Note#36
10:03pm 
23/8/2022

رصاصة تُصيب فؤادك

Iyad Rimawi لدي جناحين وسماء، هل لديك املّ؟

Memories

الفجرُ، وقتُ الروحْ

Endless skies

الكلمة الأخيرة سهلة أم كرصاصة تُصيب فؤادك؟

Georg Muffat: Allemande of Sonata V G Major (Armonico Tributo). Transcribed & reproduced for piano May 1, 2024 by VV.
The articulations, phrases, ornaments, dynamics, 'rhythmic feel & rec.setup were set by VV.
A pair of modeled grand pianos,revoiced & reconfigured by VV were used on playback and recording of the transcription.
Photo: Georg Muffat (1 June 1653 – 23 February 1704) was a Baroque composer and organist. He is best known for the remarkably articulate and informative performance directions printed along with his collections of string pieces Florilegium Primum and Florilegium Secundum (First and Second Bouquets) in 1695 and 1698.
His works are strongly influenced by both French and Italian composers:

Sonatas for various instruments (armonico tributo 1682);
Orchestral suites (florilegium primum & secundum 1695);
12 Concerti grossi (auserlesene... instrumental Musik 1701) re-using some thematic material from armonico tributo
12 Toccatas for the organ as well as other pieces : passacaglia, chaconne, air with variations (Apparatus musico-organisticus 1690);
some partitas for the harpsichord, kept as a manuscript
several religious works (notably three masses, Salve Regina, etc.) from which only Missa in labore requies for twenty-four parts is preserved;
3 operas, all now lost ("Marina Armena"; "Königin Marianne die verleumdete Unschuld"; "La fatali felicità di Plutone").
Muffat was, as Johann Jakob Froberger before him, and Handel after him, a cosmopolitan composer who played an important role in the exchanges between European musical traditions. The information contained within the Florilegium Primum and Secundum is nearly unique. These performance directions were intended to assist German string players with the idiom of the French dance style, and include detailed rules for the tempo and order of bow strokes in various types of movement, as well as more general strategies for good ensemble playing and musicianship. These texts remain extremely valuable for modern historically-interested musicians.

Allemande G Major (of Sonata V of 'Armonico Tributo')

Georg Muffat: Allemande  G Major (Armonico Tributo). Trancribed for piano

بكاء في الجنة- by haall

نسمع رجع الضجيج فنضحك من فلسفات البشر، من الصابرين،من الساخطين من المؤمنين بألّا مفر

Everything will be okay

Lullaby | تهويدة

emptiness

All Alone

أهلًا بكم جميعًا لمن منكم قريبون وبعيدون في نفس الآن، أسمي نورة؛ ونوّار مُجرد لقب فقط. 

 مُهتمة في الموسيقى بكافة مساراتها وتفرُعاتها تقريبًا؛ فأنشر بعضًا مما استمع إليه، ويُعجبني مُرفقةً مع بعض من اللوحات الفنية أحيانًا.

قبل الخِتام، لديّ قول أرددُه: بأن الموسيقى حاجةٌ ضروريّة كالماء المُنهمر من السماء، وربما أكثر من هذا الوصف القاصر. 

ملحوظة مُهمة للغاية: العنونة التي أضعها هيَ من اختياري الشخصي، ولا علاقة لها بأسماء الاعمال الموسيقية الاصلية أو غيرها مما ارفعه هُنا، وغالبًا أضع أسماء المقطوعات الموسيقية في صندوق وصف السحابة -الساوند- أخيرًا شكرًا أيُها الأصدقاء.

الكلمة الأخيرة سهلة أم كرصاصة تُصيب فؤادك؟

N a w w a r | نــ و ا ر

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