Name: Rain by ƖƝƬЄƦƤԼƛƖƝ
Duration: 3 min 6 s
Description: Recording for Film, synchronous, and melodic. While i recorded this track it was raining hard outside.

you have really nice flow in your writing, not just this song. Nice gift to have.

Incredible music. Amazing song. Powerful track.

"All those moments will be lost in time, like tears in rain" - quoting one of my favourite lines from movie. I think it desribes the mood of this track so well - dreamy, elusive, reflective. Really like the sounds you use, and how the track progressed. Really gives you a sense of being taken on a journey. Very essential thing in music, yet very hard to achieve. Congratulations :)

Somatic is my new track, set to officially release on March 2nd, but available now on Youtube. 

To pre-save the track on Spotify, Apple Music and others music platforms, click here: https://linktr.ee/valix_edm


Also, if you like my music, subscribe to my YouTube channel and follow me on social media. 

As a consumer, I never really thought about what I could do to support the artists that I liked. Since I’ve started creating and distributing my music, I’ve gained a lot of appreciation for those little things I can do to help other artists. Especially during a pandemic. Things like:

Pre-saving: These links are a huge help. The more people pre-save a song before it’s release, the higher the chance that Spotify will place it on it’s main playlists, which means a lot of people will stream it. This is definitely a home run for the artist. 

Subscribing to Youtube Channel: Youtube won’t pay a content creator until they reach a minimum amount of subscribers and hours streamed. Subscribing helps your favourite artists get closer to their goal, and to start making a bit of money off Youtube. It also helps you keep track of their new content. 

Following on Social Media: For obvious reasons... the bigger the following, the more “reach” their exposure will have. 

Sharing Posts: This is probably what helps the artist the most in growing their social media, but also getting their music known. Hey, you could be the one that sent them a “gem” that you found before it became really popular!


All of this is free for you and takes virtually no time at all, and it’ll mean a great deal. For anyone willing to do any of the above for me, I sincerely appreciate it. 


Now! Let’s talk about the track...


Somatic. This one is a reflection of where I am in my music creation process. While I’ve been a musician (not professionally) since I was 6 years-old, I’ve only started producing electronic music since 2020. When I first started, and got the hang of it, it was amazing (it still is, but it was even more-so at first). Think of it like this: Imagine you’re in a really good mood, there’s nobody else around, a good tune is playing, you start singing as loud as you can. You know all of the words, you know how the song goes, so you’re belting it out. Now imagine that instead of your voice that comes out when you sing, it’s actually dozens of voices. That’s the feeling you get when you go from creating music on a single instrument, to doing it electronically. 

Problem is, I was all over the place. Not only could I use any number of instruments, but I could create music of so many different genres. The ones I wanted to focus on the most were Old School House, Progressive House, Deep House, Techno, Trance, and combinations of some of those. The production and the sound is very different between genres. Think about a song from Martin Garrix and then a song from Kygo. They’re both electronic music, but very different genres.  As I was coming up with all of these awesome chords, melodies and sounds, I went a bit too far, and added a few too many layers to some of my tracks. So this time, I practiced some restraint. The thing that I learned and that I appreciate the most about this track is that by simplifying it, the elements come out clearer, and better. I hope you enjoy it!

P.S. Thanks for reading this, I had no idea I would go on this long...

Somatic by Valix

Cover of I Need My Girl by The National .

I Need My Girl

Looney Tunes
Duration: 16'
For More Information: https://robertpaterson.com/looney-tunes
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1428
Perusal Score: https://issuu.com/robertpaterson/docs/looney_tunes_-_fs_bound_perusal

Instrumentation: flute (doubling piccolo), alto saxophone (doubling baritone sax), violin, cello, electric guitar, electric bass guitar (not acoustic contrabass), percussion (drumset, bongos, xylophone, amplified Udu drum and misc. small instruments) and piano (doubling synthesizer). All players doubling misc. small percussion instruments, bird whistles and sound effects.

PROGRAM NOTES (SHORT VERSION FOR PROGRAMS)
(Long version: http://robertpaterson.com/looney-tunes)
In Looney Tunes, each movement uses a specific well-known cartoon character as a musical influence and point of departure. The first movement, Taz, is inspired by the Tasmanian Devil character and plays upon all of Taz’s traits with loud, dissonant outbursts, gyrating transitions, quiet, reflective sections and a few references to his attraction to music. The second movement, Foghorn Leghorn, is inspired by this character’s loud, vocal disposition. The ‘Foghorn’ part of his name makes me think of real foghorns, and a foghorn-like interval begins this low-sounding, baritone sax-heavy movement. The third movement, Tweety Bird, provides contrast with a somewhat high tessitura and includes prominent parts for piccolo, violin, xylophone and alto sax. Although the entire movement only abstractly references the animated Tweety, I try to make all of the high instruments sound bird-like from beginning to end. Two of my favorite cartoon characters of all time are the Road Runner and Wile E. Coyote, so it seemed appropriate to end the work with a fastRoad Runner movement. I have always been fascinated by the seemingly infinite array of ACME inventions the Coyote uses to try and capture the Road Runner, and the last movement reflects this and incorporates a number of exotic, gizmo-like sounds and instruments.

Guerilla New Music

Looney Tunes - II. Foghorn Leghorn

So Far Away

Michael Drexler performs his original arrangement of Bohemia Rag by Joseph Lamb

Bohemia Rag

Recording for Film, synchronous, and melodic. While i recorded this track it was raining hard outside.

Rain

Order

A spacey piece given some cosmic vibes by the use of a theremin.

04 Amalthea

Walking in the snow in midwinter 2021.
Recorded in 432 Hz for a more relaxing vibe.

Snow Walker - Nicolas Project

Free Fall

O Renascer de um Sonho

Introducing Interplain, an electrifying force in the realms of Synthwave, Melodic Ambient, and IDM. With a musical journey spanning back to 1989, Interplain draws inspiration from pioneers like Tangerine Dream, Klaus Shultz, Johannes Schmoelling, as well as modern icons such as FM Attack and Aphex Twin.

Interplain's sonic universe is vividly brought to life through captivating releases like "Vanishing Horizon," "Perseus Night Sky," "Skysprinter," "Sleepless," and "Heatwave22." These tracks seamlessly blend nostalgic synth melodies with intricate rhythms, creating an immersive auditory experience.

Based in the vibrant town of Chesterfield, Interplain has garnered recognition, including winning Band of the Month on the Fiverr website. What sets Interplain's music apart is its infectious catchiness, rhythmic prowess, and the thoughtful storytelling woven into tracks featuring lyrics.

Beyond music, Interplain harbors a deep passion for electronics, often exploring the realm of making music gear. Stay tuned for more mesmerizing sounds and innovative creations from Interplain's sonic laboratory.

Uploading more soon.

Rain

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