Malhão always pulling tititi up seems easy, excellent, engaging communication God

💎💎💎 Brilliant ❤️‍🔥❤️‍🔥❤️‍🔥🙏

Techno

Stephan Hinz - Hub One
[SECOND STATE: SNDST007]
 
A: Stephan Hinz & Pan-Pot - Tension
B1: Stephan Hinz & Philipp Ruhmhardt - Hak
B2: Stephan Hinz & Clint Stewart - Shimmer 

VINYL
Decks.de: http://bit.ly/1vljBNL 

DIGITAL
Beatport: http://btprt.dj/1BeKOS1

We here at Second State are thrilled to bring you our new concept entitled HUB. While most labels these days are doing various artists releases to showcase the overall talent on their label, we thought it would be better suited for both our listeners and ourselves to break the mold and bring you a series of true collaborations. Each HUB release will feature a single artist teaming up with others from the Second State family to create an EP of authentic musical compromises. A place where multiple minds find a harmony somewhere outside their own identity and each collaboration conceives a genuinely unique artifact. With this, there is no one we would rather have kick off the series than the man behind the massive EPs; 'Throwl' and 'Doch', Stephan Hinz with HUB One!

Second track of the EP is Next is 'Hak' with Philipp Ruhmhardt. Together they have already made waves with their tune, 'Doch' becoming an anthem almost immediately since it's release last May. This time they are back with a stormer that feels like racing through a metropolis at warp speed. Each chord stab is a quick, bright flash of color as the shakers and hi hats impersonate the rapid pulse of a speedometer. 'Hak' is a white knuckle ride. 

@stephanhinz
@hinzandruhmhardt


Beatport

Stephan Hinz & Philipp Ruhmhardt - Hak

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

wildgans169

BITT097 - Mr. Bizz - Lost Signal

My new EP is out now!
https://pro.beatport.com/release/dark-rooms/1698574

Jay Lumen - Dark Rooms (Original Mix) Low Quality Preview

Hot on the heels of the A-Sides Volume 5 compilation, Enrico Sangiuliano makes his return to Drumcode with his highly anticipated EP ‘Moon Rocks’. The heavy hitting four track EP shines a light on Sangiuliano’s tight, thundering production skills. The hoover heavy lead track ‘Moon Rocks’ is packed with booming percussion, intricate synths and brooding crescendos. The EP encapsulates Sangiuliano’s wide spectrum of sounds ranging from the fat bass line of ‘Moon Rocks’ to the more delicate harmonies shown within the ‘Dutch Kiss’ mixes whilst ‘Ghettoblaster’ sits somewhere in between.

Enrico Sangiuliano - Moon Rocks - Drumcode - DC160

Sam Paganini makes his return to Drumcode after his chart topping album ‘Satellite’ with a four track, pounding EP. ‘The Beat’, is crammed with thudding drums, reverberated vocals and floaty synth lines. The EP, packed with tantalising synths and explosive drops, will ignite any dance floor.  

Sam Paganini - The Beat (ft. Zøe)- Drumcode - DC162

Highlighting sets everywhere from Awakenings during ADE to Spazio 900 in Rome, the tracks are hard-hitting master studies in industrial-edged techno.  ‘Future’ is a chunky stomper perfect for the winter warehouse party season, as multi-layered synths and effects rub shoulders with heavy-set drums to ensure this one hits its target.

Adam Beyer Vs Dense & Pika - Future - Drumcode - DC166

Sam Paganini   - Desire (JAM001)

Slovenian producer UMEK returns to Tronic with his new, killer 2 track EP, Certain Trace. Straight out the gate, some serious no-nonsense techno comes in the form of Deja Vu. It has a thundering kick, haunting synth stabs and a piercing percussive fusion. It has a warped synthetic stab which punches throughout the track and gives some serious authority.

The title track Certain Trace has a mind-melting hook combination, driving listeners into the depths of the mix. It grows in complexity as the track progresses with a catchy elevating style rhythm.

Two crackers right here. We love them both!

Buy on Beatport

UMEK - Deja Vu (Original Mix) [Tronic]

Brazilian DJ and producer Wehbba delivers his first full solo release on Adam Beyer's Drumcode imprint with the 'Eclipse' EP, featuring the deep, eerie and hypnotic techno cut 'Protocol'.

Wehbba's 'Eclipse' EP, which includes four originals, is set for release February 19.
Purchase here: https://www.beatport.com/release/wehbba/2211030

DC185

More exclusive music

Premiere: Wehbba 'Protocol'

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Eclipse - Drumcode - DC185

More Info: http://himselfher.com

BUY: https://www.beatport.com/release/thro...

FOLLOW THE ARTIST/LABEL:
https://soundcloud.com/brennengrey
https://soundcloud.com/intec-digital

FOLLOW HIM SELF HER
www.himselfher.com
www.facebook.com/himselfher
@himselfher
www.mixcloud.com/himselfher
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www.youtube.com/himselfhermusic

ID149 - Through The Lens EP

HSH_PREMIERE: Brennen Grey - Through The Lens (Original Mix) [Intec]

Out now on Beatport

https://www.beatport.com/release/percussionix/2280205

Carl Cox is an industry figurehead whos legacy in music includes his iconic label Intec, which he runs with friend and business partner Jon Rundell.

Intec's new release is from UMEK who is a Slovenian artist accredited with kick-starting the techno scene in his home country, before earning critical acclaim on a global scale when he first started his career in the 90s.

Having released on labels ranging from CLR and Novamute right through to Toolroom, in recent years UMEK's own imprint "1605" has also become a main outlet for his music.

People with a good knowledge of technos history will be more than aware of the impact of UMEKs classics tracks, such as his anthemic Gatex that came out only a few years before his first Intec release in 2005.

Having also collaborated with many influential figures such as Chris Liebing and Joey Beltram, this new solo EP is UMEKs third release on Intec.

Titled Percussionix the EP opens with (Mix 1) which centres around a thick set bassline cut with filter sweeps and full of menacing intent. Leading the track is a combination of tribal percussion loops, which provide the track's main driving force.

Track two is UMEKs alternative mix of Percussionix which titled (Mix 2) has a more refined sound with the raw edges of the percussion being rounded off to smooth the sound, and its bassline is left unfiltered so it becomes more of a gradual sweep that grows with building tension.

ID152 1. Umek Percussionix Mix 1

Techno stalwarts Heiko Laux & Joel Mull return to Drumcode for their first outing since 2016.

Friends and collaborators for over a decade, Heiko Laux and Joel Mull continue their fruitful partnership with a searing four-piece work. ‘Centipede’ is a thematic follow-up to ‘Rooter’, their last atmosphere-heavy production that dropped on Laux’s Kanzleramt imprint in 2017. A year earlier they teamed up for the vinyl-only ‘Munch’ EP on Drumcode Limited that explored subterranean techno grooves. 

Their latest work was created during an extended stay at Mull’s home in Stockholm while Laux was visiting for a show. The evocative ‘Contour’ brings the EP into focus, as delicate strings set an atmospheric tone. The title track ‘Centipede’ follows, a track tailor-made for deep Sunday afternoon rave explorations as a menacing riff runs throughout. ‘Bullet Ant’ is driven by industrial percussion and brain-bending synth effects that dip in and out throughout the muscular work. ‘Centipede’ (Morph) follows on from its namesake, teasing out some space and introducing melody to the palette for a deep late-night impact.

Heiko Laux & Joel Mull - Contour - Drumcode - DC204

Buy/Stream: WeAreTheBrave.lnk.to/Kiss

Alan Fitzpatrick keeps moving from strength to strength with his ‘We Are The Brave’ imprint. Following on from their successful summer, the label get back to their underground roots as we enter the club season. Next up we’ve got two deep, ominous rollers from Portsmouth lad ‘A.S.H’. 

Acid tinged 'Kiss' sets the deep moody tone for the record, where colossal kick drums ride along with a delicate, yet impressive array of synths and arpeggios drift over the top. 'Kiss' is remarkably dreamy at the same time as being immersive and full-bodied, the lead synth rips through the speakers and the drops bring the sensations needed for the club.

'Reactor' sets off similarly, but soon breaks off into a bright arpeggiated lead synth line that reverberates through the track right up to the drop. 'Reactor' is then interrupted by a fierce and brooding synth lead! Big drums take control of your feet while the synths take your ears for a ride and the result is a beautifully hard, melodic techno wonder!
  “I keep saying that A.S.H is one to watch, his productions are next level. So proud to have him on the label again” - Alan Fitzpatrick. 


https://www.facebook.com/ashwatb/
https://www.instagram.com/a.s.h_turner/
https://soundcloud.com/this_is_ash
https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave https://www.instagram.com/wearethebraveofficial/ https://soundcloud.com/wearethebraveofficial

A.S.H - Reactor

“We just want to put out reliable and solid releases in a cool, understated way. If a hit comes along, we’ll go with it but we’re not going to push it – it just needs to happen naturally.”

ID152 1. Umek Percussionix Mix 1

Intec

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