dust is what remains haha! waited for your new track and not disappointed.Love the vocal fx . great groovy track. ☻

Solid af dark industrial flow. Great blend of aggressive but still accessible. Percussion is brutal delivers . The nasally sample vocal bits for me stop it short of perfection. The video, however, IS perfection. Great work dude 😎👍

fucking great bro...industrial vibes with great production and a great tempo with solid percussion...fuck yes

Cool , Dark a bit siniister sound..   great track  i really like this one,  very inspiring..

cool beats and voice effects. sounds very mysterious

To live and die in a small Austrian town I once drove through on a bus

ONE MILE OF DISTURBING REALITY ! by SUBSONIC DISSIDENCE !
Album SUIINA SUN SU AR SRA (2023)

ONE MILE OF DISTURBING REALITY !

Video

Dust

VIDEO - https://youtu.be/ItANVDqgfvA?si=1jGjAYkIT8DLPBZt

From the Blink Twice EP -Illicit Cybernetic Modifications- 
https://moodexhibit.bandcamp.com/album/blink-twice-illicit-cybernetic-modifications

Blink Twice - Shard Threat [video link in description]

An immersive soundscape, that merges field recordings with a track by Snow*Omen @snow_omen (Improvisation Nr. 9 for two guitars and voice). Field recordings: Westhafen (West harbour), Berlin. 
Except for the musical part and not in order of appearance: 
A freight train passes.
A small boat rattles against the mooring.
Scrap metal is transported from one scrap heap to another.
Trucks drive past.
A crane lifts containers. 
An annoying repetitive electronic signal starts and stops at some point. 
A rude dude asks me from a distance to switch off the camera that I don't have, as I record with my Zoom H2N.
Small waves splash against the harbor basin.
And there's wind...

All Sounds Snow*Omen & VSS; Mixing and production VSS; Image: site map of Westhafen, Friedrich Krause,  Berlin 1923 (coloring: VSS).

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Westhafen

T'was on the Ides of May during my last visit to family and friends in Victoria B.C. that Guitarist Tim Elliot and I recorded this Improvisational conversation. And it's all about the Journey... 

May you enJoy!

© Gary Courtland-Miles & Tim Elliot 2024
℗ Gary Courtland-Miles 2023 & Tim Elliot 2024

Edited and Produced by Anomon

Photo : © Giorgina Hofer 
Captured in the Alps during the mid May 2024 worldwide Aurora event.

The Ides of May *

Check out our second video:

https://www.youtube.com/watch?v=uQ5uX4p2GWc&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and harmony on the end vocals

TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole-Eclectic Collective( Led Zeppelin Cover)

One of the plays from the Buendiana cycle, based on the plots and images of the novel "One Hundred Years of Solitude" by Gabriel García Márquez.

«El brillo mágico del pez dorado del coronel Buendía». Op.16-02. (1983)

Free Download

Transition

WEEKEND (Luv In A Womans Heart)

Frequency Bloom 963 Hz [Dark Nature Concept]

I'm currently experiencing the worst bout of depression I've had in my life. Which says a lot, because I usually have some level of depression constantly. It's been going on for a while now, and I have been neglecting all forms of social media. I apologize for not listening to all your tracks. I've just been uploading, and responding to DMs... Eventually anyway. My writing has changed a lot too. My tracks don't sound like they came from hell anymore lol. Hopefully this will be resolved sooner rather than later. Until then I'll just keep dumping my crap here for the few people who still are around.

He/Him
Neurodivergent
Satanic-Atheist
Anarcho-Socialist

Tracks vary in quality and style. I just make something and upload it even if it sucks. I just want to enjoy making noise.

Dust

Insatiable Void

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