MY TAKE ON THE BLUES

"Feel Nothing" (Release Date: July 6, 2021) 

Spotify: https://u.subpop.com/2UaBu4S
Apple Music: https://u.subpop.com/35ZGVGM
Sub Pop Mega Mart: https://megamart.subpop.com/products/amen-dunes_feel-nothing

Amen Dunes: https://www.amendunes.com
Facebook: https://www.facebook.com/amendunes
Instagram: https://www.instagram.com/amendunes
Twitter: https://twitter.com/amendunes
BandCamp: https://amendunes.bandcamp.com
Sub Pop: https://www.subpop.com/artists/amen_dunes

Sub Pop Records: http://www.subpop.com
MegaMart: https://megamart.subpop.com
Twitter: https://twitter.com/subpop
Facebook: https://www.facebook.com/subpoprecords
Instagram: https://www.instagram.com/subpop
YouTube: http://www.youtube.com/user/subpoprecords
SoundCloud: http://soundcloud.com/subpop
Podcast: http://subpop.fm

Amen Dunes (with Sleaford Mods) - Feel Nothing

Cool (Cover by Deerhunter)

"Wilding" taken from the album "Shadow of the Sun" out now 

LP/CD: http://bit.ly/1uJA3Sl
iTunes: http://hyperurl.co/ShadowOfTheSun

Website: www.moonduo.org
Twitter: twitter.com/moonduo
Facebook: facebook.com/moonduoofficial
Instagram: http://instagram.com/moonduoband

Tour Dates: http://bit.ly/1yvf0dU

Moon Duo - "Wilding"



Alan Sugaya

1,752 followers
13,998 tracks

Overdub instrument at Home Recording - 11/17/2025
Performed on Yamaha DTXtreme III Drum Kit with a Yamaha M12 Percussion Drum Pad


Feeling it more and more  -  Vocal n Drums.wav

The Biggest Thing Since Colossus

Ain't Nobody's Business

Everything is Everything

Word is Bond

Temperature Is Rising (100.2°F)

"This was initially intended for a full band with a string section and all, but after we tracked the demo live in the room it just felt right and I didn't wanna touch it after that. So that's how we left it." - HEK

http://hannielkhatib.com/
https://www.facebook.com/pages/Hanni-El-Khatib/41886037465
https://twitter.com/hannielkhatib

http://www.innovativeleisure.net
https://twitter.com/ILRecords

(c) 2016 Innovative Leisure

Hanni El Khatib - "Miracle"

taken from the «Selftitled» 10" EP
released 2013 on Sound of Salvation
http://salvationrecords.co.uk

Alles Was Wir Tun Ist Gemeinsam

Anika - In The City

Michelle Blades - Ring

An audio journey through Folkways and Smithsonian Folkways Recordings, 1948-2018, compiled by our Curator and Senior Archivist Jeff Place, it features 70 important releases in the history of the company.

https://folkways.si.edu/70stories

07 The Rainy Season; Rain Sequence With Crickets And Toads

04 Vera Hall - Black Woman

Shocked

Public Practice is reanimating the spirit of late ‘70s New York with their intoxicating  brand of no wave-tinged dark disco. The band came in hot with their punchy balance of punk, funk, and pop on the critically acclaimed Distance is a Mirror EP in 2018, paving the way for their highly anticipated freshman record. Now, after a year of intimate and experimental songwriting in their home studio, they have fleshed out the energetic, playfully oblique sound captured on their debut full-length Gentle Grip. 

Together, the foursome creates bold, slinky rhythms and groove-filled hooks that get under your skin and into your dancing shoes. The musicians’ unique chemistry and approach to songwriting is part of what makes their world so intriguing. Magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland, who were creative music partners for years prior to Public Practice’s formation, come to the table with an anarchic perspective that aims to eradicate creative barriers by challenging the very idea of what a song can be. Paradoxically, Drew Citron, on bass/vocals/synth, and drummer/producer Scott Rosenthal are uncannily adept at working within the framework of classic pop structures. But instead of clashing, these contrasting styles challenge and complement one another, resulting in an album full of spiraling tensions and unexpected turns.

Inspired by influential New York bands like Liquid Liquid and ESG, the foursome has a natural inclination toward music that sounds rough-hewn. “We were thinking about classic New York dance albums, and the thing that stuck out is that many sounded like they were recorded in less-than-ideal situations,” McClelland says. “There was always something about them that felt somewhat home-cooked.” McClelland has spent the past few years constructing a home studio with carefully chosen and occasionally hand-made equipment in an effort to recreate that “cobbled together” sound. As three quarters of Public Practice are engineers as well as instrumentalists, their collection of gear, combined with the recording rig McClelland built, allowed the band to record Gentle Grip largely at their own hybrid practice space/studio in Brooklyn. “Having a space and setup that is unique, you're always going to have more of a signature sound,” McClelland explains. They spent the better part of 2019 playing with sounds, riffing on McClelland’s demos, and recording a number of songs live to tape. Although a handful of sessions occurred in traditional recording studios, the band’s autonomy and ability to record themselves imbues their music with a sense of freedom and gives it a distinct character — a home-cooked sound that is purely Public Practice.

BUY LP/CD

Public Practice - Compromised (From the 'Gentle Grip' album out 5/15)

The Cool Greenhouse - The Sticks

I'm neither of these people, but I appreciate their enthusiasm for this covered bridge!
https://goo.gl/maps/9YrKwqh6558MzfQD6

Anika - In The City

Invada Records

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