A few other old unreleased tracks I found. Probably from around 2008

In Code

Aluminum

Thunk It Was

Cheap mic connected to a Doepfer A119. Output of A119 connected to MOD A input of Shapeshifter. 
Shapeshifter is in VOCODER mode and CHORD mode. Wavetable and pitch are manually swept.

Vocoder1

Shapeshifter sequenced by Intellijel Metropolis. OSC2 is in LFO mode so that delay times are long. Percussive mode is active.  Delay time, depth/FB and decay time of percussive envelope are manipulated.

Delay Seq

Sequence starts in monophonic mode (ePiano wavteable).  CHORD mode is then turned on and then detuning is applied.  Wavetable is then manually swept.

Chord Seq 1

Shapeshifter in CHORD mode using a granular wavetable with detune at 20. Wavetable is being morphed by a Dixie in LFO mode.

Grain Chord Drone

Guitar wavetable in chord mode being fed through the analog wavefolder. Sequenced by Intellijel Metropolis. Fold amount is manually manipulated.

Folded Guitar

Preset Mode Active - morphing between panel settings and a preset.

Morph3

Morph1

OSC1 and OSC2 are both set to Sine waves and the FM depth and ratio are manually swept along with pitch. You can hear the very clean and precise TZFM.

Fm And Pitch Sweep

Morph2

Preset Mode Active - using Seq mode to step through 8 different presets in a forward direction. An Intellijel Dixie is used as the trigger source which starts out at audio rate and the frequency is swept down to a lower rate. Pitch of the sequence was manually swept.

Preset Sequence

Four different drum loops from Ableton Live were played through the Springray with the Large Tank via the Intellijel Audio Interface II module.

Springray settings:  EQ: 0, Feedback: 0, Drive: %30,  MIX:  %50WET

Drum Loops Large Tank

A saw waveform from an Intellijel Dixie (with Quadra, uVCA and Metropolis sequencer) being fed into the Springray with the small plastic tank. It is dry at first and then the wet/dry mix is brought to fully wet.

Initially drive is at 30%, EQ middle, feedback at zero.  Then the EQ is manipulated and the feedback is brought up to create a background drone.

Dixie Saw Small Tank

A saw waveform from an Intellijel Dixie (with Quadra, uVCA and Metropolis sequencer) being fed into the Springray with the medium sized tank. It is dry at first and then the wet/dry mix is brought to fully wet.

Initially drive is at 30%, EQ middle, feedback at zero.  Then the EQ is manipulated and the feedback is brought up to create a background drone.

Dixie Saw Med Tank

A saw waveform from an Intellijel Dixie (with Quadra, uVCA and Metropolis sequencer) being fed into the Springray with the large tank. It is dry at first and then the wet/dry mix is brought to fully wet.

Initially drive is at 30%, EQ middle, feedback at zero.  Then the EQ is manipulated and the feedback is brought up to create a background drone.

Dixie Saw Large Tank

1972 Guild S-90 via preamp into the Audio Interface II then into the Polaris in Phaser A and D settings.

A triangle wave from an Atlantis module provides the modulation.

No other effects used.

Type A  is Polaris in Phaser-A mode, no resonance
Type B is Polaris in Phaser -D mode with a bit of resonance.

Audio samples come courtesy of David Hrivnak

Type A

Polaris Phaser Type D   = lush guitar processing!

Firsty

Mud Skipper

Slip Beneath The Surface

Water to whine

Electric Eel

very short guitar noise experiment circa 2005

Shoegaze 1

another very short guitar noise experiment circa 2005

Shoegaze 2

Aloha

Untitled

True Love

A few sample recordings of the Rubicon TZFM triangle core vco.

Modulation sources: Intellijel Dixie
Envelopes: Intellijel Quadra
VCA: Intellijel uVCA



Rubicon - fm and mod pitch sweep EXP

Rubicon - fm depth sweep EXP

Rubicon - fm mod sweep exp

Rubicon - tzfm see saw

Intellijel Designs Inc. is a Canadian company that designs and manufactures electronic music devices and specializes in Eurorack format modular synthesis.


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