snowy Evening. Debra Buesking and Oddrun Eikli.

In a long moment in which I can't finish a track properly, here's another one of those forgotten in the drawer.
Thank you to everyone who has the patience to wait for a collaboration together. I don't deserve all this respect. Sorry again.

Far Away Love

What a thrill to be able to record Jobim's all time classic How Insensitive with world class Brazilian musician Nanny Assis and Vocalatti   https://soundcloud.com/vocalatti .  Nanny is a fixture on the New York City jazz and latin music scene, performing regularly at clubs such as the Blue Note and SOBs (Sound of Brazil), where he leads the Sunday brunch jam sessions.  A consummate world class musician, Nanny is multi dimensional, as a percussionist, vocalist, composer and guitarist.  The opening verse is sung by Nanny in his native Portuguese, and Vocalatti is featured on the second verse in her native English.  All percussion is Nanny and Vocalatti has added some beautiful harmonies to her vocals.  

I first studied this beautiful bossa nova standard in the '80s with the late jazz guitarist Emily Remler.  This piece is dedicated to her for all she has meant to me.

Thanks as always for your time listening, your comments and your shares.

Sad - [Violin, Pno] Chinese film, Painful memories

Inner Voices Productions

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