This fills me with that warm cruchy feeling, all in that, that is my love of the Zu

Holy Crap! ...........Killer! I hate to compare...but i sense you are a mr.bungle fan...

shit! sorry mike...almost a stupid question.

Playlisted: https://soundcloud.com/plus1pete/sets/plus-one-magazines-february

that's a headbanger, dude:)....neckbreaker:)

Awesome - Alternative

Treat Em Right

Treat Em Right (Boards of Canada Remix)

Treat Em Right (Boards of Canada Remix Instrumental)

 For over fifteen years, ZU's modus operandi of straddling and abusing musical genres has resulted in over fifteen unique album releases across labels such as Ipecac, Atavistic and Headz (Japan). Their experimental amalgam of metal, math, no-wave, noise and electronics, led acclaimed composer John Zorn to describe their sound as "a powerful and expressive music that totally blows away what most bands do these days".

  In the running for the title of 'the world's hardest working band', ZU have performed over 2000 shows throughout Europe, US, Canada, Asia, Russia, Mexico and even Africa, touring with the like of Mike Patton (as the Zu/Patton quartet), also sharing the stage with Faith No More, Fantomas, The Melvins, Lightning Bolt, Sonic Youth, The Ex, and countless others. They have also collaborated with a vast number of musicians including Mike Patton, The Melvins, Dälek, Jim O' Rourke, FM Einheit (Einsturzende Neubauten), Peter Brötzmann, Nobukazu Takemura, Eugene Robinson (Oxbow), Steve MacKay (The Stooges), The Ex, Thurston Moore, Stephen O Malley, Damo Suzuki (Can), Mats Gustafsson, NoMeansNo, Joe Lally (Fugazi). 

  Five years since their last full length on Ipecac, the critically acclaimed Carboniferous, and following a three year hiatus, ZU returned in May 2014 with the release of a brand new EP, Goodnight Civilization (Trost Records) and with a line up change that introduced the mighty Gabe Serbian, best known as the drummer for the legendary Californian band, The Locust.

  In March 2015, ZU are preparing to release a brand new full length via Ipecac Recordings, entitled Cortar Todo, and recorded in the countryside near Bologna, Italy, in the summer of 2014. The album features some very special guests including keyboard player Joey Karam (The Locust), Italian guitar maverick Stefano Pilia (who plays regularly with the likes of Mike Watt, David Grubbs and Rokia Traore) and perhaps most unexpectedly, a field recording of an indigenous Shipibo medicine man recorded by Massimo during his travels around the Amazon. 

  Cortar Todo reveals new dynamics from the band, the album is more direct, sharp, focussed, and more intense and musical than anything we have heard from ZU so far. Check out the artwork and track listing below.

Zu - Rudra Dances Over Burning Rome

Linn drums, synthetic percussion / restless architecture / upbeat and haunted / part-hallucination, part-party for one in a bunker / put a record on, conjure presences. 

BUY HERE:
Bleep – http://smarturl.it/hinterland-bleep
iTunes – http://smarturl.it/hinterland-itunes 
Amazon – http://smarturl.it/hinterland-amazon
Google Play – http://smarturl.it/hinterland-play

Hinterland

BUY HERE

Bunkerpop

From the forthcoming album "Salome", available everywhere April 7th, 2015 via Sargent House

Marriages - Skin

Order the issue of Decibel containing this PALLBEARER flexi disc here: http://store.decibelmagazine.com/collections/back-issues/products/april-2015-126

Pallbearer - On Tour:
Feb-21 Little Rock, AR - Rev Room
Mar-20 Fayetteville, AR - Lightbulb Club
Mar-23 - Hot Springs, AR - Valley of the Vapors
Mar-27 - Los Angeles, CA - The Wiltern *
Mar-28 - San Francisco, CA - Regency Ballroom *
Mar-29 - Portland, OR - Roseland Theater *
Mar-30 - Vancouver, BC - Commodore Ballroom * 
Mar-31 - Seattle, WA - Showbox Market *
Apr-02 - Salt Lake City, UT - The Complex * 
Apr-03 - Denver, CO - Summit Music Hall *
Apr-04 - Lincoln, NE - Bourbon Street *
Apr-05 - Minneapolis, MN - Mill City Nights * 
Apr-06 - Chicago, IL - House of Blues *
Apr-08 - Toronto, ON - The Phoenix *
Apr-09 - Montreal, QC - Metropolis *
Apr-10 - Boston, MA - Royale *
Apr-11 - Philadelphia, PA - Union Transfer *
Apr-12 - New York, NY - Webster Hall *
May-15-17 - Santa Ana, CA - Psycho CA
May-20 - Berlin, DE - Kantine am Berghain
May-21 - Prague, CZ - Klub 007
May-22 - Koln, DE - MTC
May-23 - Utrecht, NL - Le Guess Who
May 24 - Brussels, BE - AB Club
May 25 - Paris, FR - Social Club
May-26 - Schorndorf - Club Manufaktur
May-27 - Zurich, CH - Rote Fabrik
May 29 - Barcelona, ES - Primavera Sound Festival
May-31 - Bristol, UK - Temples Festival
June-1 - Glasgow, UK - Broadcast
June-2 - Birmingham, UK - The Oobleck
June-3 - London, UK - 100 Club
June-11-14 Manchester, TN - Bonnaroo
July-2 - Roskilde, DE - Roskilde
July-11 - Erfurt, DE - Stoned from the Underground
 
* Decibel Magazine Tour w/ At The Gates, Converge, Vallenfyre

Pallbearer "Fear and Fury" (dB052)

Totally forgot I made this. Haha.

2010/11

https://shootmanyrobots.bandcamp.com

Get The Hell Off My Land

The self-titled debut for the trans-Atlantic project Split Cranium was a ferocious homage to Nordic d-beat masters like Terveet Kädet and Anti Cimex. The album’s no-frills barrage of charged hardcore might have been a little orthodox in its blitzkrieg riffage, stampeding pace, and gravel-throated ire, but its straightforward approach was an unexpected departure for bandmasters Aaron Turner and Jussi Lehtisalo. While Turner has hinted at an affinity for crust classics in the base misanthropy of Old Man Gloom and Lehtisalo toyed with peace punk aesthetics on Circle albums like Panic, neither musician has ever done such a faithful approximation of a pre-existing sound. But for two artists with extensive catalogs of challenging and groundbreaking music to take a stab at working within an established framework was, in its own way, an exhilarating middle finger.

Six years later, Split Cranium returns with their sophomore album I’m The Devil and I’m Okay. Turner and Lehtisalo waste no time establishing their new mission statement, opening the album with Popol Vuh-inspired keyboards by Faith Coloccia (Mamiffer, Mara) that saturate the ruthless reinterpretation of the Discharge template on “Evil Hands”. The contrasting breaths of sublime ambience serve to highlight the savagery abetted by bassist Nate Newton (Converge, Doomriders, Old Man Gloom) and Tomi Leppänen (Circle, K-X-P), making I’m The Devil and I’m Okay simultaneously more sonically rounded and more visceral and vicious. “We wanted to make a record that was less straightforward than the first one,” Turner says of their method. “Jussi loves melody and I love dissonance and noise, so that is probably the healthy creative contrast that made this record what it is.”

While Split Cranium continues to be driven by the blazing guitar malaise of Lehtisalo and the harrowing bellows of Turner, the melodic counterpoint provided by Newton on “Wet Shadow”, the ethereal vocals summoned by Coloccia on “Ingurgitated Liquids” and “Death Bed – The Yellow Room”, and the squalls of white noise on “Whirling Dusk” are a but a few of the components that knock I’m The Devil and I’m Okay off the axis of traditional d-beat hardcore. The strongest records in the anarcho-punk canon have figured out ways to inject melody or push extremes without diffusing their punch or diminishing their hooks. Split Cranium retains the principal components of speed and vitriol while expanding their frequency spectrum into realms of both beauty and sheer ugliness, making I’m The Devil and I’m Okay a white-knuckle headfuck in a realm of sterile imitations.

iTunes

Split Cranium - Evil Hands

Spotlights, the Brooklyn-based trio who released their Ipecac debut, Seismic, late last year, return with Hanging By Faith, a five-song EP featuring remixes from Void Manes and ISIS/Palms’ Aaron Harris.
 
The band is streaming the song “The Hanging (Hang Us All) Kris Dirksen Remix,” which can be heard here: http://smarturl.it/HangingByFaith. Pre-orders for the collection are available at the same link and include an instant download of “The Hanging (Hang Us All) Kris Dirksen Remix.” The fifth song on the album, “Faith,” is a cover of The Cure classic.

Spotlights venture overseas for a 15-date European tour later this month, with the trek including the outfit’s debut Roadburn performance. The band plays a hometown, record release show at Brooklyn’s St. Vitus on June 30. Toby Driver (Kayo Dot) and Somnuri open.  
 
Tour dates:
 
April 20  Munster, Germany  Gleis22
April 21  Liège, Belgium  Kultura/Insert Name Festival #4
April 22  Tilburg, The Netherlands  Roadburn Festival
April 24  Hamburg, Germany  Molotow
April 25  Copenhagen, Denmark  KB18
April 26  Dresden, Germany  Katy’s Garage
April 28  Graz, Austria  PPC
April 29  Wien, Austria  Arena
April 30  Cadca, Slovakia  Acafe
May 1  Budapest, Hungary  Robot
May 2  Cluj-Napoca, Romania  Form Space
May 3  Timisoara, Romania  Reflector
May 4  Zagreb, Croatia  Klub Mochvara
May 5  Luzern, Switzerland  Neubad-Keller
May 8  Bern, Switzerland  Rossli
 
June 30  Brooklyn, NY  St. Vitus Bar

Hanging By Faith

The Hanging (Hang us all) Kris Dirksen Remix

Ipecac Recordings is the brainchild of Greg Werckman (former label manager for the legendary punk label, Alternative Tentacles, employee for Mercury Records for a record 15 minutes, currently operating Pick-A-Winner Management) and Mike Patton (former frontman for Faith No More, Mr. Bungle, currently of Fantômas, Tomahawk, Peeping Tom).

Werckman and Patton had been scheming for years (in between video games) about starting their very own label, waiting for just the right moment to unleash their master plan. Ipecac Recordings is not about to make music biz history and execute a revolution (although one is surely needed) or bore you by waxing poetic about their original musical philosophies. But if we have to adhere to a "mission statement," how about the notion of being an honest, artist friendly label run on a shoe string with no outrageous promotional or production costs. This label is a home to Mike Patton's eclectic musical collaborations as well as a place where bands we admire have the freedom to release music they might not be able to, or want to, release on other labels.

Zu - Rudra Dances Over Burning Rome

Ipecacrecordings

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