Name: Bluest Nile by Invisible Squirrel in Showcase Tracks
Duration: 4 min 42 s
Description: I wrote this track asking what it would be like if Paul Buchanan jammed with a few guys in Philly on a decent Grand Piano. One take on the piano after vibing for a few hours.

I demand you bob your head, human

All the remixes I've done for others and a lot of my stuff too

Showcase Tracks

Sonder

Nicholas Bloody Parsons

Bound By Feathers

This will be the opening track of a mixtape coming out late 2023

Back to 95

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Closing track on the BACK TO 95 Mixtape

A celebration of filters, noise and big beats

Nice Migraine

Dead Gunna

Ruhi is a Muwashah by Iyad Mohammad based  performed by Zina Asfour on the piano, Hala Hachem (Soprano), Cag Ercag (Cello), Halim al Khatib(qanun)and Fadi Yaacoub on percussions.
Recorded at ITU in Istanbul with music director Peter Snapper. Music mastered and edited at Sequenza studio Paris.
This Project was sponsored by The Arab Funds For Arts and Culture (AFAC)

mastered

Ruhi Muwashah By Iyad Mohammad

https://www.australianmusiccentre.com.au/product/our-duty-to-care-song-cycle-for-soprano-piano-trio

Our Duty to Care is a cross-disciplinary music composition based on the legal case Sharma v Minister for the Environment [2021] FCA 560, where eight Australian teenagers (namely Anjali Sharma and Isolde Raj-Seppings, Ambrose Hayes, Tomas Arbizu, Bella Burgemeister, Laura Kirwan, Ava Princi & Luca Saunders) represented by an octogenarian nun (Sister Marie Brigid Arthur) as their litigation guardian, sued the Minister for the Environment (Cth) and Vickery Coal Pty Ltd.
They successfully argued that the Minister owed them and other Australian children a duty of care, which was supposedly breached when the Minister approved the extraction of coal from a coal mine.

Whilst this decision was later successfully appealed by the Minister, this case monumentally established that climate change is legally real – with all submitted scientific evidence un-refuted. This denotes a significant shift, as we are no longer fighting to prove our climate crisis, but rather urging all to fight the crisis itself.

This work sets newly commissioned text by poet, close friend & regular collaborator Savanna Wegman, who has re-interpreted my own legal research about the case into a 3-part poem, which has in turn structured the song cycle. It embodies climate anxiety, the nervous excitement of the trial and its success, and the melancholic yet hopeful transference of ideology: how far we’ve come & how far we still have left to go.
Composed as part of and made possible by a 2022/23 University of Melbourne Wattle Fellowship.

Timing: ~ 18 minutes 
1: Robed in Apocalypse (~6min)
2: they will rise, as birds fall (~5min)
3: The Changing Wilds (~7min)

Written for Bridgette Kelsey and Solstice Trio. Dedicated to all current and future generations of Australians who inherit a climate crisis. 

Bridgette Kelsey, soprano
SOLSTICE
Isabel Hede, violin (guest)
Stephanie Arnold, cello 
Georgina Lewis, piano

Commissioned Cover Art Illustration © by Lucinda McIntyre.

Commissioned Sext Text: ‘Prophecy, as a fire comes’ by Savanna Wegman © 2022 
Text used for 1: Robed in Apocalypse:
No more prophecy 
until the sky begets a softer 
Everlasting sun 
or
the youth unravel 
braided darkness
rushing innocence
all over Earth 

Shadows designed 
for our tired birth places
ghosting the new life 
upon babbling breaths  
 
And so the young are born 
New guardians 
Robed in 
Apocalypse

Text used for 2: they will rise, as birds fall:
Know they will rise
As disappearance is written  
on ancient weather 
become beast
She watches above 
as birds fall 
out of the mother sky 

March into the high courts 
of creators and destroyers
Anjali Sharma and the army 
                  Future keepers
Enter this laced arena 
burning horizons in their bellies 

The Minister surveys the gravity
how deep we may breathe
how quickly we will fall
when the Earth veins split 
and the sanctuary howls 
at its open flesh  

The weather sounds like a whisper 
in these walls that stand for justice 
Lay down a pocketful 
of bird bones
of poison oceans

Text used for 3: The Changing Wilds
They speak for the
forgotten
Their ancestral home-body
Their drowning, burning worlds
for their lands that have lost hope 
together their voices are louder
Becoming suns
Becoming rains 
Becoming rivers multiplied 
Becoming the skyward call 
of protection 

this call
Is honoured
the duty of care rewritten
A first for acknowledging
the changing wilds

Evidence now held
in palms that believe in
collapse
and might begin to
listen
Blessing the horror 
with a soft breath of courage 

Remember how
young sacred tears 
are greeting Earth 
like miracle seeds

Our Duty to Care (LIVE)(song cycle for soprano & piano trio)(2023)(Bridgette Kelsey & Solstice Trio)

Buzz

2023 Remix - From the album The Escape, this track is aimed to meet the cadence of the average runner of 135bpm. A track that shifts between punk and big beat genres, always evolving and never standing still.

Run It Down Again

I wrote this track asking what it would be like if Paul Buchanan jammed with a few guys in Philly on a decent Grand Piano. One take on the piano after vibing for a few hours.

Bluest Nile

A soundscape of old fabrics and forgotten buildings been ruined due to acid rain, breaking down stone, metal and flesh...
Included in the official Lambmother's EP "Black Rain", also available on:
Apple Music / iTunes: https://itunes.apple.com/us/album/black-rain-single/1259979793
Spotify: https://open.spotify.com/album/591t0j6QiBRauGu72vrYel
Bandcamp: https://lambmother.bandcamp.com/album/black-rain

Black Rain

Buy Track

Mathew Pelton - drums
Cindy Gooden - moral support

Listen on Spotify!

Henry

I am the squirrel your dog cannot see. I release my own tracks and do remixes for awesome bands. Keep the beats BIG! BandCamp New and Notable with "Chief and McMurphy" August 2022 and also "The Escape" March 2023
Born June 2021

Bluest Nile

Invisible Squirrel

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Christian S

✨6Carfeli6🤟

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