Solo improvisation at HIAS (Hamburg Institute for Advanced Study) December 7, 2022.

Iran Solo HIAS

Crash Catalyst ensemble [Melanie Walters, Amanda Home, Rachel Johnson, Dan Thorpe, Al Thumm] Played this piece that I wrote for them. big big thanks. 
Instruments :
Alto Flute, 
Saxophone,
Clarinet,
Cello, 
Electronics.

The Instrument, The Master And The Flowers played by Crash Catalyst Live @ COMA [Live]

Palace of Parallel Lines

Sine Waves

Using pressure sensitive floors to control sound, relying on a memory-based reaction from SuperCollider. 

IfThen

A short excerpt of my 2 hour set for the closing of Knitted Camps exhibition by Setare Arashloo at the Tarahan Azad Gallery, Tehran. July 20, 2015.

The piece used the pillars of the gallery and four channels to direct sound around the room's corners.

Tarahan Set Excerpt

This track features 6 sensors, short memory length, and a passionately uninterested taste.

Only a Method (not a pure form)

The third part of my set with Angus Mason and Derek Pascoe at the Wheatsheaf as a part of COMA. Big thanks to Marty and Jarrad for the recording and mixing.

The Unravel

compositions by Iran Sanadzadeh premiered at Erit Satis concert, Adelaide 2014.

Ocarinas: performed by Melanie Walters and Nathan Cummins

4418: performed by Sebastian Collen and Nathan Cummins

This is a live recording of the piece I wrote during the Forme Uniche workshops late 2012 in Adelaide, studying with Stephen Whittington and Carlo Forlivesi. 
The piece is for the Vernus pressure-sensitive floors, Clarinet (played by Peter Handsworth) and Violin (Elizabeth Layton). 
Twas played at Elder Hall.

Dedicated to M.T.A. 


Big thanks to all that helped. xo


hit me up for info. I might have some.

For Violin, Clarinet and Electronics

I no longer upload my work here. Head to my site for more recent works. 
iran.sanad.net.au

Iran Sanadzadeh

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