On a sunny Rio de Janeiro afternoon, in one of the city’s hillside Favela communities, Ricô Santana, Rafa Dias and Boima Tucker sat trading Youtube clips of grime MCs in the UK, footwork dancers in Chicago and trap producers in Atlanta, building a friendship that would develop naturally into a creative collaboration. From the vantage point of that hillside, consuming the output of various international black music scenes, the group realized that they shared a desire to use music to celebrate Africa’s contribution to world culture. So they embarked on a journey to create an album, with lyrics in French, English and Portuguese, and with references to a diversity of black rhythmic genres in order to help bridge the gaps that normally separate people of African descent around the world.

This project arrives during an important time for Afro Brazilian people. For centuries, black Brazilians have struggled to gain equal rights and recognition for their contribution to society. Transnational solidarity has been hampered by the general viewpoint that Africa is a place of ancestry, not contemporary connection. During the years of the economic boom under the PT government, Afro Brazilians saw positive change and advances in social status thanks to educational and economic reforms. However, the corruption that pervaded behind the scenes of this era led to a political backlash, and the Brazilian political right seized power. Afro and Indigenous Brazilians took much of the brunt of attacks from reactionary politicians, culminating with the murder of Rio de Janeiro activist Marielle Franco.

Ziminino seeks to throw their lot in with the black consciousness movement that has grown in Brazil during the years of PT reforms. With aesthetic references to Afrofuturism, a cultural movement with transnational African liberation at its core, Ziminino believes that it is important to celebrate ones heritage, but at the same time realize that African culture is real, now and constantly shifting. Yes, Ziminino is Candomblé, Capoeira and Carnaval, but it is also 808 kicks, Congolese snares and black pride. This album brings to light the empowerment and beauty of African people seen through Brazilian lenses.

Ziminino

Abrir a pista de qualquer festa é sempre um desafio para os DJS. 

O importante é manter o equilíbrio. Nada de explodir a pista antes do horário.

Este set mostra o que gosto de fazer na primeira hora dos sets quando estou abrindo a pista. 

Setlist:
Céu - Malemolencia
Jorge Ben Jor - Katarina, Katarina
Mahmundi - Alegria
Silva - Um Pôr do Sol na Praia
Luisa Maita - Lero-Lero
Luiz Enrique - Mas Que Nada (Jorge Ben Jor) (Diederdas Rework)
Gal Costa - Quando Você Olha pra Ela
Chico César - Mama África
Mallu Magalhães - Pelo Telefone
Jorge Ben & Toquinho - Carolina Carol Bela (George T Funky)
Fernanda Porto - Só Tinha De Ser Com Voce
The Knocks - Brazilian Soul (feat. Sofi Tukker) [Acoustic Bossa Version]
Liniker - Zero (DJ Tahira Flip)
Toco - Bom Motivo
Dj Hum Feat. Kaion e Emicida - Uma Paixão (Neo Soul Remix)
Marcelo D2 - À Procura da Batida Perfeita
Shaka - Mane Joao
Gilberto Gil - Tartaruguê
Amanda Magalhães - O Amor Te Dá

Abrindo a Pista

Abrindo a Pista - DJ Amaral Ed (Brasilidades)

I'm Cool Like That

When The Buildings Fall

Intermitência

Lagrima

Intro

Black Voices

The Same Blood (NIT Remix)

Creative Quilombo. Celebrating the African archipelago via international collaboration.

Lagrima

INTL BLK™

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