in den finsteren Zeiten

Chamber Concerto (2022) in one movement 
for nine players and electronics

Recording of the premiere at UC San Diego, May 2022

Michael Jones & Rebecca Lloyd-Jones, percussion
Shaoai Ashley Zhang & Kyle Adam Blair, keyboards
Ilana Waniuk & Pauline Ng, violins
Alex Taylor, viola
Peter Ko, cello
Matthew Kline, double bass
Steven Schick, conductor

Chamber Concerto

Performance of "(almost always is nearly enough)" by earspace on November 5, 2022.

Ledah Finck, violin
Lena Vidulich, viola
Erin Murphy Snedecor, cello
Philip Snyder, flute

(almost always is nearly enough) [live] // earspace // 2022

Commission: Südwestrundfunk for the Donaueschingen Musiktage 2022

Live recording of the world première, Musica Nova Helsinki, 3 March 2023.

Performers:
Mattie Barbier, trombone
Weston Olencki, trombone
Helsinki Philharmonic Orchestra
Janne Nisonen, conductor

Photo: Helsinki Philharmonic Orchestra

where the dark earth bends (2022, rev. 2023), for RAGE Thormbones, orchestra, and electronics

the likelihood of forgetting

Title: dredge ii
Year: 2023
Performers: Hypercube
Art: the composer

dredge ii [alto sax, e. guitar, percussion, piano]

I've already posted a downloadable excerpt from this recording, which is of the only performance so far of this piece (in February 2005, by the BBC Symphony Orchestra conducted by Tadaaki Otaka). Here it is in its entirety. I hope I won't get into trouble for posting it but how else is anyone going to hear this music? which was presumably the idea behind commissioning and performing it...

NO (2004) for orchestra

for alto saxophone, electric guitar, percussion, and accordion 

March 26, 2024 - Illinois State University

Black Ice

Black Ice - Performed by HYPERCUBE

Ensemble ACJW performs live premiere

headphones recommended

(attached image by Hebru Brantley)

Baby (an argument)

Voided Cross (for Michael Heizer)
written for and commissioned by HYPERCUBE
total dur.: 45'

live recording, DiMenna Center, NYC, 5/7/2019

performed by HYPERCUBE

Erin Rogers, tenor saxophone
Jay Sorce, electric guitar
Andrea Lodge, synth / accordion
Chris Graham, percussion

live sound and mixing by Weston Olencki

Voided Cross (for Michael Heizer), Part III

Niko Yamamoto, live electronics

Based on a recording of "a midfield glance"

down-shift (2020; 02:52)

phd fellow in multimedia composition @ brown university
mm royal conservatory of the hague '23

(almost always is nearly enough) [live] // earspace // 2022

isaac barzso

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