* custom MIDI software
* Behringer Neutron
* overtone series tuning (harmonics 1-12)
* Csound delay and reverb effects

filtercreed

Sunshine Synth

Stevie Wonder has written a great song - You Are The Sunshine Of My Life. But those amazing harmonies are crying out for something - Just Intonation!

By using my new notation system to convert his piano scale harmonies to natural harmonics, a purer and more interesting harmonic structure is revealed.

As always, the underused 11th and 13th harmonics are hidden in this retuning (in the intro section using neutral thirds)

Enjoy! Dave

------------------------

See also:
- https://arxiv.org/a/ryan_d_1 (arXiv) for a list of my academic paper pre-prints, including my writing on music theory and Just Intonation
- http://orcid.org/0000-0002-4785-9766 (ORC ID) for my academic profile
- https://www.linkedin.com/in/davidryan59 for my LinkedIn profile

Stevie Wonder - You Are The Sunshine Of My Life - Chip Synth, Justly Intoned

https://cmloegcmluin.wordpress.com/2015/11/23/blumeyer-comma-ji-unpump/

Blumeyer Comma JI Unpump

Gioseffo Zarlino (1517 - 1590): Bicinium Primo Modo, from: “Duo Sui Dodici Modi” (Venice, 1558)

Ensemble Ancor
www.ensembleancor.com

Gioseffo Zarlino: Duo Primo Modo

Raised

Nintendo⁶⁴ nostalgia. Waver⁶⁴, N⁶⁴

Waver64

Free Download

Waver⁶⁴

Ryan Lee West aka Rival Consoles has announced his fourth full length album 'Persona' will be released on 13th April via Erased Tapes.

The title 'Persona' was inspired by Ingmar Bergman’s film of the same name, specifically a shot in the opening credits of a child reaching out to touch a woman’s face on a screen, which is shifting between one face and another. This powerful image struck Ryan and it inspired the album’s main theme — an exploration of the persona, the difference between how we see ourselves and how others see us, the spaces in between; between states, people, light and dark, the inner persona and the outer persona. 

"My music is generally is generally inward looking. I like finding something about the self within music, that doesn't have to be specific but maybe asks something or reveals something. This record is a continuation on the self through electronic sounds. Like Legowelt once said ‘a synthesiser is like a translator for unknown emotions’, which I think sums up what I am trying to do. I think all these emotions we have make up our persona. So in a way by finding new ones you alter or expand your persona. And that is what I want my music to try to do. I deliberately aimed to be more sonically diverse with this record. I wanted to experiment more. I wanted to create new sounds and new emotions.”

Recorded at his studio in south-east London, ‘Persona’ benefits from Ryan’s exploration of a dynamic production process that combines analogue-heavy synthesisers, acoustic and electric instruments with a shoegaze-level obsession with effect pedals. A greater depth of emotion and confidence can be heard across the album. From the deconstructed movements on ‘Unfolding’ that starts the album with a snap of delayed snares, the apocalyptic drones of the title track and thundering drums in ‘Phantom Grip’ to more  restrained ambient feels of ‘Dreamer’s Wake’, ‘Rest’ and ‘Untravel’. The latter transverses six beatless minutes of undulating melodies representing “a limbo space, a feeling of ennui, of not really ever being known to others and others not ever really being known to you”.

'Be Kind' reveals a musical connection with fellow Erased Tapes artist Nils Frahm, with its minimal approach and improvisational nature. On the more complex sounding ‘I Think So’ Ryan aims to replicate a colour collage with sound. Like a musical kaleidoscope, a flashing and convoluted mass. Written after he saw Slowdive perform live last year, ‘Hidden’ builds from whispers to landscapes of controlled noise. In an interview with XLR8R magazine, Ryan explains: “once you start trying to make a sound loud, then you turn your back on thousands and thousands of sonic possibilities. One of the best things to do is to start a track with a really quiet, weak sound.” Taking this idea to its ultimate conclusion, ‘Fragment’ closes the album as an innocent sounding ambient piece, almost nursery rhyme like, yielding time for reflection on how the persona has changed.

'Persona' follows the success of a series of releases — the ‘Odyssey’ and ‘Sonne’ EPs, long player ‘Howl’, and 2016’s mini album ‘Night Melody’ — that saw Ryan mature into what Pitchfork has called a “forward-thinking electronic musician with his own ideas about sound”. Atypical of instrumental-electronic music, Ryan has achieved a signature sound that’s unmistakably identifiable as Rival Consoles. Going beyond typical electronic music production, Ryan defines it as “songwriting with an electronic palette of sounds”.

The increasingly dynamic live audio-visual show, born from bespoke performances at the Tate and for Boiler Room at the V&A Museum featuring self-programmed visuals in Max/MSP, has propelled him to play around the world. Ryan launches ‘Persona’ at London’s XOYO on 12th April with further dates to be announced.

Persona

Unfolding

Buy 2LP/CD/DL

Rival Consoles - Unfolding

Leaning Intellijel Shifty, Shift register mode.
In spite of the tiny size, it's so fun.

Study 09.27.2018 Intellijel Shifty

This composition is a hommage to russian composer Mikael Tariverdiev

quiet music

Downtempo imaginal/psychedelic in just intonation. Modular synths. Custom software. Analog tape. Your tuning is invalid. Xenharmonic can be pretty.

Raised

Inside People

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