Ohh I like the way her voice sounds 💯💯

Haha. I’m sure I’ve already reposted this once! The Melody Is infectious and the instrumentation beguiling  but the lyric lifts it somewhere else!  Ha ha!

The Awesome Awesomest

Do You Need Me Tonight (2025)

I don’t know if I’ve actually heard electrofunk before. I thought it was funk with electronic characteristics but it’s actually electronic music with funk characteristics. This uses my city pop beat that I studied online (down to what color were the accents). So I guess it could be electro disco.
I think it’s minor bebop on the lead for the intro. Standard chord progression with superimposition with the effects. Half of them from Logic worked. We have the 1st instance of ‘cowbell’ in a song of mine.  The reappearance of pair triads for synth in chorus as well as slap bass. Then, in a blink and you’ll miss moment my signature sound! Hendrix has the E7#9 and some producers shout their name at the beginning of songs. So I could technically play a E7#9 and shout my name. Double the signature sound. No, what I did was 3 scratches-note-2 scratches-note -1 scratch-note. Tada. I call it the ‘countdown’. It’s probably been done before but I wanna make it my own thing (by repeating it more times in other songs). Then, a horn section  just superimposes itself over the same chord progression. It’s the first time I’ve successfully made a legato run on a horn section sound good. In time for the upcoming Bond theme.  I came up with it the same way as the string section for Cold Cold Storm. It appeared in my head and I took out my phone and went ‘and the strings shall go like dum dum dum’. So typical part came when I was sitting at Annies and they were playing some lounge. It reminded me a bit of ‘So Beautiful’ by Pete Murray. So I wrote the rest of it in a singer-songwriter style on my guitar and changed the vocal phrasing to make it less Pete Murray. Then, I came up with the rest of the chorus and asked myself what did it sound like later. 'well it’s only natural' is very similar to ‘will you still love me when’. Lana Del Rey is one of my sisters’ fave artists (or was). The last chorus is def danceable. Last revision I would ask the mixer to do is to increase the volume for backing parts for ‘in human form.’ 

I do remember singing it to someone and changing the lyrics to ‘I Will still love you when’.  It is both too easy and too hard. Too easy cos’ “I got a good (heart) memory remember?” “Threats heard Jer but not nearly as bad as semen in your wanton soup.” True story.  The last page of Fight Club it’s real waiters saying, “Margaret Thatcher has eaten my cum twice.”
Please tell everyone what you really think of waiters and black people. Btw, since you’re so righteous I’m gonna help you out here. At which point you might doubt why I would want to help you but believe me. Keep your mouth shut and don’t answer the question. No really, I’m trying to help you. I know how much you care about your hygiene. In fact it might be the only thing you care about. And, you were just born like this. So getting screwed over when you go eat take out and you do eat take out a lot wouldn’t change your opinion on waiters. 
Waiters all over the world: what was it?
Not telling you. You wouldn’t be offended if a person with below average IQ walked in and said, “waiters sucked” so just treat her like the village idiot she is. 
Also too easy in that I could just conjure up all of your childhood trauma that was done by daddy. 
Too hard in the sense that she’s already dead inside. That is a direct quote. 
*begins standup*
Now  if we were the last 2 human beings on earth I wouldn’t do it with you. Why? Just imagine those aliens in their spaceships laughing their asses off at me going, “and that is the moment that idiot stuck his dick back in and doomed the human race to extinction. Note the look of sheer self disgust on his face. Thus, beginning a new species known as homo narcissus.” I am a man of my word but ‘friends’ take the piss out of each other all the time!




So Typical

SNTRA/89

☠️ Poisonous Venom is a gritty reminder to keep your eyes wide open—especially on SoundCloud and in real life. 🐍 This track is all about watching your back and knowing that not everyone around you is solid. Originally Inspired by a hauntingly raw beat from the incredibly talented Kinelle Man, who originally titled it “Eyes in the Back of Your Head”—that concept alone sparked the whole chorus and energy for this joint. https://on.soundcloud.com/YcCbKErRiwCzFO5Qa7

Big salute to Kinelle Man for the inspiration, and mad love to all the other dope producers I’ve had the pleasure to work with:
God of Headnod, Butch Brownstone, DKODA, Eweezy, V. Nebula, Nu-Clear-Hodge, Weatherman XXL, Jay Coke, Burnseych7, MJBEATS, st. bird, Linkrust, RaimosS MaximouS and Beekool—y’all the backbone behind the sound.

Salute 🫡✨🎧🎶—stay sharp, stay real, and keep those eyes open.💯

Attention ‼️‼️‼️

Decided to post back up the original version of Poisonous Venom with V. Nebula’s beat—after really sitting with it, I felt the flow hit more naturally. The BPM on Kinelle Man’s version was just a bit too fast once I tried laying the vocals back over it, even though it was originally intended for his track.

Big love and major respect to both V. Nebula and Kinelle Man—two incredibly talented producers who both brought 🔥 to the table. This was an honest mix-up on my end, and I truly appreciate everyone’s patience and understanding.

Please be sure to show love to both producers, because they both helped bring this track to life in powerful ways.

Thank you all for your continued support and love 💕
More to come—stay tuned 🎶💯

Poisonous Venom (Prod. V. Nebula)

Black Petals is about staying strong—even when life feels too heavy to carry. This track dives deep into some of the darkest moments I faced growing up, the kind that nearly broke me. But it’s also a reminder: there’s still beauty in the struggle. 🌑🌸

This beautiful beat was produced by the incredibly talented Eweezy, someone who’s believed in me since day one. He saw something in me I hadn’t even discovered yet—and for that, I’m forever grateful. 🙏🏽

Fun fact: The male adlib you hear in the second verse is my real brother—someone who literally saved my life when I no longer wanted to be here. Love you big bro… always. 🖤

Black Petals (Prod. Eweezy)

Sometimes the strongest people are the quietest.
This song is a voice for the ones you don’t always see, the survivors behind the smile, the ones still standing after everything tried to break them.
It’s not just a song... it’s a reminder to look closer, care deeper, and never underestimate quiet strength. 💔🫶🌙
If you know someone like this, let them know.
They're still here. And that means everything. 💜

****Lyrics****

I’ve met them.
I’m one of them.
The quiet survivors.
The ones who walk through life like nothing’s wrong,
but they’re holding themselves together with threads.
This song is for them.
And for you, so you don’t miss what they carry.

They hide the worst of it behind a tired smile
Say, “It’s nothing,” when it’s everything, but that’s their style
They walk through fires no one sees, and still they care
They’re breaking in a room full of people unaware

And you don’t know
The weight they carry as they go
But I’ve seen the nights
They lose the fight
And still, they breathe

Their scars tell a story
They’re the pages that pain couldn’t burn
Every line a war they survived
Every mark a truth they earned
You might think they’re shattered
But there’s strength in every piece
They’re not weak, they’re not broken
They’re just, healing, underneath

They whisper cries so no one else will hear
Hold the world together, even drowning in their fear
They give their love, even when none comes back their way
And still they show up, still they hope, every day

And you don’t see
How hard it is just to be
But I’ve watched them stand
With shaking hands
And still, they give

Their scars tell a story
They’re the pages that pain couldn’t burn
Every line a war they survived
Every mark a truth they earned
You might think they’re shattered
But there’s strength in every piece
They’re not weak, they’re not broken
They’re just, healing, underneath

You don’t see the nights they cry into their sleeve
Or how brave it is to simply, still believe
You pass them in the street, at work, at home, each day
Smiling, helping, laughing, while their heart slips away

You might think you’d recognize someone who’s barely hanging on
But survivors don’t always look broken
They look like parents, friends, coworkers, kids
They look like people you love

So pay attention
Ask gently
Listen longer

Because some people are fighting for their lives
Behind quiet eyes and steady hands

And if you see someone like that, really see them,
Remind them,
They are a survivor
And that, is something to be proud of

Behind Quiet Eyes

short melodic techno track that speaks without words about speechlessness.

nowords

In the Darkness of the Night in Wicked City... You see her again... Midnight...  Feeling deep genuine emotions, you can't hold back anymore! (Outrun, Retrowave)

Love In Darkness

Liquid Eyes is no ballad.
It drips — not with melody, but with pressure. With a tension that creeps just beneath the surface, too viscous to cry, too volatile to hold.

This track isn’t tender. It pulses. It seethes.
Somewhere between body music and psychological glitch, it captures the moment where a system overheats — and you can’t tell if the burn is inside or out.

This isn’t emotion. It’s exposure.
Not a breakdown. A transmission.
From a place that doesn’t care if you feel — only that you listen.

Liquid Eyes

Like the Track? Click the [Repost] 🔁 button so more people can hear it!

Lyrics:
In the hush of midnight’s dreary veil
Where shadows whisper, weak and frail
A tapping stirs the silent air
A fleeting guest—yet none is there
Only echoes, soft and bare
Murmur low, “No more, beware.”

In bleak December’s fading glow
Each ember casts its ghostly show
I seek to flee the sorrow’s sting
A name unspoken, lost to spring
Her radiance dim, no angels sing
Forever gone, no offering

The curtains sway, their silken cry
Ignites a dread I can’t deny
My heart, it pounds, repeats the plea
“Some stranger knocks, it must be thee.”
But darkness greets my opened door
A void that whispers,“Nevermore.”

Deep in that black, I stand and peer
Dreams of mortals quake with fear
The stillness holds no fleeting sign,
Save one soft word, a faint design.
Her name I breathe, the air’s reply
A shadowed echo, cold and sly

The raven comes, with stately grace
No bow, no pause, it claims its place
Above my door, its eyes like flame
A lord of night, without a name
Its voice, a blade, cuts through the lore
One word it speaks:“Nevermore.

So leave me now, this shadowed fiend
Your cursed word has torn, has leaned
Take back your plume, your lie, your sting
And let my heart no longer cling
Yet still you sit, unmoved, severe
Your shadow binds me—ever here

NeverMore

This is my first Afro House mix for your parties, Clubs, dancefloors, or just in your very own house, anywhere you play it, PLAY IT LOUD!!!

Afro House Da Long Wayyy

Sounds of the Void

This song was inspired by a wonderful beach day. I hope it captures summer energy. Have a wonderful rest of your day. thank you so much for listening (:

Sway with me

'Lenses of The Soul' is a raw, progressive, psychedelic, synth laden track… driven by acoustic, rock-style, percussion, and pitch-gliding, low-end synth bass. 

Featuring the profound, lyrical, and philosophical sounds of IAMDevante’, with a rousing, yet soulful, spoken-word rap, tempting you into a trip… through the Lenses of The Soul…

Check out IAMDevante' on instagram :

https://www.instagram.com/iam.devante_?igsh=MThycTYwb3p2dDY4dg==

@iam.devante_

Lenses of The Soul (ft. IAMDevante’)

suninyoureyes

IR1S (Intelligent Recognitive Integrated Sound) is an alternative band electronic music project where the central characters in every song are women. Each track tells a story, explores a social issue, or expresses a thought from the perspective of these protagonists, weaving together elements of both fictional narratives and real-life experiences. Drawing inspiration from strong women in literature, cinema, and dystopian worlds, IR1S creates a unique soundscape that blends powerful storytelling with evocative electronic beats.
For information write to the new management "John Falko Promotion"

Thank You For Listening - If you like a song or 2 please Like, Repost, and Follow — your support is fuel. ✨🙏

ZEMANDAN has crafted relentless sonic odysseys for over 25 years — blending progressive psytrance, techno, dubstep, cinematic orchestral anthems, and brutal metal with hypnotic vaporwave and cyberpunk chill. Since 1993, rooted in death metal, ZEMANDAN’s music fuses glitchy grooves, distorted bass, and haunting melodies into immersive soundscapes of apocalyptic intensity and euphoric darkness. Each track pulses like a dark ritual, designed to captivate dancefloors and minds alike.

Bookings & commissions: snipersmilepolice@gmail.com
NO PROMOTERS OR SIMILAR, THANK YOU.

Thank you for your support!

https://www.youtube.com/watch?v=6W--BwmFwHg&list=RDlG0ngvGGbY4&index=2

TECH TRANCE, DUBSTEP, VAPORWAVE ELECTRO FUNK, DEEP HOUSE, CYBERPUNK, FUSION, SYNTH POP, CHIPTUNE, ELECTROCLASH, PSYTRANCE, AMBIENT, SYNTHWAVE, DEATH METAL, METAL, FAT BASS, HYPNOTIC, CHILL, SLOW TEMPO, GROOVY, 2025 ✨

Do You Need Me Tonight (2025)

IR1S

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