zips and chips being all the tiny noises inbetween the melody, i love all that sstuff

this is one of the best mixes ive heard on soundcloud

The third release in my Zoonotic series, Bat considers freedom, love and the future of monarchy, all in a dubwise fashion, of course!

International Observer - Mistaken Identity Dub (preview)

International Observer - Prelude To The Afternoon Of A Dub (preview)

Tonal Blues is an ep of two versatile and downtempo tracks somewhere between deep melancholic moods and live elements.
Enjoy.

Get it here:
https://d-echoproject.bandcamp.com/album/tonal-blues

D-Echo Project - Tonal Blues

Dirty Hippie (edit)

Quietly Please (edit)

Dollar Bin Oldies
Jazz, Latin, Soul...
100% Vinyl  Selection
www.theasymetrics.com

Lord Sandwich - Crab Rock

Piper Street Sound and Atlanta-based Roots Reggae outfit E.R.E, or Eclectic Roots Ensemble, released their album Feelin’ It on April 21st (2014). This EP of 6 Dub re-imaginings takes their rootsy, old-school sound to new depths. With PSS at the board, the tunes take on added dimensions, with 3 deep dubs and 3 Latin Cumbia-Dub versions.

Babylon Can’t Stop This Dub takes the original earnest riddim and morphs it, adding space and dimension with huge reverbs and atmospheric effects. The nyabinghi style percussion and drums takes on density and rhythmic dimension with delays. Ray-gun synth stings take this heady tune into alternate realities.
The Cumbia version of Babylon Can’t Stop This Dub focuses on the rhythm section, especially the conga/bongo/binghi drums, with added Latin hand percussion. The tune retains its spacey, dubbed-out feel but acquires a trance-like marching pace via shakers and guiro. 

Down in the Valley was one of Feelin’ It’s more upbeat tunes. In Down in The Dubby, PSS plays with drummer Rod Breland’s up-tempo steppers beat with delays, sample/repeats, and Dub-style added pauses. Bakeem’s vocals are chopped, flanged, delayed, and artfully dropped in place to great effect. 
The Cumbia version of Down in the Dubby features a lazy, sliding shekere feel and natural hand drums offset by twitchy tech-step shuffling of the original rhythm and pulsing key delays, punctuated by strategic vocal drops. 

Positive, one of Feelin’ It’s most dread riddims, made for perfect fodder for PSS’s way with f/x. In Positiversion, the plaintive, ascending melody shared by Paschal’s keys and the surf-rock tone of guitarist Dave Canis play nicely against walls of washed-out static hum and piling rhythmic complexity. Waves of accumulated delay noise and thunderous spring reverbs combine to otherworldly effect.
The Cumbia version of Positiversion combines interesting conga patterns, natural shekere, guira, and cabasa sounds with key-tone synth bass reconstructions that slowly degrade into sizzling bit rot. 
This work will be available on Boom One Records on July 7th

Babylon Can't Play Cumbia

Free download here/aquí:

https://www.facebook.com/lostimbres/app_220150904689418

Los Timbres "Flute" - Superpendejos RMX (FREE DL in description)

The Dust and the Incense est la bande originale d'un périple indien, la traversée imaginaire et fantasmée d’une contrée à dos d'éléphant : "éléphantasque" !
Se mêlent des sonorités de tous horizons comme le sitar, la flûte, la contrebasse ou le Moog aux breakbeats du jazz et de la funk des 70's, avec une touche moderne. 
En découle un son abstract-hip hop aux atmosphères évocatrices.

EP disponible en vinyle ou digital

plus d'infos:
www.gbonson.fr
www.facebook.com/gbonson
www.thefrenchtouchconnection.com

FULL MOON

EL sonido de Ghetto Kumbé , es una mezcla de House Caribeño, con beats futuristas. Ritmos que van y vienen como una especie de ritual, lîricas que se sumergen en el inconsciente de la mente para poner a retumbar el cuerpo al ritmo de la percusión.

01 - Ghetto Kumbé - Rio

Our favorite Italian house music producers of all things Afro & Deep Randomized Coffee make a return to Wonderwheel for a dancefloor shaking 2 tracker feat legendary Italian percussionist Tony Cercola. "Cotone Mediterraneo" comes to the table with a shuffling deep House vibe blending into a heavy North African desert vibe, while "Mercato Burruchaga" takes things funkier for the dancefloor with punchy drums, swirling percussion, guitar licks and live horns.

Cotone Mediterraneo / Mercato Burruchaga

Randomized Coffee - Cotone Mediterraneo (feat. Tony Cercola)

Leaf Mold

VINYL PRE ORDER: https://bit.ly/NoMasVelorioRemixes

https://soundcloud.com/piperstreetsound is an American multi-instrumentalist, producer and sound engineer with a specialty in Dub Reggae.
Have a listen to his organic, analog dub take on “Fiesta En El Cielo” , and pay attention on how he cleverly uses the original marimbas and voices here, to fuse them with heavy dub bass, reggae drums and melodica.
Hi remix is part of a 6-tracks remix album released February 19th on vinyl and digital.

No Más Velorio

No Más Velorio Remixes

🔸VINYL🔸DOWNLOAD🔸

Plu Con Pla - Fiesta En El Cielo (Piper Street Sound Remix)

The chief perpetrator of the International Observer experience is keyboardist, songwriter and producer Tom Bailey.

Following the extraordinary success of his post-punk synth-pop group The Thompson Twins, production and writing work for the likes of Deborah Harry, and the ambient techno of his Babble project, Tom Bailey was lured to the exotic climes of Aotearoa/New Zealand.

New Zealand culture has a long history of appreciation for reggae and dub, along with more recent blends like hip hop. this, along with NZ's balmy climes, created the perfect inspiration for Tom's exploration of the dub artform he had deeply loved since the seething post-punk infatuation of the music in the late 70s. Together with sparring partner Rakai, Tom initiated International Observer, a sound system that has quietly infiltrated various Auckland events over the past five years, creating a legendary reputation for marathon five-hour sets of exquisitely-crafted slo-mo dubscapes.

Early in 2002, having amassed enough material for a boxed set, Tom set about pruning the oevre down to an ideal International Observer primer, called 'Seen'. While he attempted to keep the wraps on this absurdly tasty release, it was somewhat inevitable that previews were sneaked out of seclusion, resulting in extensive radio play worldwide and eager members of the press corps frothing at the mouth for IO morsels. It's been called the lushest, deepest, most caringly crafted dub-a-tronic exploration ever released, a cunning experiment in melodic instrumental dub that, without losing its edge, makes for the most gorgeously seductive meditative listening experience. It was released in NZ by Beautiful Music, and the rest of the world by Different Drummer.

This release was followed in 2005 by "All Played Out", a selection of live and sound system favourites that for one reason or another did not make it onto "Seen". Released only in New Zealand and Australia on the cult Auckland label, Round Trip Mars, helmed by the inimitable Stinky Jim, it followed its predecessor into the hands, boxes and players of discerning dubheads.

Some of the tracks from “All Played Out” finally made it out worldwide in 2007 on the “Heard” album through Dubmission Records. Critically acclaimed by the press, it also featured newer tracks and classics such as “The International”.

His third album, “Felt”, came out in September 2009.

Since then his attention has been diverted to his other projects: the Holiwater Band, the Bailey-Salgado Project and his revived pop career as ‘The Thompson Twins’s Tom Bailey’.

Thankfully dub has lured him back into the studio once more, and fresh cuts are promised for 2017.

Quietly Please (edit)

International Observer

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