Name: Story of many by irunak
Duration: 14 min 21 s
Description: A scenic work for vocals, chants, percussion, drums, electroacoustic soundprocessing, organ and synthesizers.

A scenic work for vocals, chants, percussion, drums, electroacoustic soundprocessing, organ and synthesizers.

A beautiful expansive blend of Vocal and Brass sounds.

In progress

Fripping About (Guitar instrumental)

Collab with Entheogenic Psychonaut (Josh Clary) - hope you enjoy ;)))))
Josh - slide guitar, keys and bass
Tez - guitar, wah guitar, drum sequencing and mix

Sliding Dub - with Entheogenic Psychonaut (Josh Clary)

Vocals and Lyrics: @kaerian-1

Music:  Laar @https://soundcloud.com/user-325797522 (Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

Photograph: by Eric Pitteloud (all rights reserved)

Lyrics
------

Ne t'approche pas trop près de moi
(les dramas c'est pas pour moi)
Je n'aime pas
Je n'aime pas être entourée
par tous ces gens bien intentionnés
qui cherchent à me corriger
me conformer à leurs normes
modifier ma vraie forme
(j'essaie de m'échapper, mais je me fais toujours rattrapper)
les vieux réflexes me laissent perplexe

La vérité c'est que j'aime être entourée
par des gens apaisés
sans combats de guerriers
non je peux plus digérer (gérer)
cette atmosphère de guerre
constante
idiote compétition
envahissante
incessante et persistante
Ne t'approche pas de moi
pour initier un combat
non je ne veux pas
que mon temps serve à ça
fatiguée de lutter
il y'en a si peu
il est si précieux
dépitée de gaspiller

rien ne sert de faire un drame
inutile est ce vacarme
l'expérience est faite
même si c'est une défaite
rien ne sert d'abimer le passé
inutile de vouloir l'effacer
juste avancer

------------------------

Don't get too close to me
(dramas are not for me)
I don't like
I don't like being surrounded
by all these well-meaning people
who try to correct me
to conform to their standards
change my true form
(I try to escape, but I always get caught)
the old reflexes leave me confused

The truth is that I like to be surrounded
by peaceful people
without warrior fights
no I can't digest (manage)
this atmosphere of war
constant
silly competition
invasive
incessant and persistent
Do not approach me
to initiate a fight
no I don't want
my time to be used for that
tired of fighting
there's so little of it
it is so precious
sorry to be wasteful

there's no point in making a mess
it's useless to make a fuss
the experiment is done
even if it is a defeat
there is no point in damaging the past
no point in trying to erase it
just move on

Ne t'approche pas

Ne T'approche Pas (Kaerian & Laar)

a track by Marco Lucchi reworked by idematoa

gennaio 2023

Marco Lucchi & idematoa - Hourglass

Retorn Of Calafate Version Berlin School - Part 5

P-Iris Germanica

Another track inspired by "The Wake", a post apocalyptic novel by Paul Kingsnorth.

Buccmaster and his friends visit a village untouched by the Norman invasion. They participate in a village celebration, which Buccmaster looks back on as the very last joyful day. Even so, everyone there fears for the future.

I used my Flamenco guitar again... but economically, my early versions were too Iberian!

the last daeg we was yonge

Story of many

this track, from the forthcoming CD "1514 Lee Street," takes you back to a moment of childhood wonder. Picture yourself at eight years old, nestled on a couch in your grandmother's house as a dark storm brews outside. You gaze out the window, mesmerized by the sight of a palm tree swaying in the wind, its rustling leaves seeming to whisper secrets. In that tender moment, your grandmother gently covers you with a warm blanket, and you drift into a deep, peaceful sleep. Decades later, the memory remains vivid, a testament to the enduring power of home and love. This track encapsulates that timeless feeling, inviting listeners to rediscover the magic of cherished memories.

on a calm night

Aeon Transmissions

Jade

iTunes

Jeremy J. Saks - Jade

This is to share my creations and discover yours.

Those sounds we put together and call ''music'' mean everything to me.
Regardless of the style, genre, or cultural ethnicity, 
All these kinds of sounds have always occupied a huge part of my time, attention and listening.

''Music'' has followed me and been a companion in the happiest and through some of the absolute worst moments of my life.

I have been taught in a way, by every composer, conductor and otherwise musicians, bands and performers I have admired and spent so much time listening to over the years. 

My biggest influence is Karl Heinz Stockhausen, for his textures and sonorities the experimental concept from which his creations and sounds came to life, for his approach to performing and the thoroughness of detailing and documenting his works.
 
I began creating and recording my own ambient-experimental soundscapes 10 years ago with the discovery of software synthesizers and Digital Audio workshops. 
Thanks to Soundcloud, I can now share worldwide what I do and take a plunge into this vast network of ''music''. 

I use mostly orchestral instruments, but also a vast combination of ethnic and modern instruments, including synthesizers.

I use all kinds of sacred chants, ethnic voices, choirs. 
I routinely route instruments to sound processing, where the effect is an instrument.
I often use various sound sources.

Please feel free to share your track with me, I am always eager to discover:)
I am not big at reposting tracks, I find it a bit confusing, but necessary.
What I do is if you repost one of my tracks, I will repost you. 
When I repost you, I automatically tweet you also and share your track on other social media.
That way, we both contribute to the sharing of our works!

Story of many

irunak

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