@user-285220383: Please do not use this. First of, this is old so the mixing and instrumentation isn't that great, and second, this track is meant for the AU differentopic and not any other AUs. Have a good day.

Steven Universe: The Legend Of Emerald Full OST: The A.T.F.

EVERY TIME I TRY TO SEND A LITTLE [[Cool Refreshing]] ADVERTISEMENT DOWN THERE -- WHAT DOES HE DO? HE TURNS IT INTO [Heavy Showers].
AND WHO NEEDS THAT???
EAHEAHEAHEHEAHEAH

Art by poryphone on Twitter: https://twitter.com/poryphone/status/1459969177943371778

The first time in a while that something I've done has felt like a legitimate rip. I loved that original picture so damn much that I did this - and on the same day, too. I should've done schoolwork instead but I probably would've wasted my time on something unproductive otherwise, so whatever.

I might do a bit more with the vocals, but a running thing with my Spamton mixes is I tend to dislike how the finished vocals sound at first but then they grow on me. We'll see how it goes. (Update: the same thing happened again, surprise surprise)
At some point I also want to improve the counterpoint (mostly regarding the strings for the Major section).

I'd really like to analyze the counterpoint between melody and bass to find out why the same two bar pattern works harmonically throughout the entire melody, even though I wrote it with the Minor section in mind*. I'm thinking the resolution notes in bar 1 probably take turns being tensions or chord tones for w/e the melody's implied chord is at the time. 
*WAIT. Minor. Consistent harmony... I chord and VI chord are both Tonic chords.... HRM.
So, the bass goes like "B, F#, D# E, G->F# | B, F#, D# E, G->E" That means the bass technically stays on WAIT> WIAT IT'S A PENTATONIC SCALE ISN'T IT. 
1 2 3 5 7. E F# G B D# Just corrected myself, the pitch is also F# and not F; Holy SHRIEYT.
I was thinking about how it technically stays on the I chord, specifically in the form IM7(9). It makes TOTAL SENSE that it works consistently between all the melodic bars like this.
I DID THAT SHIT on ACCIDENT. AAAAGH 
DAMN. i'm so awesome.
(edit: technically it's got pieces from both kinds of a penta scale, which is why some parts felt like they worked better than others)

Anyway. Now all that I'd have to do after that is map the chords out, which rartedvisage already did in his sheet music in 2019, but I wanna take a crack at it myself. 
Fun time in the near future :]

((If I can't have 🇦🇱🇮🇹🇹🇱🇪🇧🇮🇹🇴🇫 𝕗𝕦𝕟 🇮 🇲🇮🇬🇭🇹🇦🇸🇼🇪🇱🇱 𝒍𝒆𝒂𝒗𝒆))

Spam-Miser

https://deltarune.com/ 

I grew up playing the Pokémon DS games, so I thought it would be fun to try to do a full battle song in the style of that, and there didn't seem to be a better way to test it out than with one of my new favorite parts of VGM, Smart Race from Deltarune!

Berdly is really cool.

Notes: 
Cover art: https://kesia-stupid-arts.tumblr.com (let me know if I can't use this!)
Inspired by @zasriel's Vs. King song with the Pokémon B/W soundfont! (I can't believe I forgot to credit you, sorry!)

I hope everyone listening has a great day, night, and eternity.
Adios amigos!

Deltarune - Smart Race (Pokémon HeartGold/SoulSilver Style)

this is from october, some parts are a little rusty but i'm happy with it

---
original song -> toby fox

Attack of the Killer Queen (Arrangement)

I'm surprised I haven't made a cover of this yet.
Original MIDI by LukeeGD

THE WORLD REVOLVING (Cover)

sword fight thing heavily inspired by steven universe 


blade to blade

*The house always wins

Watch this on youtube!: https://youtu.be/cptLHneguGA

Balatro x Deltarune secret boss battle theme (Vs Jimbo)

Leitmotifs:
- Balatro theme
- The world revolving
- Freedom Motif
- Don't forget

Sprite by The tross
https://x.com/The_Trozz

FOOL'S SUIT - Deltarune x Balatro Secret Boss

All Games Deserve Secret Bosses
and with that comes freedom motif

Today we have The Secret Knight based on The Secret King in the sound test room

Secrets Of The Blade - Pizza Tower

dkc - gangplank galleon (ultrabox arr.)

I was going to wait to post this until later in the run, but again someone had to request it on Reddit, so, well, here we are. [/sans]

Oh, and by the way, I wasn't sure what to call this track, so I asked Asgore. Hopefully you guys are okay with that.

Asgore's Lab (SPOILERS)

Happy Halloween!

This one was another kinda-collab between me and Keno. I laid it out and put it together; he added a few things and made the final adjustments (i.e. better mixing)

Spongetale - ЯOCK BOTTOΣ

Do NOT upload to Youtube, kthx. Read the comic here: http://invertedfate.tumblr.com/tagged/inverted-fate-comic/chrono/ Special thanks to Xalia for help with the mixing!

My use of motifs here was very deliberate and relates to IF's plot and backstory. Make what you will of it.

[Inverted Fate AU] What Went Wrong...?

Here is a(mostly) original song based off the Pac-Man Intro theme and heavily inspired by Undertale's True Lab.

This is the background theme that will be used for an Isometric Pac-Man Horror game, which is currently under development by yours truly.

Pac-Man belongs to NAMCO, and Undertale belongs to Toby Fox.

Pac-Madness - Pac-Man Intro Theme in the Style of Here We Are

Poor edited Memory for sound like an amalgamate

not official

motifs :
0:00 - bass notes from the pokemon red trainer theme slowed down and in minor key
1:30 - lavender town
2:18 - mt.moon slowed down, reversed and in minor key

[Differentopic AU] What they tried to hide

it's actually just a plastic love megalo

art by triple-q: https://triple-q.tumblr.com/post/175230289852/mariya-lays-the-plastic-beatdown

NATSUKASHII (A Mariya Takeuchi "MEGALOVANIA" theme)

@undertale-epic-mode is a really cool take on the Undertale OST, I like it so much so I made this cover of their take on "sans." I hope they see it lol
And I hope you like it!

[UNDERTALE: Epic Mode] sans. (Cover)

current account.

btw don't upload my stuff elsewhere thanks

[Differentopic AU] What they tried to hide

some dude

Recent comments

Lil Sogga

some dude

Cindy Good

SAMUC 06

Related tracks