angry, pop punk, high-energy, punchy drums, distorted guitars, pop, slow, male vocals


Road Rage Symphony

funny country song, male, Intro (4 bars): Driving acoustic strum, kick/snare stomp, sets the groove, Verse 1 (8 bars): Conversational tone, steady rhythm, guitar and light steel fills, Each line lands on bar ends, with space after “sweat” for breath, Pre-Chorus (4 bars): Build — bass heavier, drums hit harder, vocals rise, Emphasis on “god for real, ” Chorus (12 bars): Full band kicks in, Big power notes on “I ain’t Kratos, ” held out over 2 bars, Harmonies swell on “swingin’ that axe when the sun goes down, ” Energy peaks last 4 bars, crash cymbals, Verse 2 (8 bars): Back to lighter groove, playful vocal phrasing, comedic emphasis on “BOY!” Pre-Chorus (4 bars): Same build, slightly louder, Chorus (12 bars): Repeat structure, crowd-shout feel, Bridge (6 bars): Drop instruments to acoustic + vocal, slow build on “one hand on a wrench, ” Drums re-enter bar 5, Final Chorus (16 bars): Extended with ad-libs, held notes, big finish on “cold one in hand, ”


I Ain't Kratos

A dark theatrical metal opera blending symphonic orchestration, heavy guitars, and carnival-like waltz rhythms, Start with eerie strings, choirs, and piano in 3/4, then shift into pounding double-kick drums and distorted riffs with a sinister swing feel, Vocals alternate between clean melodic lines, harsh growls, and layered harmonies to dramatize multiple “voices” in the story, Incorporate cinematic dynamics: soft reflective piano breaks, grotesque circus interludes, and bombastic orchestral swells, Use brass, woodwinds, and choral accents to create a gothic Broadway atmosphere, while guitars and drums keep the groove aggressive and driving, Tempo changes heighten mood swings—from slow, creeping verses into explosive, chaotic choruses, Final movement swells triumphantly, blending major/minor chords for a bittersweet resolution, The whole piece should feel like a rock opera—haunting, theatrical, grotesque, but ending on redemption


Portrait of a Hollow Man

Create a theatrical rap-metal song with cinematic orchestration, Intro: dark pipe organ, choirs, whispered spoken-word narration, Verse 1: trap beat + 808s with distorted bass, venomous rap about religion dividing people, sharp rhymes and satirical tone, Chorus: soaring melodic vocals, layered harmonies, distorted guitars, live drums, cinematic strings; lyrics emphasize holy wars and division, Verse 2: blend rap and snarling vocals, heavier guitars enter with hip-hop undertones, Bridge/Breakdown: half-time tempo, screamed vocals, chugging guitars, orchestral choir backing, apocalyptic imagery, Final Chorus: bigger and layered, all instruments + orchestral swells, Outro: orchestral fade with spoken-word reflection, somber and cinematic, Keep dynamic shifts unpredictable: rap-to-metal transitions, orchestral pauses, and explosive breakdowns, Tone: apocalyptic, satirical, emotional, socially critical


Holy Wars of Empty Thrones

A dark, theatrical metal opera in the style of Avenged Sevenfold’s A Little Piece of Heaven, Begin with haunting organ, strings, and children’s choir in 3/4, setting a gothic churchlike atmosphere, Transition into distorted guitars, pounding double-kick drums, and carnival-waltz rhythms with sinister swing, Vocals shift between melodic cleans, harsh growls, and layered harmonies to portray inner conflict and shifting perspectives, Incorporate grotesque breakdowns with brass and choir chanting, circus-like interludes with pipe organ, and soft reflective piano sections for introspection, Dynamics rise and fall dramatically—slow creeping verses, explosive heavy choruses, and theatrical spoken sections, Themes move from childhood fear of hell, through doubt and anger, to freedom and rebuilding, End in a triumphant, bittersweet finale with orchestral swells, choir harmonies, and major/minor chord tension to capture resolution without losing the haunting undertone, ‑The God I Buried

Sunday Shame

Epic metal opera with symphonic and progressive structure, Begins slow with ominous choirs and low guitar drones, then explodes into heavy riffs, double-kick drums, and screaming vocals, Story follows an average man who decides to transform himself through a month of training in October, each day harder, forging himself into something greater, Verses are dramatic and motivational, shifting between harsh growls and soaring clean vocals, with orchestral backing in climactic sections, Tempo builds across acts: Act I dark and slow, Act II aggressive and fast, Act III symphonic mid-tempo trial, Act IV triumphant with choirs and layered choruses, Ends with an epic sustained note and thunder fade, Tone is inspiring, cinematic, and designed to drive relentless workout energy across 8 minutes


October Ascension

and cheeky fiddle riffs weaving through the melody, male vocals with a touch of humor and longing, a steady walking bassline, acoustic with a playful twang; features rhythmic strumming, country


My Dog's Gone Cosmic

Twista-style, rapid-fire, syllable-packed version of your Buffalo Rock / Pepsi grind rap, I’m stacking multis, internal rhymes, and breathless speed so it feels like it could ride a double-time beat


Buffalo Rock Pay

The song is an extremely fast chopper-style rap blending Twista-level speed with Eminem’s “Rap God” multisyllabic complexity, The instrumental uses a dark, aggressive trap beat with sharp hi-hats, heavy 808s, and tense rising synths, The flow switches rapidly between double-time and triple-time bursts, featuring dense internal rhymes, stacked multis, and breathless precision, Vocal delivery is intense, sharp, and percussive, emphasizing speed and frustration, The hook uses fast but chant-like phrasing with punchy, rhythmic repetition, The verses feel chaotic and relentless, mimicking the overwhelming workload theme, The tone is angry, rebellious, and high pressure, with constant momentum and very few pauses, Overall the track creates a high-speed, high-intensity atmosphere designed to capture overload, exhaustion, and explosive defiance


TWISTA x RAP GOD SPEED DISS TRACK 🔥

The track is an aggressive, fast-paced rap built on a dark trap beat with heavy 808s, sharp hi-hats, and a relentless, high-energy tempo, The delivery is rapid-fire with tight internal rhymes, harsh consonants, and a confrontational tone, Vocals are intense, gritty, and breathless, emphasizing frustration and urgency, Verses are packed with dense syllables, double-time flows, and quick rhythmic pivots, The hook explodes with shouted cadence and compressed energy, using bold, punchy lines that feel like rallying chants, The instrumental features deep bass hits, distorted synth stabs, and a tense, percussive atmosphere, Overall the song blends modern trap with high-speed chopper rap, creating a chaotic, explosive sound meant to convey anger, overload, and rebellion against overwhelming work demands

Inside Mind of Matthew