everything else

https://open.spotify.com/album/70yHECuVwioAlQCMC9a7QJ?si=ZWQWOEsjQASVwIrSyJdnfw

Wateresque

Do-zarbi-Ye Dashti | Siamak Jahangiri -  دو ضربی دشتی | سیامک جهانگیری

This is a track from my debut album PERHAPS THERE... ( انگار همان جا ) coming out in November 2013

A Tale Told Again (poetry by Nima Yushij)

Darren Wall.................Upright Bass
Shahrouz Molaei.........Drums
Robbie Grunwald........Accordion
Sina Salimi.................Santour & Vocals

Recorded, Mixed and Mastered by Ali Kamali @ Arkwaves studio
Album Artwork & Design by <a href="http://www.kajart.com/" title="Kajart Design and Production">KAJART Design & Production</a>


داستانی نه تازه - A Tale Told Again

https://open.spotify.com/album/7HRySZGFrRZzm6g0IXnus9?si=xoXppFU6QpGkY9IBSY6l1g

The Memory of the Landscape, Rasool Poursangari| خاطره‌ی منظره، رسول پورسنگری

Fantasy from " The Passage "
Siavash Roshan
قطعه ی فانتزی - آلبوم گذر
سیاوش روشن

https://open.spotify.com/album/6KWEVIS0zIhxXWxwoyWHdF?si=EwNC6a6lRM-ipdi9XIaQUQ

Fantasy

،هنگام، که گریه می‌دهد ساز
،این دود سرشت ِ ابرْ بَر پُشت
هنگام که نیل ْچَشمْ دریا
از خشم، به روی، می‌زند مُشت
...
خاموش شبی است، هرچه تنهاست
_____________________________
نیما یوشیج

هنگام، که گریه می‌دهد ساز

Guitarist Nicholas Tyson (Gentleman’s Dub Club, XOA) makes his solo debut with Ascent, out October 31, 2025 on Outervisions. Inspired by the landscapes of Provence, the album blends jazz, classical, and folk into a deeply personal and cinematic sound.

Ascent

Green Shelter

Meshing generes into this deeply personal piece.

Myth Of The Forrest

Inspired by the poem "The Peace of Wild Things" by the American poet Wendall Berry.

When despair for the world grows in me
and I wake in the night at the least sound
in fear of what my life and my children’s lives may be,
I go and lie down where the wood drake
rests in his beauty on the water, and the great heron feeds.
I come into the peace of wild things
who do not tax their lives with forethought
of grief. I come into the presence of still water.
And I feel above me the day-blind stars
waiting with their light. For a time
I rest in the grace of the world, and am free.

The Peace of Wild Things

https://open.spotify.com/album/1dQrbLuCi32Zg6IxURIOrY?si=QxUvudMzTwmlGOVTbyWyWg

Gāhān

Fourth Gāh, Pt. 2 | Yasamin Shahhosseini

۴/رود

www,mahanmirarab.com
Mahan Mirarab: Fretless guitar
Robert Jukic: Bass
Wolfi Rainer: Drums

Mahan Mirarab (Jazz guitarist, Fretless guitarist, Composer, Architect)

Born on 13 July, 1983 in Tehran, started his first experience of art with painting, he spent his childhood during the war of Iran-Iraq in 80's. He started his first musical activities with playing piano at the age of 12 and after a year he switched to classical guitar. At that time there was no opportunities in Iran to listen to jazz music but at the age of 16 he could find the access to some tapes of Wes Montgomery and he started transcribing his tunes. In spite of lack of any approach to the basic learning instrument or any kinds of media in the form of books or any kind of recordings, he started to learn jazz. Although there was no teacher and school of music in Iran and the first step of his learning process was really hard, later after the development
of media in Iran in Mid 90`s he had the opportunity to listen to other jazz musicians and Kept continuing transcribing and analyzing the music of jazz legends like Charlie Parker, Bud Powell, Clifford brown, John Coltrane and many more.
Nearby tacking the first steps of learning music, according to his excessive passion to get influences from Persian traditional music, he started to play one of the main Persian musical instruments, called TAR. The influences and inspirations that he achieved from getting involved in learning traditional music have an indispensable role to shape his character as a musician, that is not only interested in jazz music but also is always grateful for Persian folk and traditional music. The main idea of playing
fretless guitar is on the one hand the difference between Persian and classic scales, because of existence of quarter tones in Persian music which makes it possible to be played by F.Guitar, and on the other hand it derived from his intention to find an appropriate and sufficient instrument that can accurately describe and express Iranian identity in his musical character.
The summer of 2003 was an important point of jazz music in Iran because the Legendary Armenian Pianist, Vahag Hyrapetian, organized the first jazz workshop in Iran since the Revolution of 1979.

It was a determinative event that was held for the first time in the realm of jazz music in Iran. Mahan attended to this workshop and also was asked by Vahag to play a duo concert with him.
Right after that he established his first Band as a Trio
set up with Dara Daraeei on bass and Amin Taheri on Drums. After some Concert Hamzeh Yeganeh a great Persian pianist and composer joined the band.
Beside his own project he cooperated with many concert and recording sessions as a side man during all this time. in 2008 he finished his studies in architecture in Tehran
art and architecture university and decided to move to Vienna. There he recorded his first Album with Wolfi Rainer(drums) and Robert Jukic(bass).This album is
a combination of Persian folk and traditional music with jazz .
The composition and arrangement of this project that started in Iran in 2006 is already
concluded and recorded in Vienna’s session in title "The Persian Side of Jazz" After moving to Vienna Mahan played with different Jazz and World music ensembles in Different European countries as well as United States.

9:40 am

اگر چیزی بنوازم/نواختم، تمامش از همان‌موقع است، می‌دانم صدایی به نت‌هایم اضافه نشد، و هرچه هست ته‌مانده همان‌موقع‌ها است.

تا پیدا شوند شاید، تمام تارها

Music By Parnaz & Robert 
Vocal & Violin : Parnaz Partovi 
Guitar : Robert Gharakhan 
Sound: Shayan 
Taar: Ali 
Lyrics : Nader Naderpoor

FB PAGE :http://www.facebook.com/Vitarband
YOUTUBE : http://youtu.be/pnOs8iucCow

"Hich" Parnaz Partovi

Araam Araam (A Lullaby)

در هضم‌ِ بَزم - سوُم /آن شبِ اردیبهشت 
هر کس خاطره را یک جور نگه می‌دارد برای خودش. برای من این جور است؛ ترانه‌هایی با یاد و در هضم‌ِ بَزم‌ها.ـ 
سوم٬ حکایت‌ِ بازی با نام‌ها بود و یادها؛ حکایت‌ِ آن شب‌ِ شیرین و آن حال‌ِ فرهاد؛ حکایت‌ِ آن شبِ اردیبهشت ...ـ


آن شبِ اردیبهشت

For information about this instrument, please visit https://stenzel-guitars.de/looks/pg1/
For at least half of the beauty of sound, credits go to Negar Bouban! http://negarbouban.com
Recorded with a pair of AKG C460B/CK61 uls straight to a Tascam DR 680, no processing whatsoever.

New Large Oud built by Sebastian Stenzel

The Intimate Sentiments is the title of a collection we are going to release from now on, each as an independent CD. The artists of this series are some sort of selected musicians whom we have asked to produce simple but impossible works; works within the scope of no order, no boundaries. In fact, the aim is to create a work of deeply personal musical expression and taste of the artist without the intention of attracting the audience.
Each time, the result was a big surprise to us. Each new recording had its own artistic expression which reflected the innermost layers and potential capabilities of the music of our time.
We hope that these contemporary musical ‘autobiographies’ bring a breath of fresh air to our music.

Fantasy

Intimate-Sentiments

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Ali Choolaei

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