Thank you for p̶r̷e̷m̷i̴e̷r̴i̸n̵g̷ this track

[ENTITY: JOEY FDH + @l-v-z-1-e]
[OBJECT: CALL/RESPONSE]
[SWSVN027]

Liquid torn edges [ACTION: DEFRACT]ed their singular lifeforms into each other along oscillations and repetitions of [NON]-matter. Nothing is [NULL: VOID]. It was a dysfunctional simulation that made [ENTITies: US|WE|THEM] feel – callative responses of azid waves -

Joey FDH, LUZ1E - Call/Response [SWSVN027]

@infinite-monkey-theorem
Saturated grooves, bass-warped crying tones and swirling breakneck hi-hats in 100 BPM motion.

Mastering by SIM.
Artwork by Bruno Lauzon Tanzi and Nela Paki in collaboration with artist Marilou Lyonnais Archambault.

VA [CC003]

Layla Slides

Infinite Monkey Theorem - Layla Slides

We've been excitedly waiting to release KAVARI's debut EP, ’if the benign was to ever be so pure’. The EP is an amalgamation of her sonic palate. Based around the concept of idealistic desires being tarnished by their real-life manifestations. This project is a catharsis rendered through warped club beats and delicate ambience. 

From Liverpool, but currently based in Aberdeen, KAVARI’s music, art, and performances interrupt the senses with high energy syncopated rhythms, brutalist percussion, and intensity. All while her intoxicating melodies lull you back into serenity.

Five tracks of sound design heavy, experimental, thoughtful production techniques - to make you think, move, feel.

Premieres coming in the leadup. You can pre-order the EP now, or hold out till the release date, which will be on a Bandcamp Friday. 7th of May.

Skee

KAVARI - if the benign was to ever be so pure EP (PREVIEWS)

Premiering "Call/Response" by Joey FDH, EP out on 6th of August,  Spotify & Beatport exclusive release: 23th of July via sowasvon

Liquid torn edges [ACTION: DEFRACT]ed their singular lifeforms into each other along oscillations and repetitions of [NON]-matter. Nothing is [NULL: VOID]. It was a dysfunctional simulation that made [ENTITies: US|WE|THEM] feel – callative responses of azid waves -

Links:
https://soundcloud.com/swsvn
https://sowasvon.bandcamp.com
https://www.facebook.com/sowasvonmusik

CALL/RESPONSE

BANDCAMP

[PREMIERE] JOEY FDH - CALL/RESPONSE (OUT ON JULY 23RD VIA SOWASVON)

[ENTITY: JOEY FDH + @l-v-z-1-e] 
[OBJECT: CALL/RESPONSE] 
[SWSVN027] 

Liquid torn edges [ACTION: DEFRACT]ed their singular lifeforms into each other along oscillations and repetitions of [NON]-matter. Nothing is [NULL: VOID]. It was a dysfunctional simulation that made [ENTITies: US|WE|THEM] feel – callative responses of azid waves -

Bandcamp

Joey FDH - Call/Response (LUZ1ES Dysfunctional Communication Cut)

Premiering "Surface Of Somewhere" by operaa taken from "Falling To The Point Of Floating" out on September 9th via xenomyms

"Falling To The Point Of Floating" is the debut EP from Montreal based experimental-ambient producer operaa.
"Surface Of Somewhere" has a contemplative, layered, and slow
progression, where dense swells are contrasted against a myriad of sound design.
Variations between patterns of these sounds offer a sense of direction as the listener is suspended in a colorful, intriguing space

Links:
operaa:
https://soundcloud.com/operaamusic
https://www.instagram.com/__operaa/
xenonyms:
https://soundcloud.com/xenonymsss
https://xenonyms.bandcamp.com
https://xenonyms.com

Falling To The Point Of Floating

PREORDER

[PREMIERE] OPERAA - SURFACE OF SOMEWHERE (EP OUT ON SEP 9TH VIA XENONYMS)

Founded in september 2020, the multidisciplinary label for music, art and publishing Standard Deviation, aims to foster Ukrainian talents and establish international ties with affiliated artists and friends. label artists such as diana azzuz, rina priduvalova, nene h and the recently released eea (a new alias of m.e.s.h.) and swan meat, new faces join this night for special performances, namely omon breaker, ars was taken, d.dan and panghoud.

Stay tuned @ www.20ftradio.net

Standard Deviation w/ Ars Was Taken @ 20ft Radio - 01/09/2021

TAR146
@fateabordage

https://www.youtube.com/watch?v=O5FgTDjHOIk

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar

TAR148
@fateabordage

More from TAR at:
instagram.com/wearetar
twitter.com/wearetar
facebook.com/wearetar
@wearetar

"Fate Abordage is an art group based in Russia.

There are three of them and they find themselves in the making of music, videos and performing arts.

“Above Us” is taking root in the ancient philosophy, aiming at describing deepest nature of human, his destiny and his critical conditions, which open boundless energy and intellectual possibilities. The general theme of the Fate Abordage originally was a concept of exiting from the wheel of fate through the co-creation of uncompromising, out-of-control energy, that can elevate each member of the process and can help him feel himself out of his own fate line.

V., W., and S. find this ability in the right conditions, which is usually start with periodic sessions of music co-creation and then continue in the process of mixing spirituality, philosophy and art.

“Above Us” is trying to dig deep into authentic human being structure, revealing its fundamental ambivalent nature. The techniques and sound of the EP are seemed to be contemporary and, in some sense, avant-garde, but, probably, it is only about decoration, in which FA has planned a trap for you. A trap, in which it’s necessary to take thought about what human is indeed consists of."

Grab My Hand Before I Burn

Buy/Stream

Fate Abordage - "Grab My Hand Before I Burn"

Premiering "Salted Caramel" by Aberrant Electro taken from "PERIODIC INDEX II" EP out on May 13th via Kulture Lab

Bandcamp: https://kulturelab.bandcamp.com/album/periodic-index-ii

PERIODIC INDEX II marks the third compilation for Kulture Lab and once again, hosts our members, who deliver an energetic fusion of genres and moods. 

The EP showcases a multitude of influences yet maintains continuity through experimental high BPM tracks, euphoric energy, and glitched broken beat productions. 

Links:
Aberrant Electro
https://soundcloud.com/aberrant_electro
https://www.facebook.com/aberrantelectro
https://www.instagram.com/aberrant_electro/
Kulture Lab
https://kulturelab.bandcamp.com
https://soundcloud.com/kulture-lab-radio
https://www.facebook.com/kulturelabmusic
https://www.instagram.com/kulture_lab

PERIODIC INDEX II

bandcamp / pre-order

[Premiere] Aberrant Electro - Salted Caramel (PERIODIC INDEX II out now via Kulture Lab)

IN ZOOM  ( LECTRO COD_E'S  SANCTIFIED MIX )

Mastered by @iseeflame
Artwork by TASHA KAPYUSHON (https://www.instagram.com/tashakapyushon/)

Release date:
7 April 2019

D Life

We announce our first label signing; a shimmering 4-track EP from one of Brussel's most critical new producers, @hypna_52. The title track, 'Data Recovery' sets the tone for this atmospheric EP, fueled by bass weight & sheen & set to be released digitally alongside on a limited run of 50 12" vinyl.

Info & buy: ins-rt.net/label/hypna-data-recovery-insert/

Data Recovery

Synchronizing

Hypna - Synchronizing [Insert]

Two Moscow producers collaborate on an experimental EP inspired by drumming, and — surprise — there are no beats here. Zurkas, a master of anxiety-inducing, quasi-political nightmare ambiance makes his perhaps most club-influenced track and his first remix here, and Moa Pillar (who often crafts smart dancefloor-ready weapons) is at his most abstract. “Drumming” is a beautiful example of friendship, collaboration, and most importantly, communicating ideas across.

The project started from Zurkas’ obsession with the moment when live drummers go wonky while still keeping the groove — and that could be one of the main differences between electronic and live music, really. This original track, aptly titled “To Grab a Stick”, sparked Moa Pillar’s interest who just like his comrade had started out playing in rock bands (yes, his instrument of choice was drums). But unlike the slightly jungle-tinged Zurkas Tepla original, Moa Pillar’s original “Drumming” is an exercise in his own brand of deconstructed club music: staccato hits and hiccups that modulate into oblivion.

And then we have the ping-pong remixes: Zurkas edits Moa’s slick production is his trademark sound vérité approach spiced up with existential horror, while Moa Pillar does the opposite. 

Clocking at around 10 minutes, this EP boasts a lot of good ideas and brilliant musical coin-flipping.

Moa Pillar - Drumming

we are getting closer

for premieres msgs to our soundcloud inbox only please

[OBJECT: LABEL]
[LOCATION: BERLIN]
[ENTITIES: @taube | @wyntmusic | @djjetski_wav]
[releasing electronic music 
and h̸͢͠͞͡o̸҉͘҉ś̴̡͞t͢͜͢͢͜i͟͡ǹ͢͠͞g̸̷̀͘͜ ͘͟p̸͡a̴̶̵̸͠r҉̧͢t̀͢͡i͏҉e͏̷͏̢̨s̨̛]]

[DEMOS & CONTACT: via soundcloud DM only] {pleaѕe ѕend prιvaтe ѕoυndcloυd lιnĸ, wιтн download acтιvaтed}
[DESIGN: https://y.at/🍥☠️🍥]

[PREMIERE] JOEY FDH - CALL/RESPONSE (OUT ON JULY 23RD VIA SOWASVON)

#internetghetto

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