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Que No Se Diga

Tools Of Tomorrow - The Secret Of The Cults

BBlls

Ghosts of Christmas

Pieza compuesta en agosto de 2021 a partir de grabaciones bioeléctricas de hongos realizadas por Michael Prime.
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I have a new collaboration with Michael Prime, we have made an album with recordings made from mycelia.
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"These sounds were produced by living fungi, Shitake mushrooms still attached to their mycelial bodies. A mushroom is actually the fruiting body of a fungus, the ‘body’ of which consists of the mycelium, a network of rootlike structures that run through the substrate (the log, compost, sawdust etc.). A mushroom still connected to a growing mycelium produces a varied and interesting rhythm, while a mushroom that has been picked produced only a static tone. All living organisms produce a faint electrical current, which constantly fluctuates according to the state of the organism. This current can be amplified and used as a control signal for an oscillator, producing a sound which directly reflects the state of the organism".

Continuum Outdoor Books

https://vertical-music.bandcamp.com/album/radura

Sonic research in two residual places linking poetry, soundscape and architecture. ‘Femminile Plurale’ takes us through a former greenhouse, an irrigation tank and a bunker in Liguria. ‘RADURA’ rewrites the space of an urban clearing in Berlin through a participative performance. 

Vittoria Assembri is an architectural and sound researcher. Her practice explores the territories considered marginal, from an architectural and sound point of view. She focuses her research on the regeneration of urban spaces as the recovery of building heritage that pursues sustainable sociability and social diversity. She deepens on the notion of Third Landscape, as an oblique and unconventional condition, of abandoned spaces invested by spontaneous forms of other species. 
www.vittoriaassembri.com 

Gaia Ginevra Giorgi is a poet, sound artist, performer and researcher. She published “Manovre segrete” (Interno Poesia, 2017) and “L’animale nella fossa” (Miraggi Edizioni, 2021). Her research is oriented towards the generative possibilities of intercode poetry: she experiments with vocal soundscapes, and studies the relationships between text, voice, new electronic devices and architectural space, creating site-specific projects. 
www.instagram.com/gaiaginevragiorgi/ 

They are co-curators of 'Walk So Silently That the Bottoms of Your Feet Become Ears' (on Fango Radio), a collection of sound materials by artists who work with a site-specific approach. Archives of sound landscapes reflect on the theme of liminal enviroment, of waste, of residue: field recordings, interviews, vocal soundscapes, poems, sound installations, then in close relationship with the architectural space and its crossings (human and non-human). 
www.fangoradio.com/shows/158

Vittoria Assembri & Gaia Ginevra Giorgi: RADURA (Excerpt)

OROPAX

Etude 1 : Book of Eros

Ce mois-ci, on invite pas cet énergumène par hasard, de toute façon, le hasard, à ce qu'il paraît y'en a pas ! On l'invite parce qu'il adore les listes, les moodboards, les croquis, tout ce qui lui fait office de garde-fou et lui permet de faire un pas de côté. 
Mais on l'invite surtout parce qu'il a les esgourdes bien ouvertes, qu'on l'aime et qu'il sera dans notre nouvelle Carpaccio Summer Hit qui sort ce mois-ci. Une selecta azimutée, lourde et personnelle. 

Aussi petit message de l'artiste : "la dernière chanson, c'est Lole Y Manuel, un clin d'oeil à mon amoureuse Philomène qui danse le flamenco, elle me fait découvrir des artistes incroyables et chante aussi sur mon prochain album" et cet album c'est un peu tous ces univers réuni ! <3

Carpaccio Sandwich Club S4e7 w/ Paul Loiseau ~ 08.05.2024

Desire dash-D

‘recorded stories about growing up and existing as women and queer people of color while making tea. Also featuring transducers, detuned mandolins, djembe, a two-tone kettle, and a string quartet.’

premiered by PUBLIQuartet at the New Latin Wave Festival, curated by Angélica Negrón.

Tea en mi casa | PUBLIQuartet

[piece title] [year written] | [performing ensemble]

inti figgis-vizueta (b.1993) is a composer and cultural artist who works to reconcile historical aesthetics and experimental practices with trans & Indigenous futures. Described as "dramatic" and "intense" (The New York Times), a “rising new music star” (LA Times), and “wrought from a language we’d do well to learn” (The Washington Post), her music has been commissioned and performed by leading artists including the Los Angeles Philharmonic, Cincinnati Symphony Orchestra, San Francisco Symphony, Phoenix Symphony, Oregon Symphony, American Composers Orchestra, New World Symphony, Los Angeles Chamber Orchestra, Queer Urban Orchestra, International Contemporary Ensemble, Civic Orchestra of Chicago, Alarm Will Sound, Wild Up, Roomful of Teeth, Contemporaneous, Kronos Quartet, Attacca Quartet, JACK Quartet, Music from Copland House, violinist Jennifer Koh, cellist Andrew Yee, Ensemble Connect, and Crash Ensemble. Her work has been featured at Lincoln Center, Kennedy Center, Walt Disney Hall Concert Hall, Carnegie Hall, Symphony Center, REDCAT, National Concert Hall (IE), Southbank Centre (UK), Philharmonie de Paris (FR), Muziekgebouw aan 't IJ (NL), and Konzerthaus Berlin (DE).
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Recent and upcoming events include performances by the Los Angeles Philharmonic (ft. Jay Campbell), American Composers Orchestra (ft. the Attacca Quartet), and the Cincinnati Symphony Orchestra (ft. Conrad Tao). Current projects include commissions for Opera Saratoga, Ensemble Reflektor, flutist Claire Chase, organist James McVinnie, and cellist Andrew Yee with Roomful of Teeth. inti is the recipient of the Lotos Foundation Prize, ASCAP Foundation Fred Ho Award, National Sawdust Hildegard Award, and fellowships from Dumbarton Oaks, Civitella Ranieri, and Music at Copland House.

Tea en mi casa | PUBLIQuartet

inti figgis-vizueta

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