Thank you for p̶r̷e̷m̷i̴e̷r̴i̸n̵g̷ this track

[ENTITY: JOEY FDH + @l-v-z-1-e]
[OBJECT: CALL/RESPONSE]
[SWSVN027]

Liquid torn edges [ACTION: DEFRACT]ed their singular lifeforms into each other along oscillations and repetitions of [NON]-matter. Nothing is [NULL: VOID]. It was a dysfunctional simulation that made [ENTITies: US|WE|THEM] feel – callative responses of azid waves -

Joey FDH, LUZ1E - Call/Response [SWSVN027]

DJ Sentinelle - Gunslinger Girl

#IG46 TK-33 "Soul" out now digitally on all streaming platforms and as a free / name your price download on bandcamp
http://band.link/tk33soul

“The release tells about one cycle of reincarnation from a man to a dolphin - about the edge where agony overflows with bliss between the state of life and death” - this preface accompanies the album “SOUL” by an anonymous musician from Odesa with a laconic stage name TK-33.

A conversation about life, soul, death and immortality is impossible without a discussion about what a person is: can he remain a person without a physical body? Death serves as an occasion to speak and write music about what really excites us - that is, about life. One of the most unexpected tracks from the album “LIVE” directly declares and asks the listener: “I want to live. And you?"

Starting with the names of the tracks - "DAMAGE", "DIE", "LIVE", the album "SOUL" dictates its complex worldview sound, which is a luxurious mix of futuristic electro and jungle. The release is filled with amen-breaks and acid-synthetic structures mixed with powerful bass and slightly eerie vocal samples.

Can you be considered a cyborg person? A musician? Perhaps these questions can be answered by going through a spiritual reincarnation journey full of various sound textures through sparkling jungle and breakbeat soundcapes.

Artist: TK-33
Title: Soul
CAT: #IG46
Release Date: 01/07/2021 
Release type: Digital (all formats) 
Mastering by A.Fruit
Artwork by gsmgarden

Soul

STREAM / DOWNLOAD

TK-33 - DAMAGE

Premiering "Call/Response" by Joey FDH, EP out on 6th of August,  Spotify & Beatport exclusive release: 23th of July via sowasvon

Liquid torn edges [ACTION: DEFRACT]ed their singular lifeforms into each other along oscillations and repetitions of [NON]-matter. Nothing is [NULL: VOID]. It was a dysfunctional simulation that made [ENTITies: US|WE|THEM] feel – callative responses of azid waves -

Links:
https://soundcloud.com/swsvn
https://sowasvon.bandcamp.com
https://www.facebook.com/sowasvonmusik

CALL/RESPONSE

BANDCAMP

[PREMIERE] JOEY FDH - CALL/RESPONSE (OUT ON JULY 23RD VIA SOWASVON)

DIGITAL / CASSETTE: https://band.link/beaglitch

You can be a glitch if you want to be. Actually, you can be whatever you desire. This is the main idea behind Max Dahlhaus’ new EP Be A Glitch which, in his own words, is inspired by Sartre’s Existentialism Is a Humanism. The work reveals a connection to three key concepts in the French philosopher’s landmark essay: anguish, abandonment and despair. 
These words could easily form a slogan for our times, and the moods they signify are all apparent throughout the four tracks on Be a Glitch. Dahlhaus crafts extraordinary sounds out of these gloomy feelings, blending straightforward rhythms with noises, glitches and overlapping melodies. Echoes of club music reverberate here too, but this is a work that offers something more complex and reflective than four-to-the-floor repetition. 
Though Be A Glitch is an entire, cohesive work, it includes remixes from two of Dahlhaus’ favourite musicians, both of whom remodel his Artificial Prodigy into something completely different. Berlin-based Aquarian goes into breakbeat and drill-and-bass territory in his remix, while Berlin’s Born In Flamez takes the original and turns it into a post-pop groove. The result is as radical as Dahlhaus’ approach to working with sound. 

Artist: Max Dahlhaus 
Title: Be A Glitch 
CAT: HYPR092 
Release Date: 17 Sep 2021 
Release type: Digital (all formats) / Cassette 
Mastering by Max Dahlhaus, A.Fruit 
Artwork by Max Dahlhaus

Be A Glitch

DIGITAL / CASSETTE

MAX DAHLHAUS - BE A GLITCH (EXPOSED VERSION)

[ENTITY: JOEY FDH + @l-v-z-1-e] 
[OBJECT: CALL/RESPONSE] 
[SWSVN027] 

Liquid torn edges [ACTION: DEFRACT]ed their singular lifeforms into each other along oscillations and repetitions of [NON]-matter. Nothing is [NULL: VOID]. It was a dysfunctional simulation that made [ENTITies: US|WE|THEM] feel – callative responses of azid waves -

Bandcamp

Joey FDH - Call/Response (LUZ1ES Dysfunctional Communication Cut)

Premiering "Nice One (Acid Mix)" by LLX taken from "Recall" EP released on 28th January via audio bambino

Recall is LLX’s sophomore EP, crafted over the last year in their studio during the pandemic. Oscillating between carefully programmed hardware beats and contrasting basslines, Recall provides its users a synchronized menu like a newly downloaded software plugin. 

Links:
https://audiobambino.bandcamp.com
https://soundcloud.com/audiobambino
https://www.instagram.com/audiobambino
https://www.facebook.com/audiobambino
https://twitter.com/audiobambino
https://www.youtube.com/channel/UCCnkwxWZNdNTUPpQu4Wb6PQ

Recall EP

PRE-ORDER / BANDCAMP

[Premiere] LLX - Nice One (Acid Mix)(Recall EP out on 28th Jan via audio bambino)

READ > https://inverted-audio.com/premiere-fka-saka-anger-druid-remix 

UK bass outlet @offswitchaudio line up their first release of the year courtesy of breakbeat producer @fkasaka with Druid delivering a high voltage electro remix.

Anger EP

FKA.SAKA - Anger (Druid Remix) [Off-Switch Audio]

Premiering "Suspire" by Laenz taken from "Undue Valence" out on August 5th via Early Reflex
Bandcamp: https://earlyreflex.bandcamp.com/album/undue-valence

For EYX008 Early Reflex introduces Brooklyn (NY) based artist, producer and DJ Laenz debuting on the label with the eerie sonic world from her new EP ‘Undue Valence’.
Laenz has an approach to production that is closer to a surveyor of textures and oddities, processing observations informed by the complexities of evolving and eroding infrastructures as well as any corresponding personal entanglements.
Inspired by the physical and intangible infrastructure underlying within the experienceable world, the release results in a five-tracker where the American producer translates these patterns into an unprecedented kaleidoscopic sonic model.
The EP shakes the listeners from its beginning, kicking off with the hooking bass melody, the atmospherical pads and unpredictable drums of Being Into Nothingness.
A distant lamenting call signals the start of Suspire, characterised by clashing metalling percussions and an incessant downtempo drum programming.
Leopard Gate, anticipated by eerie pad sounds, blends together sweeping laser synthesisers, distorted vocals, a catchy guitar riff all over a head nodding beat.
The tension rises in Wetware, an explosive laboratory experiment of field recordings, broken glasses and a hypnotic rhythmic session.
Title-track Undue Valence, is an unconventional dance tool which brings together all the infrastructure elements into a formula akin to club music.

Links:
Laenz
https://soundcloud.com/laenzzz 
https://www.instagram.com/laenzzz/
Early Reflex
https://earlyreflex.bandcamp.com
https://soundcloud.com/earlyreflex 
https://instagram.com/earlyreflex 
https://twitter.com/earlyreflex 
https://facebook.com/earlyreflex

Undue Valence

bandcamp

[Premiere] Laenz - Suspire (Undue Valence out now via Early Reflex)

ALLbion - Billy Win feat. Doechii

I have no idea what this is, little slower than my usual stuff, but it felt groovy and 90s-ish. what genre is this even? 

Deus.exe

Two Moscow producers collaborate on an experimental EP inspired by drumming, and — surprise — there are no beats here. Zurkas, a master of anxiety-inducing, quasi-political nightmare ambiance makes his perhaps most club-influenced track and his first remix here, and Moa Pillar (who often crafts smart dancefloor-ready weapons) is at his most abstract. “Drumming” is a beautiful example of friendship, collaboration, and most importantly, communicating ideas across.

The project started from Zurkas’ obsession with the moment when live drummers go wonky while still keeping the groove — and that could be one of the main differences between electronic and live music, really. This original track, aptly titled “To Grab a Stick”, sparked Moa Pillar’s interest who just like his comrade had started out playing in rock bands (yes, his instrument of choice was drums). But unlike the slightly jungle-tinged Zurkas Tepla original, Moa Pillar’s original “Drumming” is an exercise in his own brand of deconstructed club music: staccato hits and hiccups that modulate into oblivion.

And then we have the ping-pong remixes: Zurkas edits Moa’s slick production is his trademark sound vérité approach spiced up with existential horror, while Moa Pillar does the opposite. 

Clocking at around 10 minutes, this EP boasts a lot of good ideas and brilliant musical coin-flipping.

Moa Pillar - Drumming

It's 2021
We have new music for you
Enjoy!
<3

Artist: VA
Title: Hyperboloid 2021
CAT: HYPR088
Release Date: 01/01/2021
Release type: Digital (all formats)
Mastering by VA, Pixelord
Artwork by gsm_garden

Hyperboloid 2021

DL // BANDCAMP

BOGUE - SUNKEN CARCASSES

we are getting closer

for premieres msgs to our soundcloud inbox only please

[OBJECT: LABEL]
[LOCATION: BERLIN]
[ENTITIES: @taube | @wyntmusic | @djjetski_wav]
[releasing electronic music 
and h̸͢͠͞͡o̸҉͘҉ś̴̡͞t͢͜͢͢͜i͟͡ǹ͢͠͞g̸̷̀͘͜ ͘͟p̸͡a̴̶̵̸͠r҉̧͢t̀͢͡i͏҉e͏̷͏̢̨s̨̛]]

[BOOKING: booking@sowasvon.de]
[CONTACT: hello@sowasvon.de]
[DEMO: demo@sowasvon.de] 
{pleaѕe ѕend prιvaтe ѕoυndcloυd lιnĸ, wιтн download acтιvaтed}
[DESIGN: https://y.at/🍥☠️🍥]

[PREMIERE] JOEY FDH - CALL/RESPONSE (OUT ON JULY 23RD VIA SOWASVON)

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