Complete (feedback systems)

In the late 1980s and early 1990s, Japan became the birthplace of a distinctive and intense form of psychedelic music, emerging from the underground scene and centred around pioneering labels like PSF Records. This movement was marked by a raw, dissonant, and fuzzed-out sound that combined elements of noise, free jazz, and traditional psychedelic rock. 

This two hour show documents the sounds of several key bands that played a significant role in shaping this unique musical landscape such as Fushitsuha, Les Rallizes De Nudes, Shizuka, Acid Mothers Temple and more. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-nts-guide-to/episodes/the-nts-guide-to-japanese-underground-psychedelia-23rd-august-2024

NTS Guide to: Japanese Underground Psychedelia 230824

Fall Apart

"Dark dirges to satisfy your darkest urges…” 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/crypt-of-the-wizard/episodes/crypt-of-the-wizard-23rd-january-2025

Crypt of the Wizard 230125

Joyful global club sounds with NYC via London party starter The Large 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/the-large/episodes/the-large-7th-february-2025

The Large 070225

A LITTLE WHILE

MC OAKZY B & MC A - DNA & MONTA MUSICA MIX!

Digital – “Tex” (Photek)
Digital – “Sub Zero” (Photek)
Spirit – “Prologue” (Photek)
Photek – “The Seven Samurai [Photek Remix]” (Photek)
Peshay – “Contempory Acoustic Jazz” (Mowax)
Peshay – “Miles From Home” (Mowax)
Digital – “Lower Depths” (Photek)
Photek – “The Water Margin [Photek Remix]” (Photek)
N.O.H.A. – “Start [Optical Remix]” (Groove Attack)
Peshay – “Switch” (Mowax)
Hidden Agenda – “Big Lamp” (Metalheadz)
Photek – “Neptune” (Metalheadz)
Photek – “Yendi” (Science)
Goldie – “Mother” (ffrr)

PHOTEK : Essential Mix on Radio 1 : December 1997

All I Want Out of a Red Box Body Unsolved

Jean-Jacques Abrahams qui avait été en analyse de 14 à 28 ans, sans faire de progrès, est venu à sa dernière séance avec un enregistreur et a réclamé des comptes. Cela lui vaudra d'être interné. 
Le texte seul est d'abord paru dans "Les temps modernes" en 1969 puis Gilles Deleuze a récupéré l'enregistrement et l'a fait écouter à ses élèves avant de le proposer à "L'atelier de création radiophonique" en 1972.

Complete (feedback systems)

Isaac Maxwell

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