Sehr gut. Ohne DEN Gesang aber große Klasse im Stil von Human League. Well done !

„Was vor Dir liegt“
( H E Y M S T A T T )

Die Augen so weit auf
Und sehen dennoch nicht
Ein lebenslanger Lauf

Durch Dunkelheit ins Licht
Aus Dunkelheit wird Licht
Durch Dunkelheit ins Licht
Aus Dunkelheit wird Licht

Was vor Dir liegt ist nicht mehr viel
Die Zeit verfliegt so wie im Spiel
Was vor Dir liegt ist nicht mehr viel
Die Zeit verfliegt ganz wie im Spiel

Der Schmerz ist bald vorbei
Und überall ist Ruh
Dein Frieden kennt kein Leid
Und ewig schläft Dein Du
Mein Herz bei Dir verweilt
Und lassen will`s Dich nicht
Doch bist Du mir enteilt

Durch Dunkelheit ins Licht
Aus Dunkelheit wird Licht 
Durch Dunkelheit ins Licht
Aus Dunkelheit wird Licht

Was vor Dir liegt…

Durch Dunkelheit ins Licht…

Was vor Dir liegt…

Lieder zur Nacht

Was vor Dir liegt

HEYMSTATT Was Vor Dir Liegt (Demo)

Playboy

Hallo zusammen, 
eine sehr lange Pause liegt hinter mir und ich freue mich riesig auf diese neue Rotation :)

Nach 70 KVR-OSC Wettbewerbe ein Wiedersehen mit einem alten Bekannten: dem TripleCheese von UHE.
Wer ihn noch nicht kennt sollte ihn mal gehört haben, für mich ein idealer Begleiter in dem Bereich von Ambient und Space-Musik.

Kleine Highlights:
- ein paar Knöpfe zum rumspielen :)
- der CPU-Hunger ist sehr gering,
- Cooler, organischer Klang ... wen man ihn den so haben möchte ;)
- frei erhältlich.

Alle in diesem Stück verwendeten Klänge sind von mir von Grund auf erstellt worden mit dem TrippleCheese und Effekten. 
Viel Spass beim reinhören und Kommentare sind wie immer herzlich willkommen:)
-------------------------------------------------------------------------------------------

Hello everybody,
a very long break is behind me and I am pleased to have created a new Rotation.

After 70 KVR-OSC competitions a reunion with an old acquaintance: the TripleCheese of UHE.
Who does not know him yet should have heard him, for me an ideal companion in the field of ambient and space music.

Small highlights:
- a few buttons to play around :)
- CPU hunger is very low,
- cool, organic sound ... if you want him to have like that;)
- freely available.

All the sounds used in this piece have been created by me from the ground up with the TrippleCheese and effects.
Have fun while listening and comments are always welcome :)

Rotation 27 (Voyager 2) +++ Synth: TrippleCheese +++ Enjoy the sounds and have fun:) +++
-------------------------------------------------------------------------------------------
Host: FL Studio 20.0.3
TrippleCheese (Rev. 3898): 24 Instances

Insert FX:
IxoxDelay x 11, Lightweight Compressor x 4, Loudmax x 13,
Fruity Parametrics Eq2 x 14, Fruity Compressor x 4,
T-Force Trance Gate x 5, Fruity Filter x 2, Fruity Limiter x 6
Soundgoodizer x 1

Master FX:
Fruity Parametrics Eq2
Fruity Compressor
Loudmax x 2
(Fruity Spectroman)

Automation: yes
DR: 10

Artwork: Computerizer (https://pixabay.com/de/users/Computerizer)

KVR Rotationen

Rotation 27 (Voyager2)

Rotation 27 (Voyager 2)

DEMO AKA fejér megye legjobb szpiiidje
>>> ninc.idoe<<

Nord2 test - dr Teufel

Distances

Time Exposed (Senglar Remix)

Alternate mix using vocal rework by Tasnic.
Music production by Cristina Tasnic P è n i n ș o l a r
Remixed by P è n i n ș o l a r

P è n i n ș o l a r M-11 Ft.Tremmór - In Between Obfuscate Coordinates(Remixed)

the streets of down

The human brain processes emotion by categorizing all input according to two responses: sympathetic and parasympathetic (i.e. “fight or flight”). Imagine a graph with two axes: one axis representing a state of stimulation (from excited to calm), the other depicting stimuli as being negative or positive.

In his book The Man Who Lied to His Laptop, the late Clifford Nass refers to these two plots respectively as “arousal” and “valence.” Whether an emotion makes us feel angry, humiliated, serene, jubilant, frightened or something else, the brain’s job is to determine what level of valence or arousal is appropriate for a given situation. Although Nass’s book doesn’t go into the Goldilocks Zone as such, the author does explore how the brain constantly resets itself chemically in an attempt to keep us “just right.”

For this weirdly industrial-sounding piece, Suss Müsik attempted to capture the polarities and nuances between valence and arousal. The main pounding riff (the “arousal” side) was created with a pitch-shifter applied to acoustic guitar. The “valence” side is an analog synth wash combined with audio scans of two-dimensional artwork. The two sides meet somewhere in the middle, thanks to some liberal digital-delay phasing and a Ditto looping pedal.

The piece, entitled Nass, was recorded live to 8-track with no overdubs. The image was created by visual artist B.G. Madden.

More on this 461st weekly Disquiet Junto project, Goldilocks Zone (The Assignment: Navigate a sonic space between the hospitable and the inhospitable), at:

https://disquiet.com/0461/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0461-goldilocks-zone/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Nass [Disquiet0461]

This track is about people sitting at home while Corona and feeling like not being active part of this world because of social distancing.

It is made on the Roland Fantom and a Shure SM58-micro.
Other than that I used a Bose Reverb RV6 for some delay on the voice and a Flanger from the Tascam Model 12 Mixer on the instrumental track.

Spectator

I wanted it to feel like something you find on an old cassette tape

Casual Musings

This was made for KVR Audios 'One Synth Challenge' using Cherry Audio's ARP 2600 in Ableton Live 10.


Artwork is Galactic Bernie by Dan Schkade

B.M.F

I started in April 2020 with making music more by accident than by purpose.
I just needed a simple tune I did with free tools but was captured in making music immediately.
I choose the name "Interesting Times" derived from the (so called) chinese curse "May you live in interesting times" and thought of it as a well fitting name either because of the rising corona pandemic at the start of my musical "career" but also because of my passion for technical inventions and innovations. So yes, we are living in interesting times, in good and bad.

Spectator

Interesting Times

Recent comments

Plastikschale

Electrodefender

stefoMusik

Related tracks