Oh my word. This is just magical! Thank you, thank you.

While listening to this and watching the stars, my soul merged with the skies and stars! And all that emotions and feelings tearing away like they want to run away from me, but the tears is like a prisoner they just can't leave, stuck inside...

I can't even begin to describe how beautiful this is.  Thank you.

درختای پاییز برگ گریه میکردند،به فیمت خدای خسته از صدای گرگا

Paraply

A Folk Tale: Fantasia For Piano and Small Orchestra

Grave Of The Ancient

Grave Of The Ancient - A Folk Tale - Lorin Jones-Stubbs

innova 923
https://www.innova.mu/albums/jane-antonia-cornish/continuum

Jane Antonia Cornish: Continuum I

3 rd final sketch of my 8 piano project, where I am going to record 8 piano pieces on 8 different pianos all over europe in summer 2015

Dirk Maassen - Zenith

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
iTunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: Esquisses oubliées en trois mouvements :.
Composed and produced by Simon P. Castonguay
Piano - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Recorded by Benoît Parent
Mixed by Benoît Parent
Mastering by Pierre Duchesne
Cello - Anaïs Constantin

Tambour - Esquisses oubliées en trois mouvements

www.patreon.com/alicebaldwin

Für Rik. 
Experimenting with an old song idea. Trying not to mess it all up with the strings..

Freiheit wär viel lustiger

First track from Plume, my new album on vinyl.

Pre-order availble on Bandcamp: http://luca-longobardi.bandcamp.com/album/plume

Bloom (vinyl cut)

OST for 'The White Tear Planet', an installation by Massimiliano Siccardi, Ginevra Napoleoni e Valerio Antonio Ciminelli.

Pavilion Concept: RCR Arquitectes

0'00" A hidden sea
2'33" The temple
4'45" Muraba

The White Tear Planet (Trittico in quattro tempi)

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Piano solo piece from my new EP "Chrysalide", released on March 29th 2019, with Memory Recordings.
© 2019 Dominique Charpentier. All rights reserved
© 2019 Memory Recordings. All rights reserved
Artwork by Anna Salzmann: www.annasalzmann.com/

Chrysalide

"Terre" - Piano Day 2019 (from my Chrysalide EP, out now)

Taken from the album Paces (Reworks)
https://1631recordings.bandcamp.com/album/paces-reworks

Jane Antonia Cornish: Continuum I

innova Recordings

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