Processor X21

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Florian Meindl - Mental Atmosphere

Andre Crom's OFF Recordings hosts talented Ghent producer Charlotte de Witte this month for a splendid new two track EP titled 'Trip'. It arrives with two equally impressive remixes from big hitters Cari Lekebusch (H-Productions, Drumcode) and TWR72 (Float, Planet Rhythm), making for a killer follow-up to the well received 'Sehnsucht' Ep, which dropped on Turbo Recordings a few months back. We're very excited to present an exclusive sliver from the record to When We Dip readers today, we got our hands on an exclusive copy of Cari Lekebusch's face-melting rework. Enjoy!

Follow: https://soundcloud.com/carilekebusch // https://soundcloud.com/off-recordings

www.whenwedip.com
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twitter.com/WhenWeDip
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Release Info

Premiere: Charlotte de Witte - Trip (Cari Lekebusch Remix) [OFF Recordings]

Hypnotize

Sam Paganini - Hypnotize (Feat. Zoe) (Original Mix) [JAM]

@Boxia To say this release has caused a bit of a stir would be an understatement! If you were lucky enough to find yourself at closing sets at Movement Detroit, Pressure Glasgow, Junction 2 London, Summer Story Madrid, Governors Island New York, Rebel Toronto, Awakenings Amsterdam or Glastonbury, there is no doubt you would have pulled a face when you heard 'Point of No Return' for the first time. We've lost count of the amount of fan videos, ID requests we've received on the whole EP.

The euphoric anthems have gained considerable support from techno heavyweights from across the globe. DJs, promoters and punters concur there will be no return from this point in Boxia’s auspicious career.

Point of No Return

BUY NOW

Boxia - Point Of No Return

My new release is out now! :)
https://www.beatport.com/release/the-one/2302719

Jay Lumen - The One (Original Mix) Low Quality Preview

Exclusive interview: www.6am-group.com/interview-and-premiere-alex-mine-lost-remix-roberto-capuano-carl-cox-terminal-m

Rewind back to 2015, and this was the year that Alex Mine actually produced the original track ‘Lost’, a track which remained homeless yet waiting to be unleashed on the right label. It wasn't until he bumped into Monika Kruse whilst in Barcelona for Sonar, where she signed it after the first listen to her beloved Terminal M imprint.

Initial feedback was outstanding, but it really all started to happen when Carl Cox said he loved it, and wanted to do a remix, alongside fellow Italian producer Roberto Capuano. Carl drops a funky, chunky groove rework with tech house vibes, whilst Roberto throws in his techno cut. A hypnotic combination of synthetic movements, vocals and acid rhythms.

Follow Alex Mine
SoundCloud: @alexmineofc
Instagram: www.instagram.com/alexmineofc
Facebook: www.facebook.com/alexmineofc

Follow Roberto Capuano
SoundCloud: @robertocapuano

Follow Terminal M
SoundCloud: @terminalm

Follow 6AM Group:
Website: www.6AMGroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: www.soundclod.com/6amgroup
YouTube: www.youtube.com/6amgroup

Lost 2018

Premiere: Alex Mine "Lost" (Roberto Capuano Remix) - Terminal M

In the late 80s I started listening to UK radio stations when I was a little kid and I instantly fell in love with the acid sound and rave movement that was portrayed on those UK dance shows. When I got old enough to attend clubs and warehouse raves, to experience the movement first hand, it was a no- brainer for me that the music and the lifestyle was my call.
Lately.... in my dj sets and when producing music... I have been time travelling back to those days. Back to how I remember the music I fell so deeply in love with and that is exactly what you hear on this “Done/Undone” release.
For the “Done” track I teamed up with Cari Golden to have a female spoken word and a great message to build the music around.
I always prefer to do original vocal recordings rather than using samples. Cari understood 100% what I was after and I love the lyrics and execution by her.
The spoken word is centered, very clear and deep to contrast the constantly building intensity of the acid patterns and thumping beats.

This is my take on the sound I fell in love with years ago and obviously still love today. I hope you like what you hear.
- NOIR

Done/Undone

Done

Beatport

Noir ft Cari Golden - Done (Original Mix) - Noir Music

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil’s Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP’s ‘Eclipse’ and ‘Catarse’ drop on the imprint, alongside ‘Just’, his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to ‘We Have Bass’, after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic ‘Freak Like Me’, the resulting percussive-heavy cut kicks like a rodeo bull. ‘Third Wave’ is coffee geek Wehbba’s homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. ‘Steamroller’ is a stripped back slice of techno driven by the Brazilian’s Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin’s ‘Minus Orange’. 

A Jean-Michel Jarre fan stretching back to his childhood, ‘Another Mistake’ was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with ‘Purge’, the artist’s stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Buy all

Wehbba - Third Wave - Drumcode - DC202

LF RMX 016
Jesse Somfay
Bandcamp: http://bit.ly/2Kn4jUR

A - Jesse Somfay - Can You See Me I'm Waving
(Len Faki Hardspace Mix)
B - Jesse Somfay - Small Pebbled Forest
(Len Faki Deepspace Mix)

LF RMX 016 clearly splits its intention between the two sides. First going head-on and far out in Len Faki‘s trancey but fast-shoving Hardspace edit of Jesse Somfay‘s 2005 track ‚Can You See Me I‘m Waving‘. Then it‘s all about imagining the place suggested by ’Small Pebbled Forest’, where water-like melody sprinkles over deep, progressives basses, and fireflies seem to be lighting up an enchanted scenery.

As usual with LFRMX releases, the proceeds of this record will be forwarded entirely to charity organization Straßenkinder e.V., who are working to offer help to the children living on the streets of Berlin.

www.lfrmx.com

LF RMX 016

bandcamp

LF RMX 016 - A - Jesse Somfay - Can You See Me I'm Waving (Len Faki Hardspace Mix)

Out now on Beatport
https://www.beatport.com/release/acid-storm-ep/2593255

Born of Thai heritage but currently based in Berlin, Nakadia is an artist whose techno tracks have been released on noteworthy labels such as Filth on Acid, KD Music and Bedrock.

A popular headline DJ who has performed across 67 countries, she prides herself on being someone who has escaped a deprived lifestyle after being born in a small Thai village without electricity or running water.

In 2002 she was invited to Germany, where she discovered techno and the fact that she had a natural talent for DJing. She poured her passion and soul into overcoming adversity, until becoming the globally recognised icon she is today.

With fans of her music including the likes of Carl Cox, she is a fixed name in Ibiza often headlineing Zoo Project or Unusual Suspects, and its releases like this one that give testament to why she is in constant high demand currently playing over 100 international gigs each year.

Opening the EP is the pitched tom drums and rattling percussion of Acid Storm which unleashes hell with the building tension of its pulsating acid-line and dramatic bass stabs.

Serenity Now focuses on dark atmosphere with snare rolls, a rumbling bassline and sinister melody cranking up the intensity, whilst the hard hitting kick drum punches with a thundering ferocity.
Last but not least is Assault that starts with an extended intro that slowly unfolds into a looped melody hook encased in a percussive framework. The hypnotising groove builds to a crescendo in the main breakdown before unleashing a surge of energy when the drums come crashing back in.

ID181 2. Nakadia - Serenity Now

“We just want to put out reliable and solid releases in a cool, understated way. If a hit comes along, we’ll go with it but we’re not going to push it – it just needs to happen naturally.”
Intec Digital

ID181 2. Nakadia - Serenity Now

Intec Digital

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