Name: Vocal Geometry by irunak
Duration: 14 min 51 s
Description: A triangle (parts 3-4-5) in the musical imagination for voices, Asian strings, alto flute, percussion, drones and a rotating reverb pentagram:)

A triangle (parts 3-4-5) in the musical imagination for voices, Asian strings, alto flute, percussion, drones and a rotating reverb pentagram:)

A Little number to symbolize the end of the pandemic(tentativley) or any other stress that ends, Thanks for listening 🤗 & hope everyone can find some chill space after all the craziness we’ve all been going thru 😊🙏😊

The All Clear 🟩

AUXY / Original / Playin with Samples and Composing .

Peace To My Purpose

Mouvements

Losing You

Is There A Reason For Me - Beck & Fini

Electroacoustic Music 2023

Headphones recommended

Albireo

Vocal Geometry

method: recording semitone sequences, layering, morphing with pedals while recording,  layering, panning tiny critters, layering, etc. headphones recommended
narration: shallow waters. seaweed. the powers it forces. the powers that force it. since it is hard to hear through the water's surface,the written-out poem can be found below. seaweed has oh some many overlapping voices ..... like the multivocal waves themselves
image: copyright jo richter

poem / copyright jo richter:

what hides within me
remains well-hidden
until it awakes
stirs and elopes

from far without me
adaptive swaying
in flow with the current
tentacle tides

deceptively timid
quite unassuming
tumbler of shadows
living on light

protruding from vastness
ancient sea giants
sediment trances
supporting frail roots

seaweed sensibilities

Aembal

between dreams

Bassorama Slap Hop Time is composed by Glenn Ray Ryeridge 2019.
Vocal bits by Special Cecilia and various furry funkers.
Listening a lot to Marcus Miller i appriciate the fact that a bass guitar can be the main attraction and principal engine of a song
Ray.

Bassorama Slap Hop Time (Vocals by Special Cecilia and the Furry Funkers)

This is to share my creations and discover yours.

Those sounds we put together and call ''music'' mean everything to me.
Regardless of the style, genre, or cultural ethnicity, 
All these kinds of sounds have always occupied a huge part of my time, attention and listening.

''Music'' has followed me and been a companion in the happiest and through some of the absolute worst moments of my life.

I have been taught in a way, by every composer, conductor and otherwise musicians, bands and performers I have admired and spent so much time listening to over the years. 

My biggest influence is Karl Heinz Stockhausen, for his textures and sonorities the experimental concept from which his creations and sounds came to life, for his approach to performing and the thoroughness of detailing and documenting his works.
 
I began creating and recording my own ambient-experimental soundscapes 10 years ago with the discovery of software synthesizers and Digital Audio workshops. 
Thanks to Soundcloud, I can now share worldwide what I do and take a plunge into this vast network of ''music''. 

I use mostly orchestral instruments, but also a vast combination of ethnic and modern instruments, including synthesizers.

I use all kinds of sacred chants, ethnic voices, choirs. 
I routinely route instruments to sound processing, where the effect is an instrument.
I often use various sound sources.

Please feel free to share your track with me, I am always eager to discover:)
I am not big at reposting tracks, I find it a bit confusing, but necessary.
What I do is if you repost one of my tracks, I will repost you. 
When I repost you, I automatically tweet you also and share your track on other social media.
That way, we both contribute to the sharing of our works!

Vocal Geometry

irunak

Recent comments

serines

irunak

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