I loved the vocals, and this was just really catchy and enjoyable!!

Sounds fantastic! Love it! This is Groovy

Nice work frfr it’s very nice and different

nice cute vocal. real pop vibe. good tempo.

Let's Overcome And Chain Our Tremors

Love me Blender

Lost - SAtFivE
Pop, Electro, New Wave, Disco
05/28/2025, Lost was ranked the best song in the RepostExchange rankings across all categories. A huge source of pride, thank you! 😯😯💯💯💥💥🙏

Lost

Afraid For Love (maxter)

Ce titre, avec ‘J’VEUX SURTOUT PAS’  et ‘INFIDÈLE’  fait partie de la trilogie ‘des amours tumultueux’ du micro-album PHONOGRAPHE de MCDC. Un des amoureux, à répétition,  s’est mal occupé de l’autre et  se retrouve,  depuis un an, séparé et seul à pleurer sur son sort dans le Pub des regrets,  où, en  couple, ils aimaient bien aller siroter un verre.

This title, with 'JE VEUX SURTOUT PAS' and 'INFIDÈLE', is part of the 'tumultuous love' trilogy from the EP PHONOGRAPHE by MCDC. One of the lovers, repeatedly, took poor care of the other and has been left alone, separated for a year, to cry over his fate in the Pub of Regrets, where, as a couple, they liked to go and sip a drink.


PHONOGRAPHE

Au Pub des regrets

Ce titre, composé en collaboration avec Myckaël Marcovic (paroles)https://soundcloud.com/myckael-marcovic/tracks, se veut un hymne à la liberté. Le refrain, à lui seul et magnifiquement écrit,  nous permet de comprendre l’essence du propos de ce titre et de ce que veut  dire le mot liberté. La musique, un peu rock, est allégée par des vents qui rappellent les belles années du groupe Chicago.
REFRAIN :
On n’emprisonne pas le vent…    venant de l’ouest ou du levant.
J’ai toujours été arrimée… aux ailes de la liberté.


This title, composed in collaboration with Myckaël Marcovic (lyrics), is intended as an hymn to freedom. The chorus, in itself and beautifully written, allows us to understand the essence of the purpose of this title and what the word freedom means. The music, a bit rock, is lightened by winds that remind of the beautiful years of the group Chicago.
CHORUS:
We can't imprison the wind... coming from the west or the 'levant' (french word for east, sunrise).
I have always been anchored... to the wings of freedom.






Musiciennes et musiciens :
Marie-Christine Tremblay : vocal
Myckaël Marcovic : Paroles
Denis Caouette : musique et arrangements, guitares, back vocals et programmation.
Marlène Claveau : Sax Alto
Michel Otis : Sax ténor et piano
André Lessard : Trompette
Martin Tremblay : Trombone
Frank Corneau : Basse
Jérôme Vandal : Batterie
Martin Larose (Studio Septentrio) : Réalisation

SI TU VEUX SAVOIR
A Dominique Briand
Myckaël Marcovic, le 28 juin 2020


Si tu veux savoir qui je suis
Suis les saisons, suis la rivière
Qui chante et danse dans son lit
Se riant des vaines colères.

Si tu veux savoir qui je suis
Essaie de suivre ce nuage
Qui a toujours la même envie
De caresser des paysages.

Si tu veux savoir qui je suis…    écoute le vent de la mer
Gonflant les voiles de ma vie…         pour une école buissonnière.

                                               
On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté

Si tu veux savoir qui je suis
Regarde encore dans ton miroir
Pour y retrouver l’utopie
Le cœur ardent de mon espoir

Si tu veux savoir qui je suis
Il te faudra de la patience
Car jamais mon cœur ne frémit
Pour ceux qui manquent d’élégance 

On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté…         

…aux ailes de la liberté…                     aux ailes de la liberté…


Si tu veux savoir qui je suis
Écoute le vent de la mer
Gonflant les voiles de ma vie
Pour une école buissonnière

On n’emprisonne pas le vent
Venant de l’ouest ou du levant
J’ai toujours été arrimée
Aux ailes de la liberté…
 
Maintenant tu sais qui je suis
Comme un bateau mi-eau, mi-air
Pleins de rêves inassouvis
Mais qu’aucun port ne pourra taire

Nannanananananana !

On n’emprisonne pas le vent…              on n’emprisonne pas le vent…

Si tu veux savoir

An instrumental rock track, progressive rock.

Glass Reindeer

Southern Exposure

Can you feel your heart beating in anticipation?

Affair of the Heart

This is a reworking of a older folk song of mine as rock and roll.  I think it works better like this.

Lyrics:

Verse 1:
Looked mighty fine, couldn't help but see
How bout that? she's looking back at me
Ignorant, lonely, I was all of that stuff
She smiled at me, that was enough
We gave it time, we had some fun
Decided she should be my only one
Screwed up my nerve, decided to ask her
Knew that we'd be happy         ever after

Chorus:
I couldn't have been more mistaken
I was travelling a road I never should have taken
it's my own damn fault that my heart is breaking
I'm Never going to do it again

Verse 2:
Fake it 'till you make it, they said to me
Never pass up an opportunity
The point of the process is how much you can make
It's a zero sum game a little give a lot of take
Get a lot of money then make a little more
After all it's only a way of keepin' score
Gonna find  my happiness in wealth and fame
Going figure out the rules of the game

Chorus:
I couldn't have been more mistaken
I was travelling a road I never should have taken
I see what I did and my confidence is shaken
I'm Never going to do it again

Bridge:
Mistakes are made
Life's like that
but mostly we recover 
we find our way back
But you never know
if one day or another
we'll screw up so bad 
we never recover

Verse 4:
Uncovered this stuff, burned real good
Used it to power anything we could
It looked to be something that could satisfy
A hunger for power that would - never run  dry
All we had to do was drill and dig
Power would be cheap, profits would be big
We'll never have to worry about expenses
Cuz there'd never be any consequences

Chorus:
We couldn't have been more mistaken
We're travelling a road We never should have taken
it's our own damn fault that our world is breaking
We're Never going to do it again


Couldn't Have Been

Captivity is not about heartbreak — it’s a chilling descent into real psychological imprisonment. Identity is stripped away, reality rewritten, and freedom itself begins to feel dangerous.

Drawing on captivity trauma theory, Stockholm Syndrome, and behavioral conditioning, Exzenya transforms her voice and production into a cinematic portrait of control and isolation. The track opens with a haunting reinterpretation of the folk refrain “Down in the valley…” delivered in a rare, resonant low vocal, paired with hollow wind that feels like a broken transmission through an old radio. From there, the song builds into a dark, minor-key arrangement where vocals climb into plaintive highs, mirroring the push and pull of despair and yearning.

Captivity isn’t just a song — it’s a haunting story set to music. Opening with the ghostly echo of “Down in the valley” and a chilling wind, Exzenya pulls listeners into a dark world of isolation and control. Her deep, resonant lows and emotional highs make every line feel like a cry from the inside of a locked room. Cinematic, eerie, and unforgettable — this is storytelling that feels like a film score trapped inside a pop song.

FFO: Billie Eilish, Halsey, Aurora, Lorde
Tone: Dark, haunting, emotional, surrendering

Captivity

My Hair

Dear London

https://music.apple.com/us/album/work-hard-feat-jordis-too-pretty-for-radio/1848016751?i=1848016752
https://open.spotify.com/track/6VoxS9gCOK4HErrTAZr5rk?si=495e65c3a0eb48da

🎡Live On Spotify "Work Hard" - Collab w/ Too Pretty for Radio

rock instrumental … builds to a "big&deep" guitar sound

rockon2018

a state of grace

BLUES - MOTHER OF SWAMP CITY
Tim Sanders - Guitar 
Ron Snyder - Bass & Drum Arrangement 

Tim Sanders.
https://soundcloud.com/user-486905636


Sanders & Snyder - The Six Foot Rule Blues (Instrumental)

IR1S (Intelligent Recognitive Integrated Sound) is an alternative band electronic music project where the central characters in every song are women. Each track tells a story, explores a social issue, or expresses a thought from the perspective of these protagonists, weaving together elements of both fictional narratives and real-life experiences. Drawing inspiration from strong women in literature, cinema, and dystopian worlds, IR1S creates a unique soundscape that blends powerful storytelling with evocative electronic beats.

Afraid For Love (maxter)

IR1S

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