ENTARTUNG's Krypteia debut displayed a young black metal band with an old soul, breathing deep the spirit of ancient darkness. But with their second album, Peccata Mortalia, ENTARTUNG exhale a crypt-stench stronger than death. Indeed, Peccata Mortalia displays the duo in an even stronger (black)light, the songwriting both more assured and distinctive and the execution more vile and grim. Shadow-draped yet melodic, despite the band's Teutonic origins, ENTARTUNG forego the mystical/medieval vibe of their country's usual black metal style and, in fact, slot well alongside Finland's filthy and emotive idiom of the past decade. By any description, however, Peccata Mortalia is black metal traditionalism par excellence.

"Peccata Mortalia" is set for release as CD & LP on March 8th, 2014.

Tracklist

1.Der Hölle Herr
2.Blasphemaverit in Spiritum Sanctum
3.Out of Darkness into Light
4.Faith on the Scaffold
5.Cimmerian Shade
6.To conquer Immortality in the Depths
7.The Law of the Claw
8.Yawm ad-Din

To conquer Immortality in the Depths

Free full album stream: https://stormnatt.bandcamp.com/album/omega-therion

If you like our music then please support us and buy at least our digital download.
We just want to compensate the money we put into our albums and merch.

Omega Therion

SEPULCHRAL ZEAL - Open, Ye Core

Hot on the heels of their critically acclaimed Leviaxxis demo, released earlier this year by W.T.C. PRODUCTIONS, fast-rising German black metal cult DYSANGELIUM unleash their highly anticipated debut album, Thánatos Áskēsis . As prefaced by Leviaxxis, the sound of Thánatos Áskēsis  can rightfully be described as tyrannical: swift and strategic, roiling and rumbling, surging and striking, DYSANGELIUM exude a startling confidence and authority beyond their young years as a band. The nine songs here righteously uphold the banner of orthodox black metal, but the Teutonic quintet work in a dazzling array of dynamics and nuance, especially in the unique, authoritative throat of vocalist Sektarist 0: it's literally the mouth of HELL, and his bandmates follow suit with incendiary performances and muscular execution. Even the song titles - among them, "Gateways to Necromancy," "I Am the Witness, I Am the Servant," and "Words Like Flames" - back up these claims. Soon enough, DYSANGELIUM's Thánatos Áskēsis  will be spoken of as a momentous record in the pantheon of pure-and-proud black metal.

I Am The Witness, I Am The Servant

taken from the "The History of Death & Burial Rituals part I." 

Death is as young as humanity itself. It accompanies mankind from the very beginning and it is an integral part of life.
As the cultural differences in society have been evolving throughout the centuries, different ways of burying the deceased as well as their worship and access to the dead were incurring. In particular, the emergence of different religions in the world had a crucial influence on funerary rituals, historical and current, as well as on the perception of death. Many cults of death were born...

I have always been fascinated by this topic and that was the reason behind the conception of this work. The LP "The History of Death & Burial Rituals pt1" is the first part of the musicalization of posthumous rituals and the perception of death in different cultures and countries around the world. This is my tribute to death and its great value and importance to man.

In the first part of this musical book we will deal with rituals in the following countries:

Slovakia - ancient burial customs of superstitious and deeply religious villagers still exist in certain areas till today.

Madagascar - dance with Death, in the name of Famadihana.

Mexico - the most famous dead town which once lived though death. Enter the mouth of the ChichenItza well - where people were buried in blood.

Czech republic- "Umrlčí prkna" provide a place for Death through the long and harsh winters, so the earth could accept the bodies in spring.

India – The Towers of Silence. Here one can feel and hear death the most.

China - Hanging coffins on high rocks so nobody disturbs the peace of the dead.


Death Karma - Slovakia- Journey of the Soul

Track Premiere of the upcoming Barshasketh album "Ophidian Henosis". The album is due to release on Blut&Eisen Prod. for July, 30th, 2015. A vinyl version will follow at a later point in collaboration of Blut&Eisen Prod. & W.T.C.Productions.

Barshasketh - Ophidian Henosis - IV

Track from the upcoming full-length Dommedagskvad to be released by Terratur Possessions exclusively.

WHOREDOM RIFE - Beyond The Skies Of God

W.T.C. PRODUCTIONS is proud to present SHAARIMOTH's long-awaited second album, Temple of the Adversarial Fire. Ever aptly titled, Temple of the Adversarial Fire is a bold and brazen reinvention for this Norwegian trio, fully in line with the band's spiritual beliefs. More than the cliché "phoenix rising from the flames," SHAARIMOTH have stripped down their aesthetic to its barest essentials, and then rebuilt them into an incendiary, black-smoke-billowing monolith of blackened death metal majesty. Rarely in the nowadays metal underground will one hear a death metal record this pure and reverential in its intent whilst being so suffused with the blackest of blood. A glorious new epoch has arrived, and SHAARIMOTH are ushering it in with Temple of the Adversarial Fire.
 
Formed in 2004 but tracing its origins back to 1998, SHAARIMOTH emerged from the then-barren Norwegian death metal underground, and along with it, so did new incantations of darkness, death, and destruction. Both dark and ecstatic, furious and violent, defying genres, but at the same time paying tribute to its predecessors of the black arts, SHAARIMOTH's goals were firm from the very beginning.
 
Building upon its unique take of technical Morbid Angel-esque death metal with dark ambient interludes and occult lyrical content, SHAARIMOTH is not music; it is ritual. A sonic vehicle of occult propaganda, created to manifest dark currents by the means of music, the trio worked in earnest on their first public recording. That record, the debut album named Current 11, was released in 2005 via Carnal Records, and dealt primarily with Chao-Gnosticism as approached through the prism of ancient Sumerian tradition. The album immediately became an underground cult, and the status was undoubtedly reinforced through years of worship.
 
Following the album's release, SHAARIMOTH withdrew from the public eye for many years, only to break the silence now. Hereby, the band announce its inexorable return and rebirth with Temple of Adversarial Fire! The time of the Fire is drawing nearer, and new bonds have been forged in its flames. WORLD TERROR COMMITTEE is the label chosen by SHAARIMOTH to collaborate in the release of their monumental second album, making sure that its incantations will resonate loud and clear, far and near.
 
Indeed, Temple of Adversarial Fire is a monument: 11 songs in 47 minutes that feel far more vast and expansive than this concise running time suggests. Over that psychic/sonic terrain, the trio canvass a frightening, feral landscape that bridges the terrestrial and the Beyond. It is the blackest of death metal, rendered with the ceremony of a Roman Empire procession, cloaked in sulfur and reeking of brimstone. It is a vision that's limitless, and yet demanding the steeliest fortitude to behold. Are you prepared to bear witness? For SHAARIMOTH is the truth that will burn your world to the ground. Forged in fire and shaped by The Master, SHAARIMOTH is the sound of a thousand raging hearts, the Devil's music manifest.

http://www.shaarimoth.com
http://www.facebook.com/Shaarimoth

Shaarimoth - Lord Of Putrefaction

W.T.C. PRODUCTIONS is proud to present ACRIMONIOUS' highly anticipated third album, Eleven Dragons. A work of unimaginable might, of enduring and unyielding spiritual will, Eleven Dragons is the sound of serious and thoroughly occult BLACK/DEATH metal given shape and successive flight. It is the many-splendored brilliance of eternal (and eternally damning) illumination, spread across 11 hymns in an engrossing 'n' engaging 67 minutes. It is the promise - and subsequent sonic manifestation, at their respective times of study - of ACRIMONIOUS' celebrated first two albums taken yet further into the hungry, ever-beckoning void. It is METAL, hailing the mysteries of death and draped in the blackest of shadows, unfurled full fathom across the ecstasy of sin and Satan. It is verily Eleven Dragons, at the threshold of The Beyond.

The volcanic eruption that churned ACRIMONIOUS out of the depths commenced in 2002. It was during a period that the underground was receiving an injection of creativity again after a long period of stagnation and aimless exploration, which had led to the dilution of the adversarial Light with elements hostile to the eyes of the Destroyer, within the extreme metal scene, which was hungry for madness and danger again.

Beginning the journey as a homage to the ancient and morbid ways of the '80s and '90s Satanic metal, the many-tentacled abomination of ACRIMONIOUS was nourished by the prana of old Samael, Sarcofago, old Mayhem, Tormentor, Nifelheim, and Dissection amongst others, while simultaneously sharpening the blades and perfecting the skills of the craft. It would later on manifest the Perdition Gospel mini-album, its first concrete attempt to glorify at the temple of Satan. Then the Broken Bonds of Balance 7" EP followed the next year. By that time, a change in members was necessary and inevitable a step, as Funus and Nuctemeron left the band, leaving only Cain Letifer as the sole member to contemplate upon the monuments of the trinity of Lucifer, Lilith, and Cain, thus giving birth to the first full-length album, Purulence.

Even though the band had deliberately kept a very low profile during the years, the Beast was fanning the flames constantly in the shadows, aiming at a reconstruction of identity which would lead further into the Abyss of formlessness, darkness, and uncertainty through majestic Art. So it happened that, in the year 2011, Semjaza of THY DARKENED SHADE entered the ranks of ACRIMONIOUS as a second guitar-player and bassist, and also the addition of C.Docre on drums. Thus, the band proceeded to record the second full-length album, which was released at the end of 2012 under the name of Sunyata.

Many moons passed and many sparks illumined the midnight sky, by the striking of the hammer of will on the anvil of tribulation. Much blood watered the fertile soil that led to the crucifixion of matter with Spirit, and so it came to pass that the third sonic invocation was conceived, namely Eleven Dragons, glorifying the forces that bring All back into the primordial nothingness. ACRIMONIOUS is honored to announce its collaboration with WORLD TERROR COMMITTEE for the release of the third horror of nameless Void on CD and LP. This is the pinnacle of Glory and Thunderous Power, the crowning achievement, an echo of ecstatic laughter in a backward dance of malicious Fury that venerates the Eleven Flames of the One without Names. BEHOLD!

Lineup

Cain Letifer - guitars, vocals
Semjaza - guitars, bass
C.Docre - drums

Credits

Recorded in Sitra Ahra Studios
Mixed and mastered by Stamos Koliousis
Album artwork, design and layout by Vamperess Imperium
Additional lead guitars by Semjaza
Additional vocals on “Stirring the Ancient Waters” by J.S. and CTN 358
Whisper on “Elder of the Nashiym” by Dymadiel

W.T.C.Webshop

Acrimonious - 06 - Kaivalya

W.T.C. PRODUCTIONS is proud to present MEDICO PESTE's highly anticipated new mini-album, Herzogian Darkness. Ever aptly titled, Herzogian Darkness is a shadowy plunge into strange, shapeshifting depths. It is recognizably black metal by sound and vision - and, more or less, by name - but the febrile sensations these mysterious Poles emit elude safe 'n' staid categorization. Not for nothing do MEDICO PESTE here transform Bauhaus' classic "Stigmata Martyr" into one of their own, idiosyncratic creations.

MEDICO PESTE's history goes back to the winter of 2010, when they formed in Krakow, Poland. A demo followed the next year before their debut album, א: Tremendum et Fascinatio, in 2012. There, MEDICO PESTE portrayed a vision of black metal which incorporates dark and oppressive atmospheres, created through dysharmonic riffing, eerie vocals, and a taste for insanity and the macabre. And yet, the band's sound is always evolving, and while strongly rooted in traditional black metal, MEDICO PESTE inject elements of non-metal genres into their music, vividly painted across their brand-new Herzogian Darkness. Four songs in 27 minutes, these grim, crazed rituals are the newest face to a mask that is cracked but always spinning sinister thoughts, leering with the knowingness that the future's wide open yet infinitely bleak - that a Herzogian Darkness is on the horizon.

Format: Digipak-MCD, MLP, Digital
Catalogue Nr.: W.T.C.156

Medico Peste - 03 - Le Delire de Negation

Track is taken from split with ecuadoria Cabra Infernal

Death Karma - Slovakia- Journey of the Soul

Iron BoneHead Productions

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