Recorded by the New York Youth Symphony on May 2, 2021.
Amelia Krinke, conductor
Score: https://issuu.com/emilysingletonmusic/docs/things_that_drift_edited_score

Website: https://emsingleton.com/
YouTube: www.youtube.com/channel/UCB9EnsWxfGUnL3Tj9Wn8feA

things that drift

inti figgis-vizueta: Love Reacts Only 2

Live recording 
PULSE#1  @Galerie Rabus

inti figgis-vizueta: Love Reacts Only 2

inter-spatia (2020/22)
Catherine Lamb

performed on March 18th, 2022 at Nykirken, Bergen, Borealis Festival

Microtub (Robin Hayward, Martin Taxt, and Peder Simonsen), Rage Thormbones (Mattie Barbier and Weston Olencki), with MO Abbott and Henrik Nørstebø

tuba trio + trombone quartet

recorded by Weston Olencki

inter-spatia (with Microtub and Rage Thormbones)

performed by Wild Up at the LA Phil Noon to Midnight Festival on April 9th, 2022
recorded at Walt Disney Concert Hall, courtesy of the LA Phil
photo by Susanna Hancock

note | 'Form the Fabric' derives from NMAI archaeologist Ramiro Mato's phrase describing the cosmological understandings of the Incan & Andean peoples through description of the Inca Road as 'threads interwoven to form the fabric of the physical and spiritual world. This work was made in New York City in January of 2020.

Form the Fabric [2020] | Wild Up

section X from Divisio Spiralis (2019)

JACK Quartet

February 25th-26th, 2021, Oktaven Audio, Mount Vernon, New York
Mastering engineer: Ryan Streber
Editing/Mixing: Christopher Botta and Christopher Otto

Catherine Lamb

Divisio Spiralis X

You can learn to play this piece. FREE scores and parts, among other materials, are available online: 50ftf.kronosquartet.org

Composed by inti figgis-vizueta
© 2021 Kronos Arts Publishing
℗ 2021 Kronos Performing Arts Association
Commissioned for Fifty for the Future: The Kronos Learning Repertoire

Produced by Kronos Quartet and Reshena Liao
Recorded December 2021 at 25th Street Recording, Oakland, CA
Engineered by Zach Miley
Assistant engineer: Gabriel Shepard
Mixed by Zach Miley and David Harrington, May 2022

inti figgis-vizueta - branching patterns

performed by Schallfeld Ensemble at the Bludenzer Tage zeitgemäßer Musik on October 8th, 2022 in Bludenz, Austria

Flute - Elisa Azzarà
Bb / Bass Clarinet – Szilárd Benes
Soprano/Baritone Saxophone – Matej Bunderla
Accordion – Mirko Jevtović
Piano – Patrick Skrilecz
Percussion – Manuel Alcaraz Clemente
Violin – Lorenzo Derinni
Viola – Francesca Piccioni
Cello – Myriam García Fidalgo
Double Bass – Margarethe Maierhofer-Lischka
Conductor – Leonhard Garms
Sound engineer - Davide Gagliardi

recorded by Chris Swithinbank
mixed by Isaac Roth Blumfield

commissioned by the Bludenzer Tage zeitgemäßer Musik with the support of the Ernst von Siemens Music Foundation􏰙􏰗 􏰎􏰓􏰍 􏰏􏰈􏰝􏰕􏰍􏰌􏰣􏰍􏰋 􏰤􏰊􏰠􏰍 􏰣􏰍􏰅􏰎􏰠􏰍􏰘􏰥􏰦􏰍􏰋 􏰧􏰝􏰖􏰅􏰨 􏰢􏰅􏰎􏰓 􏰎􏰓􏰍 􏰖􏰝􏰑􏰑􏰇􏰋􏰎 􏰇􏰡 􏰎􏰓􏰍 􏰩􏰋􏰌􏰖􏰎 􏰞􏰇􏰌 􏰐􏰅􏰍􏰘􏰍􏰌􏰖 􏰧􏰝􏰖􏰅􏰆 􏰪􏰇􏰝􏰌􏰕􏰊􏰎􏰅􏰇􏰌 􏰢􏰋􏰅􏰎􏰎􏰍􏰌 􏰡􏰇􏰋 􏰐􏰆􏰓􏰊􏰈􏰈􏰡􏰍􏰈􏰕 􏰩􏰌􏰖􏰍􏰘􏰙􏰈􏰎􏰓􏰍 􏰏􏰈􏰝􏰕􏰍􏰌􏰣􏰍􏰋 􏰤􏰊􏰠􏰍 􏰣􏰍􏰅􏰎􏰠􏰍􏰘􏰥􏰦􏰍􏰋 􏰧􏰝􏰖􏰅􏰨 􏰢􏰅􏰎􏰓 􏰎􏰓􏰍 􏰖􏰝􏰑􏰑􏰇􏰋􏰎 􏰇􏰡 􏰎􏰓􏰍 􏰩􏰋􏰌􏰖􏰎 􏰞􏰇􏰌 􏰐􏰅􏰍􏰘􏰍􏰌􏰖 􏰧􏰝􏰖􏰅􏰆 􏰪􏰇􏰝􏰌􏰕􏰊􏰎􏰅􏰇􏰌 􏰢􏰋􏰅􏰎􏰎􏰍􏰌 􏰡􏰇􏰋 􏰐􏰆􏰓􏰊􏰈􏰈􏰡􏰍􏰈􏰕 􏰩􏰌􏰖􏰍􏰘􏰙􏰈􏰍
Program note:

“End of summer, light between your eyes” deals with memory: not as something which flows easily and envelops you like a dream, but as a series of sensations, zoomed in, never able to regain the momentum or consistency of experience. 

Only the essence of the feeling, the strange details that remain after years, more present than the significant moments which always seem to disappear and reappear without reason, without a thread to hold them together. 

It deals with memory as distraction, as the inability to stay present in a moment, as a kind of zig-zag through realities both present and obscure; as something which binds together and something which is irredeemably isolating, which constantly presses on the ability to share anything at all.

End of summer, light between your eyes  |  for ensemble (2022)

yes yes party party go go boo

the true final form of an older track of mine: tautau.bandcamp.com/track/know-u-better

nicole richie – yeah baby (prod. conrad tao)

inti figgis-vizueta creates music that carefully balances experimentation and practicality. She likens her compositions to plants which have the ability to grow and change when different people performing them. And in the last few years her music has been championed by an extremely wide range of musicians from Roomful of Teeth to Ensemble Dal Niente to the Kronos Quartet. Read a complete transcript of her conversation with Frank J. Oteri and learn more about her music on NewMusicBox: https://newmusicusa.org/nmbx/inti-figgis-vizueta-the-ability-to-grow/

SoundLives23 - -inti figgis-vizueta: the ability to grow

lightBox
mvt I. Glisten, Listen

composed 2020 by Amelia Horney

vln 1: Elizabeth Wei
vln 2: Olena Kapersky 
cello: Quenton Blache
flute: Amelia Horney
 
Copyright © 2020 by Amelia Horney. All Rights Reserved.

Glisten, Listen (2020)

[piece title] [year written] | [performing ensemble]

inti figgis-vizueta (b.1993) is a composer and cultural artist who works to reconcile historical aesthetics and experimental practices with trans & Indigenous futures. Described as “dramatic” and “intense” (The New York Times), “magical” (San Diego Union-Tribune), and “wrought from a language we’d do well to learn” (The Washington Post), her music has been commissioned and performed by leading artists including the Los Angeles Philharmonic, Cincinnati Symphony Orchestra, San Francisco Symphony, Phoenix Symphony, Oregon Symphony, American Composers Orchestra, New World Symphony, Los Angeles Chamber Orchestra, Queer Urban Orchestra, International Contemporary Ensemble, Civic Orchestra of Chicago, Alarm Will Sound, Wild Up, Roomful of Teeth, Contemporaneous, Kronos Quartet, Attacca Quartet, JACK Quartet, Music from Copland House, violinist Jennifer Koh, cellist Andrew Yee, Ensemble Connect, and Crash Ensemble. Her work has been featured at Lincoln Center, Carnegie Hall, Kennedy Center, Walt Disney Hall Concert Hall, Symphony Center, REDCAT, National Concert Hall (IE), Southbank Centre (UK), Philharmonie de Paris (FR), Muziekgebouw aan 't IJ (NL), and Konzerthaus Berlin (DE).
​
Recent and upcoming events include performances by the Los Angeles Philharmonic (ft. Jay Campbell), American Composers Orchestra (ft. the Attacca Quartet), and the Cincinnati Symphony Orchestra (ft. Conrad Tao). Current projects include commissions for Opera Saratoga, Ensemble Reflektor, flutist Claire Chase, organist James McVinnie, and cellist Andrew Yee with Roomful of Teeth. inti is the recipient of the Lotos Foundation Prize, ASCAP Foundation Fred Ho Award, National Sawdust Hildegard Award, and fellowships from Dumbarton Oaks, Civitella Ranieri, and Music at Copland House.

Form the Fabric [2020] | Wild Up

inti figgis-vizueta

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