Name: Mario Batkovic - Quatere by Invada Records in FabFlameOneHundredandTwentyEight
Duration: 6 min 14 s
Description: Mario Batkovic self titled LP to be released on Invada Records on all formats 17/03/2017

Went to  see your concert in Groningen this August. It was great to see you perform live.

wonderful creation, subtle sensitivity and atmosphere transmitted by the musician Mario... thank you

Devine.......Remember when Lagerfeld used to open his Couture show for Chanel...

FabFlameOneHundredandTwentyEight

Junip - Line Of Fire

The Big Dream (Moby Reversion Featuring Mindy Jones) 
Taken from The Big Dream Remix EP 12" on clear red vinyl. Out 19th April 2014 exclusively for Record Store Day. Limited to just 1000 copies worldwide.

Also features remixes from Hot Since 82, Bastille and Bjorn Yttling's, of Peter Bjorn and John, Jazz Remix.

Double a-side (45 rpm) track listing:

A I. Wishin' Well (Hot Since 82 Remix)
A II. Are You Sure (Bastille Remix)
AA I. The Big Dream (Moby Reversion Featuring Mindy Jones)
AA II. We Rolled Together (Yttling Jazz Remix)

The Big Dream Digital Deluxe Double Album and The Big Dream Super Deluxe Boxset are out now

http://davidlynch.com

Buy The Big Dream Super Deluxe
At Sunday Best http://www.smarturl.it/BigDreamSuperD...
Buy The Big Dream Digital Deluxe
At iTunes http://www.smarturl.it/DigitalDeluxe


David Lynch - The Big Dream (Moby reversion featuring Mindy Jones)

The David Lynch remix of 'Fuel To Fire' is available on the deluxe edition of 'Aventine'. Released October 6th.

Digital: http://smarturl.it/aventinedlxdigi 
2CD: http://smarturl.it/aventinedlxcd
2LP: http://smarturl.it/aventinedlxlp

"I loved doing this remix,” says Lynch.  “I was turned onto Agnes' music through my record label...I think she has a most beautiful voice and can do things with her voice that are unique and extraordinary"

Aventine (Deluxe)

Fuel To Fire (David Lynch Remix)

Zirka

More Info & Download: https://www.xlr8r.com/mp3/2016/06/oliver-coates-innocent-love/

@ollycoates
@prahrecordings


Download

Download: Oliver Coates - Innocent Love

The Knife - Marble house

Mario Batkovic self titled LP to be released on Invada Records on all formats 17/03/2017

Mario Batkovic - Quatere

Our friends over at INDIGENOUS are due major kudos for this Lovely Hearts Club addition. Ryan Karazija is the man behind Low Roar, who just released his debut, self-titled album this November. What perfect timing of this release, as it's so nice to have something a bit sad to put in the headphones on these cold, short days of winter. Ryan moved from San Francisco to Iceland and began writing this album as he found himself in a state of loneliness struggling to provide for his family in a foreign land. Anyone who as ever picked up and left a stable life in hopes of finding something new/better/different or just to escape from their past knows this feeling of despair, fear of the unknown, and hope of what's to come.

The brand spanking new video for "Give Up", (recently premiered via Prefix) depicts this image of self-reflection so beautifully and raw that it might just bring a tear to your eye. It's nice to be reminded that we are capable of feeling the melancholy brought on by Low Roar, and for that we are thankful.  So take a seat or lay down in your room with the lights dimmed and stream "Tonight, Tonight, Tonight". Then head to iTunes and pick up the whole album, you won't regret it!

Lovely Hearts Club Presents: Low Roar - Tonight, Tonight, Tonight

Led by Tenderlonious, Ruby Rushton deliver their second album for 22a fuelled by a love of Coltrane, Yusef Lateef, Fela Kuti, Slum Village and Sa-Ra. 'Elephant and Castle' roots their undeniable London sound in samba influences.

Read more & buy: http://www.stampthewax.com/2017/05/04/premiere-ruby-rushton-elephant-and-castle/
Listen on Youtube: bit.ly/elephant-and-castle

Listen on Youtube

Ruby Rushton - Elephant & Castle (STW Premiere)

EABS: 
www.facebook.com/ElectroAcousticBeatSessions
@eabs_eabs
www.instagram.com/eabs.pl

Astigmatic Records:
www.facebook.com/astigmaticrecords
@astigmaticrecords
www.instagram.com/astigmaticrecords
twitter.com/astigmaticrec

The growth in popularity of jazz music in recent years has been described as a renaissance or new chapter for the genre. Attracting new audiences has seen a growth in acclaim for international artists including Kamasi Washington & The West Coast Get Down collective or BadBadNotGood. This resurgence has also been felt within british jazz scene. Musicians such as Yussef Kamaal, Shabaka Hutchings, Ruby Rushton, Nubya Garcia or Moses Boyd have put a new stamp on jazz music by fusing elements of classic jazz with modern sounds. Polish septet, EABS applies a similar philosophy to their music, blending traditional Polish Jazz with sounds from other genres, thus creating a new and personal interpretation of modern jazz. 

EABS debut album entitled “Repetitions (Letters To Krzysztof Komeda)” is a dedication to Polish Jazz legend Krzysztof Komeda. This album is an analysis of conscientiously selected compositions by Komeda between 1962-1967. EABS explores some of Komeda’s lesser-known compositions featured in ballet etudes, movies, short films, documentaries, animations and compositions illustrating Polish poems recited in German. 

Carefully chosen compositions, the background of the movies for which the music had been written and Marek Pędziwiatr’s lyrics all add up to “Repetitions” being some kind of a concept album about the condition of the human soul in the 21st century. The questions one may ask might be similar to those which could have been asked by the artists witnessing post-war debris: will history come full circle? Lack of knowledge, flourishing idiocracy, aggression, aiming for conflicts, shortage of community spirit and love may lead to another doomsday. Perhaps we simply aren’t able to see the impending doom now… Just like in a poem by Czesław Miłosz, “A Song on the End of the World”, to which Krzysztof Komeda wrote “Waltzing Beyond”. 

EABS have created their unique compositions by employing an approach exercising the idea of “reconstruction from deconstruction” where sampling and looping are merged with jazz improvisations. The injection of hip-hop, jungle, funk, gospel and electronic music add a futuristic tone to the tracks. However EABS have made a conscious decision to ensure their nod to Komeda enables the spirit of the Polish Jazz to remain alive. Michal Urbaniak another Polish Jazz legend is the only guest on the album. His violin can be heard on the track “Free Witch And No Bra Queen/ Sult”.

EABS band:
Marek Pędziwiatr - piano, synths, vocal 
Vojto Monteur - guitar 
Paweł Stachowiak - bass 
Jakub Kurek - trumpet 
Olaf Węgier - tenor sax 
Marcin Rak - drums 
Spisek Jednego - turntables

EABS - Knowledge (Introdukcja Do Etiudy Baletowej)

Infinity

Alphawezen - Rain

Download 'Amnesia' Here - http://t.opsp.in/e02b7

DEAD CAN DANCE
NEW ALBUM ‘ANASTASIS’ OUT 13th AUGUST
FIRST RECORD IN 16 YEARS
ROYAL ALBERT HALL 26th OCTOBER
SHOW SELLS-OUT IN UNDER 48 HOURS

Dead Can Dance will release their new album ‘Anastasis’ through [PIAS] Recordings on 13th August. Available on CD, double LP and download, the album is their first since 1996’s ‘Spiritchaser’. The band, who embark on a world tour in August, have confirmed a show at the Royal Albert Hall on 26th October. Tickets for the show sold-out within 48 hours of going onsale. 

‘Anastasis’ track listing
1. Children Of The Sun 
2. Anabasis 
3. Agape 
4. Amnesia 
5. Kiko 
6. Opium 
7. Return Of The She-King 
8. All In Good Time 

On the cover of ‘Anastasis’, Dead Can Dance’s first album in 16 years: a field of sunflowers, ripened, and then blackened, by the sun, standing with sad, slightly crowned heads. Less dead than dormant, the heads and stems will one day be chopped, but then via the roots, will return. For ‘Anastasis’ is the Greek word for ‘resurrection’ and the seemingly dead will dance again. 

“I thought ‘Anastasis’ was a good title given our reunion,” explains Brendan Perry, who, with Lisa Gerrard, formed the band in Melbourne, Australia in 1981, releasing seven studio albums, and one live album, before going their own ways after 1996’s ‘Spiritchaser’. “’Anastasis’ also means ‘in between two stages’,” he adds. “Regeneration comes with the next season.”

‘Anastasis’ is perfectly apt given how the album is an astonishing regeneration of the legendary beauty, power and spellbinding nature of the duo’s unique sound and vision. Age hasn’t withered DCD, not the passing of the years; if anything, the album sounds bolder, stronger, more confident in its vision.. 

A Greek word to represent the album is equally derived from the music’s origins. While Perry can hear echoes of DCD past, “from right across our catalogue,” he reckons the core of Anastasis can be found, “slap bang” in the near-Eastern Mediterranean, from Greece and Turkey across to North Africa. “The music I listen to and research becomes both unconsciously and consciously part of a new project, and for this album, I’ve been fascinated by the classic immutable elements of Greek culture, the depth of their music and their love for song that you don’t get as much in the west; the way they combine philosophy and love songs, and throw a bit of science in there too. I love the eastern influence that comes from being a crossroads between east and west, the kaleidoscopic mosaic of those fused cultures, while the further west you go, the more it’s a mono-cultural society.

Perry says the duo have been talking about another album since Dead Can Dance’s world tour of 2005. But that extensive tour was exhausting, and the incentive was lacking, so it was put on the backburner until calendars could again be synchronised – not so easy since Perry lives in the centre of Ireland (the land of his ancestors), where ‘Anastasis’ was recorded (at Perry’s converted church studio Quivvy) and Gerrard lives in Southern Australia. Once upon a time, they left Melbourne for London, settling many floors up in a council block on the Isle of Dogs, putting whatever pittance they had into their music. 

Signed by 4AD and releasing their first album in 1984, the duo drew rapturous reviews for albums that spanned neo-classical and folk across time and geography, each album selling to a progressively larger audience, the emotional drama of their coming to the attention of the San Francisco ballet, Hermes Perfume and a documentary on Hitler and Stalin; likewise motion pictures such as Heat, The Crossing Guard and Baraka. Gerrard developed her own solo film soundtracks - The Gladiator and The Insider, for example – while Perry worked on solo albums such as 1999’s ‘Eye Of the Hunter’ and 2008’s ‘Ark’. The pair dissolved their physical relationship in the early ‘ 90s but something keeps them together – a bond of deep friendship and musical compatibility and understanding, and so Anastasis is born, and Dead Can Dance regenerated. 


Anastasis

Dead Can Dance - Amnesia (Radio Edit)

<b>SARAH NEUFELD</b>, "Hero Brother"
from <i>Hero Brother</i>
Release date: 20 August 2013

http://sarahneufeldmusic.com/
http://cstrecords.com/cst095

Mario Batkovic - Quatere

Invada Records

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